"不意のKiss" by 中山美穂 had its release date on June 1, 1996. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 5 out of 11 in Deep Lip French by 中山美穂. Going off of the ISRC code of this track, we detected that the origin of this track is from Japan. 不意のKiss is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of 不意のKiss by 中山美穂 is Andante (at a walking pace), since this song has a tempo of 83 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| ごめんなさい | BARBEE BOYS | C Major | 10 | 8B | 82 BPM | ||
| 格好悪いふられ方 | Senri Oe | A♭ Major | 9 | 4B | 132 BPM | ||
| オレンジの河 | Miki Imai | E Minor | 9 | 9A | 128 BPM | ||
| Timing~タイミング~ | ブラック・ビスケッツ | D♭ Major | 6 | 3B | 112 BPM | ||
| 彼女とTIP ON DUO | Miki Imai | F Major | 6 | 7B | 90 BPM | ||
| 逢いたくてしかたない | Hiromi Go | D♭ Major | 5 | 3B | 140 BPM | ||
| 幸せになりたい | Kohmi Hirose | G Minor | 6 | 6A | 200 BPM | ||
| 瞳がほほえむから - (Album Version) | Miki Imai | B♭ Major | 4 | 6B | 126 BPM | ||
| 翼の折れたエンジェル | Ayumi Nakamura | E Major | 7 | 12B | 121 BPM | ||
| 悲しみにさよなら | Anzen Chitai | A Major | 7 | 11B | 108 BPM | ||
| デビュー 〜Fly Me To Love〜 | Naoko Kawai | G Minor | 7 | 6A | 139 BPM | ||
| さよならを待ってる | DREAMS COME TRUE | F Major | 6 | 7B | 111 BPM | ||
| NEVER | Mie | F♯ Major | 8 | 2B | 139 BPM | ||
| 1969の片想い | Junichi Inagaki | A♭ Major | 7 | 4B | 155 BPM | ||
| LONELY BUTTERFLY | REBECCA | C Major | 9 | 8B | 142 BPM | ||
| 吐息でネット | Yoko Minamino | C Major | 0 | 8B | 167 BPM | ||
| ペニンシュラ・モーニング | 中山美穂 | D Minor | 6 | 7A | 124 BPM | ||
| 真冬の帰り道 | Kohmi Hirose | C Major | 9 | 8B | 138 BPM | ||
| 碧いうさぎ | Noriko Sakai | C Minor | 7 | 5A | 105 BPM | ||
| 少年時代 - Remastered 2018 | Yosui Inoue | A Major | 4 | 11B | 84 BPM | ||
| ドゥー・ユー・リメンバー・ミー | Mayu Kitaki | B♭ Major | 8 | 6B | 134 BPM | ||
| 秋のIndication | Yoko Minamino | D♭ Minor | 7 | 12A | 137 BPM | ||
| SOMEDAY | Motoharu Sano | C Major | 9 | 8B | 111 BPM | ||
| Koihitoyo | Shizuka Kudo | A♭ Minor | 8 | 1A | 112 BPM | ||
| 僕がどんなに君を好きか、君は知らない | Hiromi Go | E♭ Major | 6 | 5B | 160 BPM |