"Camels in Munga-Thirri Flute Meditation" by Jane Rutter had its release date on 2021. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Jane Rutter's "Meditations on Australia" album is number 6 out of 11. On top of that, Australia appears to be the country where this track was created. In terms of popularity, Camels in Munga-Thirri Flute Meditation is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Camels in Munga-Thirri Flute Meditation by Jane Rutter to be Moderato (at a moderate speed) because the track has a tempo of 117 BPM, a half-time of 58BPM, and a double-time of 234 BPM. Based on that, the speed of the song's tempo is moderate. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| La Tarde Que Te Pensé | Macarena Tapia | G Minor | 2 | 6A | 135 BPM | ||
| Gradus | Dagfinn Koch, Ole Martin Huser-Olsen, Øystein Sonstad | B Minor | 1 | 10A | 83 BPM | ||
| Tu Ausencia | Italian Mandolin Torna A Surriento, Arpas Fantasticas, Global Village Players | F Major | 1 | 7B | 91 BPM | ||
| Midsummer - Harp & Flute | Ingo Höricht, Mercedes Bralo, Catherine Dury | F Major | 1 | 7B | 120 BPM | ||
| Niñerías, Op. 56: VI. Conchita rêve (Transcr. Huws for Harp) | Joaquín Turina, Alis Huws | D Major | 0 | 10B | 62 BPM | ||
| Love Is Here to Stay (Arr. John W Duarte) | Andrew Keeping | D Major | 0 | 10B | 79 BPM | ||
| Waltz No. 1 in E-Flat Major, Op. 83 | Marie Auguste Durand, Janos Balint, Nora Mercz | E♭ Major | 0 | 5B | 93 BPM | ||
| La Fille aux Cheveux de Lin (The Girl with the Flaxen Hair) from Préludes, Book I | Jane Rutter | A♭ Major | 1 | 4B | 84 BPM | ||
| Preludio Fuga e Vivace: I. Preludio | Sérgio Assad, Plínio Fernandes | D Major | 2 | 10B | 100 BPM | ||
| Aeroporto do Galeão | Jane Rutter, Slava Grigoryan | F Major | 5 | 7B | 91 BPM | ||
| Première leçon de ténèbres à une voix: He (Arr. for Cello and Synthesizer by Sonia Wieder-Atherton) | François Couperin, Sonia Wieder-Atherton, Marius Atherton | G Minor | 2 | 6A | 135 BPM | ||
| Pelléas et Mélisande: Sicilienne | Jane Rutter | A Minor | 2 | 8A | 119 BPM | ||
| Suite from "The Victorian Kitchen Garden": I. Prelude. Andante pastorale | Paul Reade, Michael Collins, Michael McHale | B♭ Major | 0 | 6B | 67 BPM | ||
| Sonata: Rondo-Allegro | Sophia Dussek, Judy Loman | C Major | 2 | 8B | 103 BPM | ||
| Love Me Sweet | Marshall McGuire, Carl Vine, Elizabeth Barrett Browning, Jane Edwards | G Minor | 0 | 6A | 170 BPM | ||
| Guitar Quartet No. 10 in F Major, MS 37: II. Minuetto - Scherzo. Alegretto mosso | Niccolò Paganini, Benjamin Schmid, Petrit Ceku, Benedict Mitterbauer, Florian Eggner | A Major | 1 | 11B | 113 BPM | ||
| Cantabile MS109 for flute and guitar | Niccolò Paganini, Jane Rutter, Giuseppe Zangari | E Major | 2 | 12B | 78 BPM | ||
| Same River Twice: I. Dedication | Billy Arcila | D Major | 1 | 10B | 80 BPM | ||
| Olas Muertas | AriaZz | G Major | 2 | 9B | 140 BPM | ||
| Thanks Galilei (9 Pm) | Renato Caruso | B Minor | 1 | 10A | 100 BPM | ||
| Fragrant Forest Flowers - Duftende Waldblumen | Christian Périat, Santec Music Orchestra | D Major | 1 | 10B | 83 BPM | ||
| 6 Variations on 'Nel cor più non mi sento’, di G. Paisiello in G Major, Op. 42 (REINVENTED for Solo Flute by LUCA ASTOLFONI FOSSI): VI. Variation 5 | Johann Baptist Vanhal, Claudio Ferrarini | G Minor | 2 | 6A | 135 BPM | ||
| Suite for Harp, Op. 83: IV. Fugue. Lively | Benjamin Britten, Magdalena Hoffmann | B♭ Major | 1 | 6B | 96 BPM | ||
| Bolgheri | Ahmed El-Salamouny | G Minor | 2 | 6A | 135 BPM | ||
| Images, 4e Suite, Op. 39: I. La volière magique | Marcel Tournier, Chantal Mathieu | E♭ Minor | 1 | 2A | 79 BPM |