Sharon Robinson's ' "When Are You Coming Home '95" was released on its scheduled release date, October 29, 2021. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. This song is part of We Were Dreamers '85 by Sharon Robinson. The song's track number on the album is #5 out of 13 tracks. Based on our data, Turks and Caicos Islands was the country where this track was produced or recorded. In terms of popularity, When Are You Coming Home '95 is currently not that popular. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
Since When Are You Coming Home '95 by Sharon Robinson has a tempo of 98 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With When Are You Coming Home '95 being at 98 BPM, the half-time would be 49 BPM with a double-time of 196 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
This song has a musical key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Lilac Wine (feat. Imelda May) | Jeff Beck, Imelda May | C Major | 2 | 8B | 62 BPM | ||
| Maybe I'm Amazed | Lydia Gray | D♭ Major | 3 | 3B | 130 BPM | ||
| Sometimes I Feel Like a Motherless Child | Van Morrison | F♯ Minor | 4 | 11A | 118 BPM | ||
| She's Not There Anymore | Delbert McClinton & The Dick50 | D Major | 4 | 10B | 178 BPM | ||
| I Won't Back Down | Indra Rios-Moore | B♭ Major | 3 | 6B | 108 BPM | ||
| Not Quite | Heather Rigdon | G Major | 3 | 9B | 114 BPM | ||
| Light My Fire | Eliane Elias | E Minor | 1 | 9A | 154 BPM | ||
| Never Let You Down | Maria Daines | A Minor | 3 | 8A | 204 BPM | ||
| To You Sincere | Dreamer | C Major | 4 | 8B | 130 BPM | ||
| Heaven Stood Still | Willy DeVille | A Minor | 1 | 8A | 95 BPM | ||
| It Must Be Love | Hailey Tuck | C Major | 1 | 8B | 136 BPM | ||
| Sorry Seems To Be The Hardest Word | Térez Montcalm | A Minor | 3 | 8A | 113 BPM | ||
| There In Your Heart | Beth Hart | F Major | 6 | 7B | 109 BPM | ||
| While My Guitar Gently Weeps | Carmen Cuesta-Loeb, Chuck Loeb | B Minor | 5 | 10A | 128 BPM | ||
| Concerto for Violin, Cello and Orchestra: II. Interlude: Calypso's Dance | David Ludwig, Jaime Laredo, Sharon Robinson, Vermont Symphony Orchestra, Sarah Hicks | D♭ Major | 0 | 3B | 73 BPM | ||
| I Will Wait for You | Lisa Lovbrand | F Minor | 6 | 4A | 173 BPM | ||
| Billie Jean | Vanessa Fernandez | F♯ Minor | 2 | 11A | 89 BPM | ||
| Vincent | Sara K. | A♭ Major | 0 | 4B | 100 BPM | ||
| Concerto for Violin, Cello and Orchestra: IV. Interlude: Iseult's Alba | David Ludwig, Jaime Laredo, Sharon Robinson, Vermont Symphony Orchestra, Sarah Hicks | A♭ Major | 0 | 4B | 86 BPM | ||
| Lucky | Sharon Robinson | G Major | 5 | 9B | 158 BPM | ||
| Slave to the Moon | Nighthawks | E Minor | 4 | 9A | 103 BPM | ||
| Borrowed Time | Solveig Slettahjell, Knut Reiersrud, In The Country | A Major | 1 | 11B | 129 BPM | ||
| The Copenhagen Cavern | Kari Bremnes | B Minor | 3 | 10A | 80 BPM | ||
| Missing Person | The Webb Sisters | E♭ Major | 3 | 5B | 140 BPM | ||
| Sorry Seems To Be The hardest Word | Cæcilie Norby | G Minor | 4 | 6A | 119 BPM |