- BPM
- 146
- Key
- A Major
- Camelot
- 11B
Oh My Darling by Peter Lloyd Song Details
Peter Lloyd's ' "Oh My Darling" was released on its scheduled release date, August 24, 1999. With this song being around four minutes long, at 3:45, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 16 in the song's album "Transitions". In this album, this song's track order is #6. Furthermore, we believe that the track originated from United States. Based on our statistics, Oh My Darling's popularity is unknown right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
BPM and Tempo
With Oh My Darling by Peter Lloyd having a BPM of 146 with a half-time of 73 BPM and a double-time of 292 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 4/4.
Music Key
This song has a musical key of A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 0%
- Loudness
- -8.391 dB
- Acousticness
- 5%
- Danceability
- 70%
- Energy
- 76%
- Instrumentalness
- 0%
- Liveness
- 13%
- Loudness
- 86%
- Speechiness
- 5%
- Valence
- 64%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Love And Affection | Pressure Busspipe | F Minor | 7 | 4A | 86 BPM | |
 | Hold Me Tight | Taddy P, Peter Lloyd | B♭ Major | 6 | 6B | 170 BPM | |
 | Overture No. 6 in G Minor: I. Allegro | Francesco Maria Veracini, Musica Antiqua Köln, Reinhard Goebel | F♯ Minor | 3 | 11A | 94 BPM | |
 | Overture (Suite) In D Major, TWV 55:D15: VII. Gigue | Cologne Chamber Orchestra, Georg Philipp Telemann | A Major | 2 | 11B | 118 BPM | |
 | Organ Concerto in D Minor, Op. 7, No. 4 HWV 309: II. Allegro | George Frideric Handel, Capella Istropolitana, Paul Kantschieder, Harald Feller | E Minor | 3 | 9A | 87 BPM | |
 | Lioness On The Rise | Queen Ifrica | B♭ Minor | 7 | 3A | 88 BPM | |
 | Menuetto | Luigi Boccherini, Bratislava Chamber Orchestra, Vlastimil Horak | A Major | 1 | 11B | 175 BPM | |
 | String Quartet No. 1 in G Major, K. 80: III. Menuetto | Eder Quartet | G Major | 0 | 9B | 124 BPM | |
 | VI. Passepied I & II | Georg Philipp Telemann, Jiří Stivín, Capella Istropolitana, Richard Edlinger | A Minor | 0 | 8A | 120 BPM | |
 | Oboe Concerto No. 1 in B-Flat Major, HWV 301*: I. Adagio | George Frideric Handel, Anthony Camden, City of London Sinfonia, Nicholas Ward | B♭ Major | 1 | 6B | 93 BPM | |
 | Symphony No. 2 in C Major, Hob. I:2: I. Allegro | Joseph Haydn, Jyvaskyla Sinfonia, Patrick Gallois | C Major | 1 | 8B | 98 BPM | |
 | Flute Concerto No. 3 in C Major: II. Grave | Frederick the Great, Manfred Friedrich, Carl Philipp Emanuel Bach Chamber Orchestra, Hartmut Haenchen | C Minor | 1 | 5A | 65 BPM | |
 | The Swan (Arr. Leonard Rose) | Camille Saint-Saëns, Leonard Rose, David Berlin, Benjamin Martin | G Major | 1 | 9B | 68 BPM | |
 | Concerto for Oboe, Strings and Basso Continuo in C Major: II. Andante | Giuseppe Sammartini, Albrecht Mayer, Luca Pianca, Andrea Zucco, I Musici | F Major | 1 | 7B | 111 BPM | |
 | Touch Her Softly | I Wayne | D♭ Major | 4 | 3B | 84 BPM | |
 | Oboe Concerto in C Minor: I. Allegro ma poco | Christoph Förster, Lajos Lencsés, Budapest Strings, Karoly Botvay | E Minor | 1 | 9A | 89 BPM | |
 | Oboe Concerto in G Minor: Allegro | Giovanni Benedetto Platti, Anthony Camden, City of London Sinfonia, Nicholas Ward | G Minor | 2 | 6A | 98 BPM | |
 | Oboe Concerto in D major, TWV 51:d5: 1. Grazioso | Georg Philipp Telemann, Heinz Holliger, Academy of St. Martin in the Fields, Iona Brown | D♭ Minor | 3 | 12A | 129 BPM | |
 | Heartbreaker | Rootikal Riddim | A♭ Minor | 4 | 1A | 130 BPM | |
 | Wanting More | Irie Souls | A Minor | 6 | 8A | 134 BPM | |
 | Andante and Rondo Ungarese for Bassoon and Orchestra, Op.35 | Carl Maria von Weber, Klaus Thunemann, Academy of St. Martin in the Fields, Sir Neville Marriner | C Major | 1 | 8B | 174 BPM | |
 | Symphony No. 50 in D Minor, Op. 10, No. 5: Symphony No. 50 in D Minor: I. Allegro non tanto | Christian Cannabich, Nicolaus Esterhazy Sinfonia, Uwe Grodd | D Major | 0 | 10B | 91 BPM | |
 | Gold Digga | Peter Lloyd | C Major | 8 | 8B | 96 BPM | |
 | Baby Baby | Peter Lloyd | A Major | 7 | 11B | 157 BPM | |
 | Forever Loving Jah | Bob Marley & The Wailers | B Minor | 5 | 10A | 142 BPM |
- ISRC
- USA370320945
- Label
- L-M Records/RCA Records