Mohammed Rafi, Laxmikant–Pyarelal's ' "Phirkiwali" was released on its scheduled release date, January 1, 1968. With this song being around four minutes long, at 3:47, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 6 in the song's album "Raja Aur Runk". In this album, this song's track order is #1. Furthermore, we believe that the track originated from India. In terms of popularity, Phirkiwali is currently below average in popularity. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Phirkiwali by Mohammed Rafi, Laxmikant–Pyarelal having a BPM of 105 with a half-time of 52 BPM and a double-time of 210 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of G Minor. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Teri Umeed Tera Intezar (From "Deewana") | Sadhana Sargam, Kumar Sanu | G Major | 5 | 9B | 108 BPM | ||
| Chanda Mama Se Pyara Mera Mama Happy With Dialogue | Usha Mangeshkar, Mohammed Rafi, Laxmikant–Pyarelal | A♭ Major | 4 | 4B | 176 BPM | ||
| Ae Nargise Mastana (From "Arzoo") | Mohammed Rafi | G Major | 5 | 9B | 147 BPM | ||
| Mere Rakhi Ka Matlab | Sadhana Sargam | D Major | 7 | 10B | 139 BPM | ||
| Zindagi Denewale Sun | Talat Mahmood | B Major | 1 | 1B | 67 BPM | ||
| Main Teri Nazar Ka Suroor Hoon | Talat Mahmood | G Major | 4 | 9B | 142 BPM | ||
| Mohabbat Inayat Karam Dekhte Hain | Anuradha Paudwal, Pankaj Udhas | F♯ Major | 7 | 2B | 93 BPM | ||
| Mere Piya Gaye Rangoon | Shamshad Begum, C. Ramchandra | D Major | 7 | 10B | 143 BPM | ||
| Humen To Loot Liya Milke | Ismail Azad Qawwal, Party | B♭ Major | 5 | 6B | 91 BPM | ||
| Kasme Wade Pyar Wafa | Manna Dey, Kalyanji-Anandji | C Major | 3 | 8B | 92 BPM | ||
| Ek Andhera Lakh Sitare | Mohammed Aziz | G Major | 4 | 9B | 79 BPM | ||
| Dil Ke Arman Ansuon Men Bah Gaye | Salma Agha | A♭ Major | 4 | 4B | 108 BPM | ||
| Kiss Kiss Se Pyar Karoon | Mohammed Rafi | A Major | 7 | 11B | 81 BPM | ||
| Wafa Na Raas Aayee Tujhe O Harjaee | Nitin Mukesh | D♭ Major | 7 | 3B | 111 BPM | ||
| Jadugar Tere Naina | Kishore Kumar, Lata Mangeshkar, Laxmikant–Pyarelal | D♭ Major | 5 | 3B | 109 BPM | ||
| Majhi Naiya Dhoondhe Kinara | Mukesh, Laxmikant–Pyarelal | F♯ Major | 7 | 2B | 120 BPM | ||
| Kagaz Kalam Davaat | Mohammed Aziz, Shobha Joshi, Laxmikant–Pyarelal | A Major | 8 | 11B | 113 BPM | ||
| Phool Phool Pe Bani Hai Teri Tasveer | Udit Narayan | B♭ Major | 1 | 6B | 115 BPM | ||
| Hai Apna Dil To Aawara (Happy) | Hemant Kumar | F♯ Major | 5 | 2B | 110 BPM | ||
| Jaye To Jaye Kahan, From ''Taxi Driver'' | Talat Mahmood | G Minor | 1 | 6A | 140 BPM | ||
| Tu Is Tarah Se - Hemlata | Hemlata | G Major | 3 | 9B | 91 BPM | ||
| Diwano Se Mat Poochho | Mukesh, Kalyanji-Anandji | F♯ Major | 6 | 2B | 81 BPM | ||
| Shyam Teri Bansi Pukare | Aarti Mukherji, Jaspal Singh | A♭ Minor | 5 | 1A | 122 BPM | ||
| Too Mera Hero Hai | Anuradha Paudwal, Manhar Udhas, Laxmikant–Pyarelal | A Minor | 4 | 8A | 83 BPM | ||
| Khushi Ki Woh Raat Aa Gayi | Mukesh, Laxmikant–Pyarelal | G Major | 4 | 9B | 101 BPM |