Janos Sebestyen, Johann Sebastian Bach's ' "Prelude In C Major, BWV 924 : Praeambulum In C Major, BWV 924" was released on its scheduled release date, February 10, 1993. With This song being less than two minutes long, at 1:07, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Janos Sebestyen's "J. S. Bach: Italian Concerto / Chromatic Fantasia And Fugue / 12 Little Preludes" album is number 6 out of 22. On top of that, Hong Kong appears to be the country where this track was created. Based on our statistics, Prelude In C Major, BWV 924 : Praeambulum In C Major, BWV 924's popularity is average in popularity right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
We consider the tempo marking of Prelude In C Major, BWV 924 : Praeambulum In C Major, BWV 924 by Janos Sebestyen, Johann Sebastian Bach to be Allegro (fast, quick, and bright) because the track has a tempo of 139 BPM, a half-time of 70BPM, and a double-time of 278 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Clarinet Concerto in A Major, K. 622: II. Adagio | Wolfgang Amadeus Mozart, Andrew Marriner, Jaime Martin, London Symphony Orchestra | G Major | 2 | 9B | 197 BPM | ||
| Violin Sonata in A major, FWV 8: IV. Allegretto poco mosso | César Franck, Joshua Bell, Jeremy Denk | A Major | 1 | 11B | 94 BPM | ||
| Sonata for Piano and Violin in E Minor, K. 304: II. Tempo di minuetto | Wolfgang Amadeus Mozart, Hilary Hahn, Natalie Zhu | E Minor | 1 | 9A | 124 BPM | ||
| Carmen Suite No. 1 (Arr. E. Guiraud): IV. Séguedille | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | G Minor | 0 | 6A | 66 BPM | ||
| Lieder ohne Worte, Op. 19b: Lieder ohne Worte (Song without Words) No. 6 in G Minor, Op. 19, No. 6, "Venezianisches Gondellied" [Venetian Gondola Song] | Felix Mendelssohn, Péter Nagy | G Major | 0 | 9B | 101 BPM | ||
| Harp Concerto in A major: 3. Rondeau: Allegretto | Carl Ditters von Dittersdorf, Marisa Robles, Academy of St. Martin in the Fields, Iona Brown | A Major | 1 | 11B | 97 BPM | ||
| Goldberg Variations, BWV 988: Aria | Johann Sebastian Bach, Víkingur Ólafsson | E Minor | 0 | 9A | 94 BPM | ||
| Symphony No. 6 in F Major, Op. 68, "Pastorale": I. Allegro ma non troppo, "Awakening of cheerful feelings on arriving in the countryside" | Ludwig van Beethoven, Yo-Yo Ma, Emanuel Ax, Leonidas Kavakos | C Major | 1 | 8B | 174 BPM | ||
| Sonata in G Major, KK. 455 | Domenico Scarlatti, Yuja Wang | G Major | 1 | 9B | 139 BPM | ||
| Le bourgeois gentilhomme, LWV 43: XI. Marche pour la cérémonie des turcs | Jean-Baptiste Lully, Le Concert Des Nations, Jordi Savall | A Major | 3 | 11B | 72 BPM | ||
| Concerto In F Major, F Dur BWV978, After Antonio Vivaldi: Allegro | Arts Music Recording, Rotterdam, Pieter Dirksen, Johann Sebastian Bach | B♭ Major | 4 | 6B | 129 BPM | ||
| Schumann: Kinderszenen, Op. 15: I Von fremden Ländern und Menschen | Robert Schumann, Maria João Pires | G Major | 0 | 9B | 67 BPM | ||
| Nocturne No. 1 in E-Flat Major, H. 24 | John Field, Benjamin Frith | E♭ Major | 0 | 5B | 73 BPM | ||
| Prelude In D Minor, BWV 926 : Prelude In D Minor, BWV 926 | Janos Sebestyen, Johann Sebastian Bach | G Minor | 2 | 6A | 126 BPM | ||
| Bachianas brasileiras No. 5: I. Aria (Cantilena): Adagio | Heitor Villa-Lobos, Plínio Fernandes, Sheku Kanneh-Mason | E Minor | 2 | 9A | 105 BPM | ||
| Jeux d'enfants, Op. 22: No. 3, La poupée | Georges Bizet, Katia Labèque, Marielle Labèque | B Major | 0 | 1B | 64 BPM | ||
| Antiche Danze Ed Arie Per Liuto (Ancient Airs And Dances), P. 114: IV. Italiana | Ottorino Respighi, Konstantin Scherbakov | B Minor | 0 | 10A | 197 BPM | ||
| Dido and Aeneas, Z. 626: Overture | Henry Purcell, Kym Amps, David van Asch, Anna Crookes, The Scholars Baroque Ensemble | B Minor | 2 | 10A | 91 BPM | ||
| Adagio in F, H.XVII No. 9 | Joseph Haydn, Alfred Brendel | F Major | 0 | 7B | 71 BPM | ||
| Duos for Two Cellos, Op. 49 No. 1 in C Major: II. Andante | Jacques Offenbach, Giovanni Sollima, Andrea Noferini | G Major | 0 | 9B | 80 BPM | ||
| Souvenir d'un lieu cher, Op. 42: 3. Mélodie | Pyotr Ilyich Tchaikovsky, Janine Jansen, Mahler Chamber Orchestra, Daniel Harding | E♭ Major | 0 | 5B | 99 BPM | ||
| Wir müssen durch viel Trübsal, BWV 146: Sinfonia | Johann Sebastian Bach, Brigitte Geller, William Towers, Mark Padmore, Julian Clarkson, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner | F♯ Major | 0 | 2B | 103 BPM | ||
| Concerto For 2 Keyboards In C Minor, BWV 1062: III. Allegro Assai | Cologne Chamber Orchestra, Robert Hill, Michael Behringer, Johann Sebastian Bach | F Minor | 4 | 4A | 107 BPM | ||
| Piano Sonata No. 12 in F Major, K. 332: II. Adagio | Wolfgang Amadeus Mozart, Jenő Jandó | B♭ Major | 0 | 6B | 78 BPM | ||
| Sonata for Violin and Basso Continuo in G Major, TWV 41:G1: II. Allegro | Georg Philipp Telemann, Boris Begelman | F♯ Major | 4 | 2B | 116 BPM |