Christus factus est, Wab 11 (Arr. for 8 trombones by Randy Malmstrom) by Anton Bruckner, Michael Linus Bock & Friends Song Details

Anton Bruckner, Michael Linus Bock & Friends's ' "Christus factus est, Wab 11 (Arr. for 8 trombones by Randy Malmstrom)" was released on its scheduled release date, September 24, 2016. This song is about six minutes long, preciously at 5:32, making this song fairly long compared to other songs. This song is part of Variations by Michael Linus Bock & Friends. The song's track number on the album is #2 out of 10 tracks. Based on our data, Austria was the country where this track was produced or recorded. Christus factus est, Wab 11 (Arr. for 8 trombones by Randy Malmstrom) is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.

BPM and Tempo

Since Christus factus est, Wab 11 (Arr. for 8 trombones by Randy Malmstrom) by Anton Bruckner, Michael Linus Bock & Friends has a tempo of 78 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Christus factus est, Wab 11 (Arr. for 8 trombones by Randy Malmstrom) being at 78 BPM, the half-time would be 39 BPM with a double-time of 156 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.

Music Key

E Minor is the music key of this track. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity: 1%
Loudness: -25.623 dB
Acousticness: 99%
Danceability: 44%
Energy: 8%
Instrumentalness: 96%
Liveness: 9%
Loudness: 57%
Speechiness: 4%
Valence: 40%

Recommendations

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