Tomaso Albinoni, Remo Giazotto, Will Martin's 'Anytime, Anywhere (Albinoni's Adagio) - featuring All Angels' had a release date set for January 1, 2007. With this song being around four minutes long, at 3:31, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 12 in the song's album "New World". In this album, this song's track order is #10. Anytime, Anywhere (Albinoni's Adagio) - featuring All Angels is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Anytime, Anywhere (Albinoni's Adagio) - featuring All Angels by Tomaso Albinoni, Remo Giazotto, Will Martin having a BPM of 71 with a half-time of 36 BPM and a double-time of 142 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song has a musical key of E♭ Minor. Because this track belongs in the E♭ Minor key, the camelot key is 2A. So, the perfect camelot match for 2A would be either 2A or 1B. While, a low energy boost can consist of either 2B or 3A. For moderate energy boost, you would use 11A and a high energy boost can either be 4A or 9A. However, if you are looking for a low energy drop, finding a song with a camelot key of 1A would be a great choice. Where 5A would give you a moderate drop, and 12A or 7A would be a high energy drop. Lastly, 5B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Concerto Grosso in D Major, Op. 1, No. 5: III. Largo | Pietro Locatelli, Capella Istropolitana, Jaroslav Krcek | G Major | 1 | 9B | 144 BPM | ||
| Beethoven: Romance for Violin and Orchestra No. 2 in F Major, Op. 50 | Ludwig van Beethoven, Itzhak Perlman, Daniel Barenboim, Berliner Philharmoniker | F Major | 1 | 7B | 100 BPM | ||
| Orfeo ed Euridice, Wq. 30 / Act II: Dance of the Blessed Spirits (Arr. by Mathieu Herzog for Cello and Strings) | Christoph Willibald Gluck, Camille Thomas, Brussels Philharmonic, Mathieu Herzog | B Minor | 1 | 10A | 87 BPM | ||
| Concerto à 5 in C Major for Two Oboes and Strings, Op. 9 No. 9: II. Adagio | Tomaso Albinoni, Stefan Schilli, Giovanni Deangeli, Stuttgart Chamber Orchestra, Nicol Matt | A Minor | 2 | 8A | 64 BPM | ||
| Cançoneta for Violin and Orchestra | Joaquín Rodrigo, Agustín León Ara, Academy of St. Martin in the Fields, Sir Neville Marriner | A Major | 0 | 11B | 70 BPM | ||
| Oboe Concerto in B-Flat Major, Wq. 164, H. 466: II. Largo e mesto | Carl Philipp Emanuel Bach, Jozsef Kiss, Budapest Ferenc Erkel Chamber Orchestra | G Minor | 1 | 6A | 149 BPM | ||
| Concerti a cinque Op. 9 for oboe and strings, Concerto No. 8 in G major: III. Allegro | Han De Vries, Bob van Asperen, Alma Musica Amsterdam | F♯ Minor | 2 | 11A | 106 BPM | ||
| Water Music Suite No. 1 in F: Adagio e staccato | Berliner Philharmoniker, Riccardo Muti | D Minor | 1 | 7A | 77 BPM | ||
| Concerto Grosso In D Major, Op. 6, No. 1 : V. Largo | Arcangelo Corelli, Quido Holbling, Daniela Ruso, Ludovit Kanta, Anna Holbling, Capella Istropolitana | B Minor | 1 | 10A | 87 BPM | ||
| Adagio in G Minor for Strings and Organ | Tomaso Albinoni, Remo Giazotto, Ettore Stratta, Baroque Chamber Orchestra, David Nadien, Emanuel Vardi, George Ricci, Leonard Arner, John Varner | C Minor | 2 | 5A | 90 BPM | ||
| Concerto Grosso In F Major, Op. 6, No. 6 : III. Largo | Arcangelo Corelli, Quido Holbling, Daniela Ruso, Ludovit Kanta, Anna Holbling, Capella Istropolitana | D Minor | 1 | 7A | 55 BPM | ||
| Harmonia Artificioso Ariosa, Partia V in G Minor, C. 66: Passacaglia | Heinrich Ignaz Franz von Biber, Lautten Compagney, Wolfgang Katschner | F♯ Minor | 1 | 11A | 94 BPM | ||
| Adagio from Violin Sonata in G Minor, Op. 5 No. 5 (Arr. Leopold Stokowski) | Arcangelo Corelli, Matthias Bamert, BBC Philharmonic | G Minor | 0 | 6A | 175 BPM | ||
| Oboe Concerto in D Minor, S. Z799: I. Andante e spiccato | Alessandro Marcello, Marcel Ponseele, Il Gardellino | D Minor | 2 | 7A | 122 BPM | ||
| Keyboard Concerto No. 2 in F Major: II. Larghetto | Josef Mysliveček, Clare Hammond, Swedish Chamber Orchestra, Nicholas McGegan | D Minor | 0 | 7A | 180 BPM | ||
| Oboe Concerto in C: 4. Allegro giusto | Domenico Cimarosa, Heinz Holliger, I Musici | C Major | 2 | 8B | 112 BPM | ||
| Double Concerto For Flute, Harp & Orchestra K. 299: Andantino | Orchestre de Chambre de Lausanne, Ursula Holliger, Peter-Lukas Graf | F Major | 1 | 7B | 111 BPM | ||
| Flute Concerto No. 1 in G Major: I. Spiritoso | Giovanni Battista Pergolesi, Jean-Pierre Rampal, Stuttgart Chamber Orchestra, Karl Münchinger | D Major | 2 | 10B | 112 BPM | ||
| Symphony in E minor, H.I No. 44 -"Mourning": 3. Adagio | Joseph Haydn, English Chamber Orchestra, Daniel Barenboim | D Major | 3 | 10B | 105 BPM | ||
| Concerto Grosso in E Minor, Op. 3, No. 3: I. Allegro | Francesco Onofrio Manfredini, Capella Istropolitana, Jaroslav Krcek | E Minor | 2 | 9A | 102 BPM | ||
| Norma, Act I, Scene 1: Air de Norma "Casta Diva" (Arr. for Piano & Viola) | Vincenzo Bellini, Antoine Tamestit, Cédric Tiberghien | F Major | 0 | 7B | 141 BPM | ||
| Concierto de Aranjuez: II. Adagio [Excerpt] | Joaquín Rodrigo, Julian Bream, John Eliot Gardiner, Chamber Orchestra of Europe | B Minor | 0 | 10A | 76 BPM | ||
| Keyboard Concerto in F Major, Hob. XVIII:3: II. Largo cantabile | Joseph Haydn, Sebastian Knauer, Kolner Kammerorchester, Helmut Müller-Brühl | F♯ Minor | 3 | 11A | 178 BPM | ||
| Sinfonia in A Major: I. Presto | Giuseppe Sammartini, Capella Istropolitana, Jaroslav Krcek | F Major | 2 | 7B | 136 BPM | ||
| Cello Concerto No. 3 in A Major, Wq. 172: III. Allegro assai | Carl Philipp Emanuel Bach, Daniel Müller-Schott, L'Arte del mondo, Werner Ehrhardt | E Major | 2 | 12B | 142 BPM |