Original Cast of Hadestown's 'Mitchell: Gone I'm Gone (Live)' had a release date set for October 6, 2017. With This song being less than two minutes long, at 1:33, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Original Cast of Hadestown's "Hadestown: The Myth. The Musical. (Original Cast Recording) [Live]" album is number 9 out of 21. On top of that, United Kingdom appears to be the country where this track was created. In terms of popularity, Mitchell: Gone I'm Gone (Live) is currently below average in popularity. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Mitchell: Gone I'm Gone (Live) by Original Cast of Hadestown to be Andante (at a walking pace) because the track has a tempo of 92 BPM, a half-time of 46BPM, and a double-time of 184 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 3/4.
This song has a musical key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Give Way | Lindsay Mendez, 'Dogfight' Original Cast Ensemble | A♭ Major | 2 | 4B | 122 BPM | ||
| Play On | Shaina Taub, Ato Blankson-Wood, Nikki M. James, 'Twelfth Night' Company | E♭ Major | 6 | 5B | 93 BPM | ||
| Epic I | Reeve Carney, André De Shields, Anaïs Mitchell, Hadestown Original Broadway Company | F Major | 2 | 7B | 127 BPM | ||
| Not Your Seed | The Guy Who Didn't Like Musicals Cast | A♭ Major | 4 | 4B | 60 BPM | ||
| I'm Alive (Reprise) | Jack Wolfe | C Major | 2 | 8B | 131 BPM | ||
| Once You See | Christy Altomare | E Major | 3 | 12B | 80 BPM | ||
| Pierre | Josh Groban, Original Broadway Company of Natasha, Pierre & the Great Comet of 1812 | E Minor | 6 | 9A | 93 BPM | ||
| Goodbye Until Tomorrow / I Could Never Rescue You | Anna Kendrick, Jeremy Jordan | F Major | 4 | 7B | 97 BPM | ||
| Love's a Gun | Rebecca Naomi Jones | A Minor | 3 | 8A | 81 BPM | ||
| America Is Great Again | The Guy Who Didn't Like Musicals Cast | E♭ Major | 5 | 5B | 82 BPM | ||
| Why We Build the Wall | Patrick Page, Hadestown Original Broadway Company, Anaïs Mitchell | F Major | 5 | 7B | 80 BPM | ||
| Wagon on Fire | Original StarKid Cast of The Trail To Oregon! | F Minor | 8 | 4A | 90 BPM | ||
| Woe Is Me - Reprise | 25th Annual Putnam County Spelling Bee Original Cast | F Major | 1 | 7B | 95 BPM | ||
| Hey #3/Perfect for You (Reprise) | Eleanor Worthington-Cox, Jack Ofrecio | G Major | 1 | 9B | 57 BPM | ||
| Viola’s Soliloquy | Nikki M. James | D♭ Minor | 4 | 12A | 74 BPM | ||
| Chant | Hadestown Original West End Cast | G Major | 6 | 9B | 92 BPM | ||
| The Destruction | Molly Ranson, Carrie: The Musical Ensemble | F Major | 8 | 7B | 80 BPM | ||
| The Devil You Know | David St. Louis, Side Show 2014 Broadway Cast | B Minor | 6 | 10A | 167 BPM | ||
| Livin' it Up on Top | Amber Gray, André De Shields, Reeve Carney, Hadestown Original Broadway Company, Anaïs Mitchell | C Major | 7 | 8B | 105 BPM | ||
| Raining - Rocky Broadway Cast Recording | Margo Seibert | G Major | 3 | 9B | 92 BPM | ||
| Whispering - Original Broadway Cast Recording/2006 | Lea Michele | E Minor | 3 | 9A | 81 BPM | ||
| Gone, I'm Gone | Eva Noblezada, Jewelle Blackman, Yvette Gonzalez-Nacer, Kay Trinidad, Anaïs Mitchell, Hadestown Original Broadway Company | C Major | 2 | 8B | 139 BPM | ||
| I See a River | Urinetown Musicians | A Major | 2 | 11B | 129 BPM | ||
| Kind of Woman | Rachel Bay Jones | D Major | 4 | 10B | 90 BPM | ||
| The Abduction | Original Broadway Company of Natasha, Pierre and the Great Comet of 1812 | D♭ Major | 5 | 3B | 158 BPM |