Albert de Rippe, Peter Söderberg's 'Martin menoit (After C. Janequin)' had a release date set for May 1, 2011. The duration of This song is about two minutes long, specifically at 2:36. This song does not appear to have any foul language. Martin menoit (After C. Janequin)'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 7 out of 12 in Fantasies & Chansons by Albert de Rippe, Peter Söderberg. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. In terms of popularity, Martin menoit (After C. Janequin) is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Martin menoit (After C. Janequin) by Albert de Rippe, Peter Söderberg is Andante (at a walking pace), since this song has a tempo of 107 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
G Minor is the music key of this track. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Ma Belle poirée | Albert de Rippe, Gabriele Palomba | C Major | 2 | 8B | 115 BPM | ||
| Recercadas del Trattado de Glosas: Recercada sesta sobre el canto Ilano "La Spagna" | Diego Ortiz, Bruno Cocset, Guido Balestracci, Les Basses Réunies | F Major | 1 | 7B | 86 BPM | ||
| Haulberroys (Attaignant) | Edward Martin | G Minor | 1 | 6A | 82 BPM | ||
| Passacalle | Andrea Falconieri, Capella De La Torre, Katharina Bauml | D Minor | 1 | 7A | 108 BPM | ||
| Ballo Francese chiamato Amoroso (Arr. for Wind Ensemble and Percussion by Pascale Boquet) | Giovanni Ambrosio, Guglielmo Ebreo da Pesaro, Into the Winds | F Major | 1 | 7B | 126 BPM | ||
| Intavolatura di chitarra a cinque ordini, Book 2: Capona | Francesco Valdambrini, Pierre Pitzl | F Major | 0 | 7B | 133 BPM | ||
| Capirola : Qui tollis peccata mundi | Heringman | A Major | 0 | 11B | 76 BPM | ||
| Terpsichore*: a. Courante b. Courante c. Courante | Michael Praetorius, Westra Aros Pipers, Bourrasque Ensemble, Bertil Färnlof | C Major | 0 | 8B | 108 BPM | ||
| Maricapalos | Gaspar Sanz, Rolf Lislevand, Eduardo Egüez, Beatrice Pornon, Adela Gonzalez-Campa | A Minor | 1 | 8A | 84 BPM | ||
| Canon | Francesco da Milano, Christopher Wilson, Shirley Rumsey | G Minor | 1 | 6A | 120 BPM | ||
| Gintzler : Part II: Ave Maria | Heringman | D Minor | 0 | 7A | 80 BPM | ||
| Quia vidisti me, Thoma | Orlande de Lassus, Harmonia Recorder Ensemble | A Minor | 0 | 8A | 63 BPM | ||
| Fantasie No. 9 | Albert de Rippe, Peter Söderberg | G Minor | 1 | 6A | 119 BPM | ||
| Aloe, P. 68 | John Dowland, Nigel North | A Minor | 1 | 8A | 107 BPM | ||
| Libera Nos, Salva Nos à 5 | Thomas Tallis, Fretwork | C Minor | 0 | 5A | 131 BPM | ||
| In Nomine Pavan | Nicholas Strogers, The Musicians of Swanne Alley | D♭ Major | 0 | 3B | 107 BPM | ||
| Manuscrit Vaudry de Saizenay: Chaconne | Nicolas Hotman, Les Kapsber'girls | B Major | 0 | 1B | 130 BPM | ||
| Fantasie No. 18 | Albert de Rippe, Peter Söderberg | G Minor | 1 | 6A | 107 BPM | ||
| Pieces in A Minor: I. Allemande | Jean Mercure, Anders Ericson | D♭ Major | 0 | 3B | 87 BPM | ||
| Suite in G Minor: I. Tombeau de Mr Blanrocher | François Dufaut, Hopkinson Smith | A♭ Major | 2 | 4B | 51 BPM | ||
| Sus mon lut, d'un accord pitoyable | Didier Leblanc, Claire Lefilliâtre, Bruno Le Levreur, Serge Goubioud, Marc Mauillon, Le Poème Harmonique, Vincent Dumestre | G Major | 1 | 9B | 71 BPM | ||
| Pasacalles | Traditional, Lucas Ruiz de Ribayaz, The Harp Consort, Andrew Lawrence-King | B♭ Minor | 1 | 3A | 93 BPM | ||
| Mascarade | Israel Golani | F♯ Minor | 0 | 11A | 76 BPM | ||
| The Lessons for Solo Lyra Viol (1609): Galliard (no.21) | Alfonso Ferrabosco the Younger, Paolo Pandolfo | B Major | 0 | 1B | 134 BPM | ||
| La Traditora #2 | Marco Dall'Aquila, Paul O'Dette | B♭ Major | 1 | 6B | 82 BPM |