David Carbonara's ' "The Twenty Third Floor" was released on its scheduled release date, January 1, 2014. With This song being less than two minutes long, at 1:12, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in David Carbonara's "Mad Men: After Hours" album is number 8 out of 15. Based on our statistics, The Twenty Third Floor's popularity is not that popular right now. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
We consider the tempo marking of The Twenty Third Floor by David Carbonara to be Allegro (fast, quick, and bright) because the track has a tempo of 148 BPM, a half-time of 74BPM, and a double-time of 296 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 4/4.
D Minor is the music key of this track. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Brass and Bongos | Syd Dale, Alessandro Rizzo, Elliot Ireland | F Minor | 8 | 4A | 155 BPM | ||
| It's Complicated | Hans Zimmer, Heitor Pereira | F Major | 2 | 7B | 94 BPM | ||
| Quel Temps Fait-Il a Paris (From 'Son Piano Et Ses Rythmes') | Alain Romans | E♭ Major | 2 | 5B | 118 BPM | ||
| West Side Blues | John Cameron | F Major | 2 | 7B | 67 BPM | ||
| Lemonade | Shtriker Big Band | E♭ Major | 7 | 5B | 141 BPM | ||
| The New York Times | David Carbonara | G Minor | 1 | 6A | 67 BPM | ||
| Calling All Units to Broccolino | Calibro 35 | D Major | 9 | 10B | 93 BPM | ||
| Pink Panther/It Had Better Be Tonight (Meglio Stasera) | Plas Johnson | D Minor | 4 | 7A | 118 BPM | ||
| Ev'ry Time I Look In Your Eyes/After The Party | Carmine Coppola | A♭ Major | 3 | 4B | 113 BPM | ||
| A Man And A Woman - Remastered | Sir Julian Gould | A Major | 4 | 11B | 88 BPM | ||
| Are You Looking For Me? | Antonio Sánchez | B♭ Minor | 2 | 3A | 79 BPM | ||
| Bugs, Beats and Bowties | Daniel Pemberton | A Minor | 5 | 8A | 110 BPM | ||
| Joshua Fit De Battle Of Jericho | Grant Green | A Minor | 5 | 8A | 108 BPM | ||
| Deborah Ocean | Daniel Pemberton | F Minor | 4 | 4A | 80 BPM | ||
| Have You Met Miss Jones? | Vince Giordano And The Nighthawks, Vince Giordano, Nighthawks Orchestra | F Major | 4 | 7B | 175 BPM | ||
| Recado | Original Paris Swing | B Minor | 5 | 10A | 96 BPM | ||
| Text Ting Swing | Brian Tyler | B♭ Minor | 8 | 3A | 120 BPM | ||
| Hooray for Hollywood | Don Swan & His Orchestra | F Minor | 7 | 4A | 143 BPM | ||
| Get Smart Theme - From the NBC Television series "Get Smart" | Hugo Montenegro & His Orchestra | E Minor | 8 | 9A | 118 BPM | ||
| Waltzing in Dreamland | Alan Moorhouse | D♭ Major | 1 | 3B | 91 BPM | ||
| The Men of Sterling-Cooper | David Carbonara | G Major | 3 | 9B | 120 BPM | ||
| Charleston Fizz | John Rowcroft, London Studio Big Band | G Major | 6 | 9B | 109 BPM | ||
| Rose Night - From Borsalino & Co | Claude Bolling | A♭ Major | 4 | 4B | 173 BPM | ||
| S***! S***! S***! | David Holmes | B♭ Minor | 9 | 3A | 108 BPM | ||
| Night Train - Remastered | Alvino Rey | F Minor | 4 | 4A | 95 BPM |