Morphine's ' "The Way We Met" was released on its scheduled release date, February 1, 2000. The duration of This song is about two minutes long, specifically at 2:59. This song does not appear to have any foul language. The Way We Met's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 11 in the song's album "The Night". In this album, this song's track order is #9. Furthermore, we believe that the track originated from United States. The popularity of The Way We Met is currently below average in popularity right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With The Way We Met by Morphine having a BPM of 160 with a half-time of 80 BPM and a double-time of 320 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with running. The time signature for this track is 4/4.
This song is in the music key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Pensacola | Soul Coughing | G Major | 3 | 9B | 88 BPM | ||
| Bus Stop Boxer | Eels | C Major | 5 | 8B | 116 BPM | ||
| Inertia Creeps | Massive Attack | A♭ Major | 8 | 4B | 167 BPM | ||
| Emmaline | Urge Overkill | G Major | 2 | 9B | 94 BPM | ||
| Rose Blue | Crime & the City Solution | C Major | 5 | 8B | 81 BPM | ||
| Drake | Beth Gibbons, Rustin Man | D Minor | 3 | 7A | 113 BPM | ||
| Don't Turn The Light On, Leave Me Alone (from Cream) | CAN | D Major | 7 | 10B | 100 BPM | ||
| Cowboys | Portishead | B♭ Minor | 8 | 3A | 77 BPM | ||
| Janine | Soul Coughing | A♭ Major | 3 | 4B | 121 BPM | ||
| Saturday Come Slow | Massive Attack, Damon Albarn | F♯ Major | 4 | 2B | 146 BPM | ||
| Power | Marvin Pontiac | E Major | 3 | 12B | 121 BPM | ||
| Pit Stop (Take Me Home) | Nathaniel Merriweather, Mike Patton, Jennifer Charles, Kid Koala, Dan The Automator | B Minor | 6 | 10A | 88 BPM | ||
| Silence Is Sexy | Einstürzende Neubauten | B♭ Major | 3 | 6B | 101 BPM | ||
| Bubbles | Nearly God, Terry Hall | G Major | 3 | 9B | 85 BPM | ||
| Wedding Dress | Mark Lanegan | E Major | 4 | 12B | 82 BPM | ||
| Last Fist | Wovenhand | E Minor | 1 | 9A | 105 BPM | ||
| Heidi | ruby | B Major | 4 | 1B | 93 BPM | ||
| The End Of My Dreams | Twinemen | C Major | 5 | 8B | 76 BPM | ||
| V.H.V. | Masters Of Reality | A♭ Major | 7 | 4B | 163 BPM | ||
| (I Don't Need You To) Set Me Free | Grinderman | G Major | 8 | 9B | 90 BPM | ||
| My Secret Reason | Lisa Germano | D Major | 3 | 10B | 118 BPM | ||
| Unhappiness | Chris Isaak | D Major | 6 | 10B | 198 BPM | ||
| No Pussy Blues | Grinderman | A Major | 7 | 11B | 86 BPM | ||
| Skip Divided | Thom Yorke | A Major | 5 | 11B | 137 BPM | ||
| Patti Smith Math Scratch | Thurston Moore | D Minor | 9 | 7A | 150 BPM |