M.S. Gopalakrishnan's ' "Raga Nata - Mahaganapatim Manasa Smarami" was released on its scheduled release date, July 31, 2012. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 2 out of 8 in From the NCPA Archives by M.S. Gopalakrishnan. Going off of the ISRC code of this track, we detected that the origin of this track is from India. The popularity of Raga Nata - Mahaganapatim Manasa Smarami is currently not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of Raga Nata - Mahaganapatim Manasa Smarami by M.S. Gopalakrishnan is Presto (very, very fast), since this song has a tempo of 180 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 4/4.
This song is in the music key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Kavadi Chindu - Sindhu - Ekam | Aruna Sairam | F Minor | 6 | 4A | 179 BPM | ||
| Marugelara | A.Kanyakumari,R.Ramesh, M. L. Vasanthakumari | D♭ Major | 7 | 3B | 173 BPM | ||
| Chinnachiru - Ragamalika - Adi (Thisra Gathi) | Rajhesh Vaidhya | G Major | 6 | 9B | 166 BPM | ||
| Vallabha Nayakasya | Muthuswami Dikshitar | A♭ Major | 6 | 4B | 156 BPM | ||
| Raga Gowlipantu - Tera Teeyaga Raada | M.S. Gopalakrishnan | E Major | 6 | 12B | 90 BPM | ||
| Rāga: Kharaharapriya / Ālāpana | Ranganayaki Rajagopalan | F Minor | 1 | 4A | 77 BPM | ||
| Bhajan Hamsadhwani - Vatapi Ganapatim | Chhannulal Mishra | B♭ Major | 3 | 6B | 93 BPM | ||
| Vrindavanave Mandiravagihe | Roopa Shree H S | A♭ Major | 3 | 4B | 159 BPM | ||
| Enna Kavi | Aruna Sairam | D♭ Major | 3 | 3B | 140 BPM | ||
| Mahakali Shloka, Durga Saptashati | Pandit Chhannulal Mishra | E♭ Major | 3 | 5B | 99 BPM | ||
| Thillana - 1969 | Namagiripettai Krishnan | F Major | 6 | 7B | 103 BPM | ||
| Raghunayaka - Hamsadwani - Adi | Vittal Ramamurthy | E Major | 5 | 12B | 81 BPM | ||
| Pavanguru - Hamsanandhi - Rupakam | Rajhesh Vaidhya | B Minor | 6 | 10A | 154 BPM | ||
| Karna Partha | Kottakkal Madhu | C Major | 8 | 8B | 94 BPM | ||
| Ayigiri Nandini | Tyagaraja, K. S. G. Somanathan | G Major | 9 | 9B | 153 BPM | ||
| Igiri Nandini | Nanditha | G Major | 8 | 9B | 208 BPM | ||
| Anjali to Sérana | Serge Serna | F Major | 3 | 7B | 81 BPM | ||
| Baro Krishnayya (Instrumental) | Phani Narayana | D♭ Major | 4 | 3B | 107 BPM | ||
| Raga Sumaneesha Ranjani - Madhukauns | A. Kanyakumari, Janardan Mitta | C Major | 5 | 8B | 75 BPM | ||
| Raag Nat Bhairav - Gat in Jhaptaal | Mayukh Gangopadhyay | E♭ Major | 3 | 5B | 160 BPM | ||
| Between the Lines | Apoorva Krishna, Vijay Prakash, Perico Sambeat, Eve Matin, Vinod Shyam, Patrick Duke Graney | A Minor | 1 | 8A | 110 BPM | ||
| Smariso Sarvada | Malladi Brothers | C Major | 7 | 8B | 166 BPM | ||
| Jagajjanani - Rathipathi Priya - Adi | Rajhesh Vaidhya | D Minor | 6 | 7A | 92 BPM | ||
| Behaag Thillana | Jayanthi Kumaresh | E Major | 5 | 12B | 116 BPM | ||
| Krishna Nee Begane - Raga Yamuna Kalyani - Tala Misra Chapu | Aruna Sairam, S. Karthick, J. Vaidyanathan, Archana | B♭ Major | 3 | 6B | 139 BPM |