On January 1, 1978, the song "The Call" was released by Squeeze. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 12 in the song's album "Squeeze (Original UK Version)". In this album, this song's track order is #7. Furthermore, we believe that the track originated from United Kingdom. Based on our statistics, The Call's popularity is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With The Call by Squeeze having a BPM of 125 with a half-time of 62 BPM and a double-time of 250 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Breakin' Down the Walls of Heartache | Dexys Midnight Runners | D♭ Minor | 9 | 12A | 161 BPM | ||
| Strangers When We Meet | The Smithereens | F Minor | 9 | 4A | 145 BPM | ||
| Dancing The Night Away | The Motors | E Major | 9 | 12B | 149 BPM | ||
| Fantastic Day - 12" Version | Haircut 100 | C Major | 8 | 8B | 152 BPM | ||
| Senses Working Overtime - Remastered 2001 | XTC | C Major | 7 | 8B | 130 BPM | ||
| Pulling Mussels (From The Shell) | Squeeze | C Major | 7 | 8B | 142 BPM | ||
| There Ain't Half Been Some Clever Bastards | Ian Dury, The Blockheads | D Major | 6 | 10B | 115 BPM | ||
| V. Thirteen | Big Audio Dynamite | B Minor | 4 | 10A | 134 BPM | ||
| Our Lips Are Sealed - Single Version | The Go-Go's | A♭ Major | 9 | 4B | 131 BPM | ||
| Is She Really Going Out With Him? | Joe Jackson | E♭ Major | 3 | 5B | 116 BPM | ||
| Our Lips are Sealed (Feat. Jane Wiedlin) | The Specials and Fun Boy Three | F Major | 9 | 7B | 128 BPM | ||
| Two Swords - 2012 Remaster | The Beat | E Major | 8 | 12B | 151 BPM | ||
| C'mon Every Beatbox | Big Audio Dynamite | D♭ Major | 8 | 3B | 124 BPM | ||
| Car Trouble - Single Version | Adam & The Ants | A♭ Major | 9 | 4B | 144 BPM | ||
| My Ever Changing Moods - Single Version | The Style Council | B Major | 9 | 1B | 137 BPM | ||
| Cruel to Be Kind | Nick Lowe | C Major | 7 | 8B | 132 BPM | ||
| They Don't Know | Kirsty MacColl | B Major | 6 | 1B | 112 BPM | ||
| The Lunatics (Have Taken over the Asylum) | Fun Boy Three | D♭ Major | 6 | 3B | 119 BPM | ||
| Union City Blue - Single Version | Blondie | E Major | 9 | 12B | 124 BPM | ||
| Street Life | Roxy Music | E♭ Major | 10 | 5B | 127 BPM | ||
| I Got You | Split Enz | D Major | 6 | 10B | 126 BPM | ||
| Ranking Full Stop | The Beat | G Major | 8 | 9B | 157 BPM | ||
| Favourite Shirts (Boy Meets Girl) | Haircut 100 | C Major | 10 | 8B | 153 BPM | ||
| (I'm Always Touched By Your) Presence, Dear - Remastered | Blondie | A Major | 9 | 11B | 141 BPM | ||
| The Elephants Graveyard | The Boomtown Rats | A Major | 10 | 11B | 158 BPM |