"Bathysphere Ride (From "Bioshock")" by Gary Schyman, Danish National Symphony Orchestra, Eimear Noone had its release date on April 19, 2019. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Danish National Symphony Orchestra, Eímear Noone's "Gaming in Symphony" album is number 6 out of 13. On top of that, Germany appears to be the country where this track was created. Bathysphere Ride (From "Bioshock") is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Bathysphere Ride (From "Bioshock") by Gary Schyman, Danish National Symphony Orchestra, Eimear Noone to be Andante (at a walking pace) because the track has a tempo of 89 BPM, a half-time of 44BPM, and a double-time of 178 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 3/4.
This song is in the music key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Dark Minds | Martin Hall | C Minor | 2 | 5A | 69 BPM | ||
| The Chase | Stephan Schutze, Melbourne Symphony | A Major | 2 | 11B | 117 BPM | ||
| Damned Souls | Piotr Musiał | E Minor | 4 | 9A | 76 BPM | ||
| Day One | Aliza Mammadova, Aliza | F♯ Major | 2 | 2B | 89 BPM | ||
| Tsushima Suite: IV. Kodoku | Shigeru Umebayashi | D Major | 2 | 10B | 123 BPM | ||
| The Battle at Bunker Hill | Richard Birdsall | A♭ Major | 5 | 4B | 84 BPM | ||
| Porto Di Mano | Ceka Haji, Jay Spark | B Major | 1 | 1B | 160 BPM | ||
| Velociraptors | Kara Talve, Anže Rozman | C Minor | 1 | 5A | 120 BPM | ||
| Skeksis Fight Duel | Trevor Jones | D Major | 4 | 10B | 139 BPM | ||
| Control | Niclas Moan, Nocilla | F Minor | 2 | 4A | 69 BPM | ||
| Snow Job - from A View To A Kill | Rich Douglas | F Major | 0 | 7B | 134 BPM | ||
| Adrift on an Ocean of Sand | Funcom Soundtrack, Knut Avenstroup Haugen | A Major | 5 | 11B | 180 BPM | ||
| The Skidoo | Royal Philharmonic Orchestra | G Major | 3 | 9B | 146 BPM | ||
| That Belongs in a Museum | David Reichelt | D Minor | 5 | 7A | 132 BPM | ||
| One Last Time | Stephan Bark, Humanix | C Major | 2 | 8B | 105 BPM | ||
| Robber Baron Suite | Dynamedion | C Minor | 1 | 5A | 84 BPM | ||
| Battle 4 | Mark Griskey | D♭ Minor | 2 | 12A | 66 BPM | ||
| Horizon | Fezela | D Major | 3 | 10B | 85 BPM | ||
| Nishikigoi | Ferrosh | F♯ Minor | 2 | 11A | 76 BPM | ||
| Blighted Battleground | Jeremy Soule | F Major | 0 | 7B | 134 BPM | ||
| Kashin Koji II | Akihiro Manabe | D Major | 8 | 10B | 73 BPM | ||
| Arimetrio | EDO ZENITH | A Major | 2 | 11B | 70 BPM | ||
| The Fall of the Zephyrites | Maclaine Diemer | F Minor | 0 | 4A | 85 BPM | ||
| Know Thyself | Austin Wintory | E♭ Major | 2 | 5B | 80 BPM | ||
| Gift of an Axe | Funcom Soundtrack, Knut Avenstroup Haugen | C Major | 4 | 8B | 144 BPM |