"Exit Through the Lobby - from "Spider-Man: No Way Home" Soundtrack" by Michael Giacchino had its release date on December 17, 2021. With this song being around four minutes long, at 4:15, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 23 in the song's album "Spider-Man: No Way Home (Original Motion Picture Soundtrack)". In this album, this song's track order is #13. Furthermore, we believe that the track originated from United States. Exit Through the Lobby - from "Spider-Man: No Way Home" Soundtrack is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Exit Through the Lobby - from "Spider-Man: No Way Home" Soundtrack by Michael Giacchino having a BPM of 80 with a half-time of 40 BPM and a double-time of 160 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of A Minor. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Secrets | James Horner | B Minor | 0 | 10A | 95 BPM | ||
| Sorry | Laura Karpman | C Major | 3 | 8B | 76 BPM | ||
| Strange Bedfellows - from "Spider-Man: No Way Home" Soundtrack | Michael Giacchino | C Major | 0 | 8B | 112 BPM | ||
| A Phone Call / The Wrong Kiss / Peter's Birthday | Danny Elfman | B Major | 0 | 1B | 107 BPM | ||
| Kirsten and Jeevan | Dan Romer | A Major | 7 | 11B | 126 BPM | ||
| All That Is Good | Tyler Bates, Lisa Papineau | D Major | 10 | 10B | 143 BPM | ||
| What Sort Of Life Would We Have Had Together - Pt. 2 | Christian Lundberg | C Minor | 0 | 5A | 77 BPM | ||
| Sentinel Prime - From "Transformers: Dark of the Moon" | London Music Works | G Minor | 7 | 6A | 110 BPM | ||
| Into Eternity - From "Thor: The Dark World"/Score | Brian Tyler | B♭ Major | 2 | 6B | 84 BPM | ||
| Tales from the Loop | Philip Glass, Paul Leonard-Morgan | B Minor | 1 | 10A | 150 BPM | ||
| Wyatt And Lucy | Robert Duncan | A Minor | 0 | 8A | 69 BPM | ||
| Saying Goodbye - Piano Solo | Bryce Dessner, Aaron Dessner, Víkingur Ólafsson | F♯ Minor | 1 | 11A | 109 BPM | ||
| Story Of My Life | The Chamber Orchestra Of London | F Minor | 1 | 4A | 86 BPM | ||
| Tribute | J Scott Rakozy, Hogwarts Legacy | D Major | 1 | 10B | 115 BPM | ||
| A Total Hasselhoff | Tyler Bates | B♭ Minor | 1 | 3A | 52 BPM | ||
| We Have to Go | Steve Jablonsky | D Minor | 3 | 7A | 100 BPM | ||
| This Is How I Fight | Son Lux | A Minor | 3 | 8A | 96 BPM | ||
| Introducing Flint | Mark Mothersbaugh | E Minor | 2 | 9A | 92 BPM | ||
| La Verdad | Fernando Velázquez | D Major | 0 | 10B | 103 BPM | ||
| Main on End | Alan Silvestri | G Major | 5 | 9B | 170 BPM | ||
| For Those We Never Meet - Bonus Track | Max Aruj, Alfie Godfrey | D Major | 2 | 10B | 115 BPM | ||
| Kingdom Of Atlantis | Rupert Gregson-Williams | C Minor | 3 | 5A | 109 BPM | ||
| Origin Story | West Dylan Thordson | G Minor | 5 | 6A | 80 BPM | ||
| Escaped Crusader | Michael Giacchino | G Minor | 1 | 6A | 62 BPM | ||
| Main Title | Laura Karpman | E♭ Major | 4 | 5B | 150 BPM |