Rajendra Vaishampayan's 'Maata, Pita, Guru, Vandan' had a release date set for February 2, 2024. This song is about six minutes long, preciously at 5:39, making this song fairly long compared to other songs. There are a total of 14 in the song's album "Sanskar Moti". In this album, this song's track order is #5. Furthermore, we believe that the track originated from India. Maata, Pita, Guru, Vandan is unknown right now. Although the overall vibe is very danceable, it does project more negative sounds.
With Maata, Pita, Guru, Vandan by Rajendra Vaishampayan having a BPM of 78 with a half-time of 39 BPM and a double-time of 156 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song has a musical key of F♯ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Agni Sooktham | Yashasvi Ramakrishna Sharma, N. V. Krishnan, P. Krishnan | D Major | 3 | 10B | 124 BPM | ||
| Adhay 02 Shlok 65 To Shlok 72 | Rajendra Vaishampayan | F♯ Major | 2 | 2B | 99 BPM | ||
| Durga Aarti | Tripti Shakya, Gopal Rai, Mohan Rathore | F Major | 6 | 7B | 101 BPM | ||
| Bhagavad Gita, Pt. 13 - Kshetra Kshetragya Vibhaga Yoga | Pt. Ved Prakash Phondani | E♭ Major | 3 | 5B | 169 BPM | ||
| Sangh Vandana | Harshala Kadam, Dipali Shirke | G Major | 3 | 9B | 87 BPM | ||
| Jayedesha Bhavonmesha | Sri Ganapathy Sachchidananda Swamiji | C Major | 3 | 8B | 122 BPM | ||
| Jaya Jaya Devi Charachara Sare | Ramakrishna Math, Swami Sarvagananda | G Major | 2 | 9B | 79 BPM | ||
| Deen Bandu Kripa Sindhu | Bhagwat Acharya Shri Venu Gopal Swamiji | D♭ Major | 1 | 3B | 135 BPM | ||
| Shri Vaidyanatha Ashtakam | Jaya Vidyasagar | E Major | 3 | 12B | 88 BPM | ||
| Siva Panchaksharam | M.Ramani Sastrigal | A♭ Major | 6 | 4B | 74 BPM | ||
| Vishnu Suktham | Sri Hari Atchutha Rama Sastry | B Major | 5 | 1B | 112 BPM | ||
| Shree Siddha Mangal Stotra | Kamalakar Tapasvi | D♭ Major | 6 | 3B | 80 BPM | ||
| Ugram Veeram Maha Vishnum | Sanatan Music | F♯ Major | 2 | 2B | 140 BPM | ||
| Prathana Mantra | Dr. Shri Balaji Tambe | C Major | 2 | 8B | 92 BPM | ||
| Sri Venkateshwara | Kasinatha Sarma & N.S. Prakash Rao | G Major | 2 | 9B | 128 BPM | ||
| Bhagavad Gita, Pt. 10 - Vibhuti Vistara Yoga | Pt. Ved Prakash Phondani | E♭ Major | 4 | 5B | 83 BPM | ||
| Bhagavad Gita Adhyay, Pt. 14 | Shrirang Bhave | E♭ Major | 1 | 5B | 106 BPM | ||
| Agajananna Padmarkkam | Mathangi Sathyamoorthi | D♭ Minor | 7 | 12A | 147 BPM | ||
| Sri Sivastottara Catanamastotram | J Bhakthavatsalam | F♯ Major | 5 | 2B | 128 BPM | ||
| Panchmukhi Hanuman Raksha Kavach | Ankur Sharma | D♭ Major | 5 | 3B | 179 BPM | ||
| Durga Saptashati-Ninth Chapter | Pt. Hari Nath Jha | E♭ Major | 3 | 5B | 116 BPM | ||
| Dola | Sri Ganapathy Sachchidananda Swamiji | F Major | 1 | 7B | 105 BPM | ||
| Rudri Path- Adhyay 9 | Divya Jyoti Jagrati Sansthan | A♭ Major | 5 | 4B | 141 BPM | ||
| Jay Dev Jay Dev Jay Shri Ganaraya Lalbaugcha Raja Aarti | Pradnya Annam, Sapna Heman, Mangesh Shirke, Vivek Naik | B♭ Minor | 7 | 3A | 100 BPM | ||
| Gauri Gauri Gange | Yogi Hari | D♭ Major | 5 | 3B | 172 BPM |