Overture on 3 Russian Themes, Op. 28 by Nikolai Rimsky-Korsakov, Seattle Symphony Orchestra, Gerard Schwarz Song Details

"Overture on 3 Russian Themes, Op. 28" by Nikolai Rimsky-Korsakov, Seattle Symphony Orchestra, Gerard Schwarz had its release date on September 6, 2011. This song appears to be safe for all ages as it is not explicit. There are a total of 11 in the song's album "Rimsky-Korsakov: Capriccio espagnol". In this album, this song's track order is #8. Furthermore, we believe that the track originated from Hong Kong. Overture on 3 Russian Themes, Op. 28 is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

BPM and Tempo

With Overture on 3 Russian Themes, Op. 28 by Nikolai Rimsky-Korsakov, Seattle Symphony Orchestra, Gerard Schwarz having a BPM of 78 with a half-time of 39 BPM and a double-time of 156 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.

Music Key

This song has a musical key of A Minor. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity: 6%
Loudness: -17.732 dB
Acousticness: 95%
Danceability: 25%
Energy: 13%
Instrumentalness: 81%
Liveness: 7%
Loudness: 70%
Speechiness: 4%
Valence: 4%

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Ruslan and Ludmila: Overture	Mikhail Glinka, The USSR Bolshoy Theatre Orchestra, Yevgeny Svetlanov	F Major	3	7B	81 BPM
Wiener Blut: Overture: Wiener Blut (Vienna Blood), Op. 354	Strauss Festival Orchestra, Johann Strauss II	C Major	1	8B	178 BPM
Masquerade (Suite): 1. Waltz - Excerpt	Aram Khachaturian, London Symphony Orchestra, Stanley Black	C Major	3	8B	67 BPM
Skazaniye o nevidimom grade Kitezhe i deve Fevronii (Legend of the Invisible City of Kitezh and the Maiden Fevroniya): Prelude. In praise of the wilderness	Nikolai Rimsky-Korsakov, Mikhail Kazakov, Vitaly Panfilov, Tatiana Monogarova, Mikhail Gubsky, Gevorg Hakobyan, Marika Gulordava, Riccardo Ferrari, Stefano Consolini, Valery Gilmanov, Alexander Naumenko, Rosanna Savoia, Elena Manistina, Cagliari Theatre C	B Minor	0	10A	102 BPM
Symphony No. 5: IV. Adagietto. Sehr langsam	Gustav Mahler, Wiener Philharmoniker, Pierre Boulez	F Major	0	7B	87 BPM
Scheherazade, Op. 35: II. Lento - Andantino "The Legend of the Kalendar Prince"	Nikolai Rimsky-Korsakov, New York Philharmonic, Alan Gilbert, Lawrence Rock	G Major	1	9B	59 BPM
3 Old Viennese Dances: No. 2, Liebesleid (Transcr. for Violin and Orchestra)	Fritz Kreisler, María Dueñas, Wiener Symphoniker, Manfred Honeck	G Major	0	9B	103 BPM
Symphony No. 9 in E Minor, Op. 95 "From the New World": I. Adagio — Allegro molto	Antonín Dvořák, New York Philharmonic, Alan Gilbert	E Minor	1	9A	125 BPM
Le grand cahier: X. L'incendie	Alexander Litvinovsky, Metamorphose String Orchestra, Pavel Lyubomudrov	B Major	3	1B	122 BPM
Humoresque No. 7 in G-flat Major, Op. 101	Boston Symphony Orchestra, Yo-Yo Ma, Seiji Ozawa, Itzhak Perlman	F♯ Major	1	2B	83 BPM
Peer Gynt Suite No.1 op. 46 Anitra's Dance (Tempo di Mazurka)	Academy of St. Martin in the Fields	E Minor	0	9A	168 BPM
Mendelssohn: Violin Concerto in E Minor, Op. 64, MWV O14: II. Andante	Felix Mendelssohn, Maxim Vengerov, Kurt Masur, Gewandhausorchester	C Major	1	8B	96 BPM
Violin Concerto No. 1 in G Minor, Op. 26: I. Allegro moderato	Max Bruch, Itzhak Perlman, Bernard Haitink, Concertgebouworkest	E♭ Major	2	5B	99 BPM
Enigma Variations, Op. 36: Var. 1. L'istesso tempo "C.A.E."	Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein	G Minor	0	6A	81 BPM
Raymonda, Act III: Variation 4	Alexander Glazunov, Kivov Orchestra, Viktor Fedotov	D Minor	1	7A	103 BPM
Carmen Suite No. 1: 1. Prélude	Georges Bizet, Orchestre de Paris, Semyon Bychkov	A Minor	1	8A	96 BPM
Chopin - 6 Chants Polonais, S480/R145: No. 2. Fruhling(Wiosna, Spring)	Joseph Banowetz, Franz Liszt	G Major	1	9B	108 BPM
Violin Concerto No. 1 in G Minor, Op. 26: III. Allegro energico	Max Bruch, Itzhak Perlman, Bernard Haitink, Royal Concertgebouw Orchestra	G Major	3	9B	97 BPM
Peer Gynt, Op. 23: No. 16, Anitra's Dance	Edvard Grieg, San Francisco Symphony, Herbert Blomstedt	A Minor	0	8A	82 BPM
Symphony In C Major: IV. Allegro Vivace	New Zealand Symphony Orchestra, Georges Bizet	G Major	1	9B	146 BPM
Lieder ohne Worte, Op. 19: No. 6 in G Minor (Andante sostenuto) "Venetian Gondola Song", MWV U78	Felix Mendelssohn, Jan Lisiecki	G Minor	0	6A	168 BPM
Ständchen, S. 560 (Trans. from Schwanengesang No. 4, D. 957)	Franz Schubert, Franz Liszt, Khatia Buniatishvili	D Major	0	10B	67 BPM
Dolly Suite, Op. 56: I. Berceuse	Gabriel Fauré, Katia Labèque, Marielle Labèque	E Major	0	12B	63 BPM
Tango jalousie	Jacob Gade, Sakari Oramo, Wiener Philharmoniker	D Major	1	10B	72 BPM
Peer Gynt Suite No. 1, Op. 46: II. Åse's Death	Edvard Grieg, Wiener Philharmoniker, Zubin Mehta	G Major	0	9B	99 BPM