On 2016, the song "Mare Sava Laakh Ri Chundadi" was released by Harsh Mali. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 2 out of 10 in Bayosa Mata Ke Bhajan by Harsh Mali. Going off of the ISRC code of this track, we detected that the origin of this track is from India. In terms of popularity, Mare Sava Laakh Ri Chundadi is currently unknown. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Mare Sava Laakh Ri Chundadi by Harsh Mali is Andante (at a walking pace), since this song has a tempo of 95 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Ye Chudi Wale | Dilip Lahariya | C Minor | 9 | 5A | 78 BPM | ||
| Mali Samaj Ra Bhag Bhala Sant Hoya Tapdhari | Harsh Mali | A♭ Major | 8 | 4B | 170 BPM | ||
| Hindwa Surj Maharana Pratap (Amar Shourya Gatha) | Leela Ratnu | E♭ Minor | 10 | 2A | 82 BPM | ||
| Ghana Din so Liyo Re | prakashdasswamiofficial | B♭ Minor | 10 | 3A | 138 BPM | ||
| Kheteshwar Data Ri Moti Maya | Anita Jangid | D♭ Major | 7 | 3B | 82 BPM | ||
| Khimaj Mataji Ri Chunadi | Kishore Paliwal, Harsh Mali | D♭ Major | 9 | 3B | 170 BPM | ||
| Pyari Lage - Original | Harsh Mali, NA | E Major | 7 | 12B | 160 BPM | ||
| Mahari Khimaj Maa | Kishore Paliwal, Harsh Mali | F♯ Major | 8 | 2B | 90 BPM | ||
| Data Pachho The Levo Avtar | Bhawani Singh Kolu | A Major | 7 | 11B | 150 BPM | ||
| They To Mahadevji Juna Jogi | Kishore Paliwal | B♭ Major | 8 | 6B | 100 BPM | ||
| Teras Ri Prabhat Murat Jasol Saji | Harsh Mali | A Major | 9 | 11B | 80 BPM | ||
| Jevi Chhattar Wali Chhaya | Harsh Mali | E♭ Major | 8 | 5B | 80 BPM | ||
| Namokar Chalo | Roopesh Jain, Ankur Jain Ank | D♭ Major | 7 | 3B | 90 BPM | ||
| Bajrang Bala Japu Thari Mala | Sunil Sharma Dhingadiya | B♭ Major | 5 | 6B | 160 BPM | ||
| Jeshane Ri Aawad Ma Bhalo Re Odhyo Bheliyo | Ramavtar Marwadi | A♭ Major | 10 | 4B | 150 BPM | ||
| Jaajam Dhalo Re | Harsh Mali, Sawai Singh Rathore | C Minor | 9 | 5A | 85 BPM | ||
| Kon Tara Kone Bharya Jaanu | Dashrath Thakor | B Major | 7 | 1B | 142 BPM | ||
| Salasar Jawan Ne | Prakash Gandhi, Pushpa Sankhla | A♭ Major | 9 | 4B | 75 BPM | ||
| Ruk Ruk Chale Kam Maro Sanwariya Re | Ratan Rao | B Minor | 9 | 10A | 115 BPM | ||
| Mewadi Ratan (Maharana Partap ) | Leela Ratnu | E♭ Minor | 8 | 2A | 117 BPM | ||
| Mata Taro Vishwas | Jignesh Barot | B♭ Minor | 9 | 3A | 150 BPM | ||
| Runiche Ra Raj Ne Khamma Re Khamma | Harsh Mali, Aastha Kharwal | D Major | 9 | 10B | 106 BPM | ||
| Rani Joganiya Ka Parcha Bhari | Raju Lohar Akola, Raju Banka Kheda | A Major | 10 | 11B | 115 BPM | ||
| Jai Ho Jai Ho Tumhari Bajrangbali | Kanhaiya Mittal | F♯ Minor | 4 | 11A | 138 BPM | ||
| Tin Go Wada | Deepak Tiwari, Shristi Bharti | C Minor | 9 | 5A | 102 BPM |