Paul McCartney, Dave Grohl, Krist Novoselic, Pat Smear's ' "Cut Me Some Slack" was released on its scheduled release date, December 17, 2012. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. Because this song is the only song in Cut Me Some Slack and no other songs are present in the album, we classify this track as a single. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. The popularity of Cut Me Some Slack is currently below average in popularity right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
The tempo marking of Cut Me Some Slack by Paul McCartney, Dave Grohl, Krist Novoselic, Pat Smear is Vivace (lively and fast), since this song has a tempo of 166 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 4/4.
This song has a musical key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Superhero | Jane's Addiction | B♭ Major | 9 | 6B | 103 BPM | ||
| Killing Fields | The Last Internationale | A Major | 9 | 11B | 188 BPM | ||
| Good To Be Alive | Slash's Snakepit | D♭ Minor | 9 | 12A | 98 BPM | ||
| Til the Light Guides Me Home | William DuVall | D♭ Major | 4 | 3B | 96 BPM | ||
| Jerk | Neurotic Outsiders | F♯ Major | 10 | 2B | 76 BPM | ||
| Your Touch | The Black Keys | E Minor | 8 | 9A | 116 BPM | ||
| Crawl Home | Desert Sessions | C Major | 9 | 8B | 129 BPM | ||
| Wild International | One Day As A Lion | D♭ Major | 9 | 3B | 172 BPM | ||
| Send Me An Omen | The Magpie Salute | A♭ Major | 4 | 4B | 100 BPM | ||
| Nod Your Head | Paul McCartney | A Minor | 9 | 8A | 90 BPM | ||
| Bored and Razed - Recorded at Electric Lady Studios | The Raconteurs | D Major | 10 | 10B | 170 BPM | ||
| Barce-Loner | Dinosaur Pile-Up | C Major | 10 | 8B | 162 BPM | ||
| Hold Your Head Up | Mother Love Bone | D Major | 7 | 10B | 97 BPM | ||
| Endless Eyes | Alain Johannes | A♭ Major | 8 | 4B | 147 BPM | ||
| Life, Liberty, and the Pursuit of Indian Blood | The Last Internationale | C Major | 10 | 8B | 136 BPM | ||
| By The Sword | Slash, Andrew Stockdale | A Minor | 7 | 8A | 72 BPM | ||
| You're Not Happy 'til I'm Not Happy | Phil X & The Drills | E Major | 10 | 12B | 151 BPM | ||
| Get The Money | Taylor Hawkins & The Coattail Riders | F Minor | 8 | 4A | 138 BPM | ||
| Come On To Me - Live At Abbey Road Studios | Paul McCartney | C Major | 8 | 8B | 94 BPM | ||
| Nausea | Violet Grohl, Dave Grohl | B Minor | 8 | 10A | 121 BPM | ||
| Honest Man | The Gracious Few | F♯ Major | 10 | 2B | 97 BPM | ||
| Lazaretto | Jack White | F♯ Minor | 8 | 11A | 118 BPM | ||
| Black Country | Black Country Communion | E Major | 8 | 12B | 92 BPM | ||
| Parked Outside | The Afghan Whigs | D♭ Minor | 7 | 12A | 110 BPM | ||
| The Devil's Engine | I Mother Earth | A Major | 9 | 11B | 150 BPM |