Shin Sung Rok's 'The Transformation' had a release date set for May 11, 2022. The duration of This song is about 3 minutes long, at 3:15. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Musical Jekyll&Hyde 2021 Korean Cast Recording's "Musical Jekyll & Hyde 2021 Korean Cast Recording Vol. 3" album is number 10 out of 23. On top of that, South Korea appears to be the country where this track was created. In terms of popularity, The Transformation is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of The Transformation by Shin Sung Rok to be Andante (at a walking pace) because the track has a tempo of 103 BPM, a half-time of 52BPM, and a double-time of 206 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| オール・アイ・アスク・オブ・ユー | Kanji Ishimaru, 笹本 玲奈 | D♭ Major | 2 | 3B | 69 BPM | ||
| Wenn ich tanzen will | Theater an der Wien Ensemble, Orchester der Vereinigten Bühnen Wien | D Major | 6 | 10B | 138 BPM | ||
| Die Verzweiflung | Raimund Theater Ensemble, Vereinigte Bühnen Wien | F♯ Major | 4 | 2B | 128 BPM | ||
| There's Always Tomorrow (feat. James Gillan & Full Company) | George Stiles, Anthony Drewe, James Gillan, Full Company | D Major | 3 | 10B | 95 BPM | ||
| Top Of The World | Ciara Renée, Michael Arden, The Hunchback of Notre Dame Ensemble | B♭ Major | 3 | 6B | 84 BPM | ||
| Liebe | Raimund Theater Ensemble, Vereinigte Bühnen Wien | F Minor | 4 | 4A | 179 BPM | ||
| I was happy...Take care | Kim Jihoon, JIN WON, JUNG SEUNG WON, ROH HYUN WOO | A♭ Major | 6 | 4B | 128 BPM | ||
| Gerechtigkeit | Moritz Schneider, Michael Reed, Original Cast Wien | F Major | 9 | 7B | 82 BPM | ||
| Vérone 2 (Transition) - Roméo & Juliette, Les enfants de Vérone | Stéphane Métro | E♭ Minor | 2 | 2A | 95 BPM | ||
| Dear Victor / Burn the Laboratory | Frankenstein World Premiere Cast | B Major | 4 | 1B | 76 BPM | ||
| Et helved' af flammer - Live | Luftens Helte, Akademisk Kor Århus | A Minor | 6 | 8A | 97 BPM | ||
| No Mercy at All | Paul Alexander Nolan | C Major | 3 | 8B | 116 BPM | ||
| Joke’s on you | 라포엠 | E Major | 1 | 12B | 66 BPM | ||
| She Was There | Douglas Sills | B Major | 3 | 1B | 76 BPM | ||
| シャイニングスター | 音楽座ミュージカル | A♭ Major | 4 | 4B | 84 BPM | ||
| Fall Flower | KIM HOJOONG | D♭ Minor | 3 | 12A | 104 BPM | ||
| Wer bin ich für dich? - Live | Katia Bischoff, David Jakobs | G Major | 9 | 9B | 158 BPM | ||
| What It Means To Live | JooHyun Oak | E Minor | 6 | 9A | 92 BPM | ||
| Wenn ich dein Spiegel wär | Jubiläumscast Wien 2012 | F Minor | 2 | 4A | 173 BPM | ||
| Der Heiratsantrag | Raimund Theater Ensemble, Vereinigte Bühnen Wien | D Major | 3 | 10B | 154 BPM | ||
| What Was Good Enough for You | Jeremy Jordan, Laura Osnes | D♭ Major | 3 | 3B | 95 BPM | ||
| Juist Nu | Alex Klaasen | A Major | 4 | 11B | 140 BPM | ||
| Proud Lady | Drue Williams | G Major | 3 | 9B | 86 BPM | ||
| On the Edge of Time | Tam Mutu, Kelli Barrett | B♭ Major | 3 | 6B | 140 BPM | ||
| Mayerling | Orchester der Vereinigten Bühnen Wien | F Major | 6 | 7B | 103 BPM |