Albert de Rippe, Hopkinson Smith's 'O passi sparsi' had a release date set for January 1, 1990. With this song being around four minutes long, at 4:15, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 2 out of 12 in De Rippe: Tabulature de leut by Albert de Rippe, Hopkinson Smith. Going off of the ISRC code of this track, we detected that the origin of this track is from France. In terms of popularity, O passi sparsi is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of O passi sparsi by Albert de Rippe, Hopkinson Smith is Andante (at a walking pace), since this song has a tempo of 90 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
G Minor is the music key of this track. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Canzona trigesima quinta "detta l’Alessandrina" | Girolamo Frescobaldi, Bruno Cocset, Les Basses Réunies | D Minor | 1 | 7A | 64 BPM | ||
| Crabbe Schaw (Intrada) | Johann Grabbe, Capella De La Torre, Katharina Bauml | A Minor | 2 | 8A | 144 BPM | ||
| Fantasie III | Albert de Rippe, Paul O'Dette | D Minor | 0 | 7A | 116 BPM | ||
| Suite in A Minor: IV. Sarabande | Françoise Dufaut, Lutz Kirchhof | D♭ Major | 1 | 3B | 92 BPM | ||
| Suite for 2 Lutes in Bb (Baron) - Allemande | Edward Martin and Paul Berget | A Major | 1 | 11B | 95 BPM | ||
| Fantasia Basso solo | Bartolomeo de Selma, Sylvain Bergeron, Margaret Little | A Minor | 1 | 8A | 77 BPM | ||
| Suite in D Minor: II. Paduan | Esaias Reusner, Lutz Kirchhof | D♭ Minor | 1 | 12A | 127 BPM | ||
| Couperin, L: Suite en fa: III. Courante, G. 69 (Transcr. Pierlot) | Louis Couperin, Philippe Pierlot, Anna Lachegyi, Lucile Boulanger, Myriam Rignol, Thibaut Roussel | E♭ Major | 2 | 5B | 135 BPM | ||
| Sancta Trinitas | Antoine de Févin, Paolo Cherici | G Major | 1 | 9B | 134 BPM | ||
| Basse dance :La Magdalena: -Recoupe - Tourdion (Attaingnant) | Edward Martin | D Minor | 1 | 7A | 143 BPM | ||
| Ma Belle poirée | Albert de Rippe, Gabriele Palomba | C Major | 2 | 8B | 115 BPM | ||
| Canario | Carlo Calvi, Pierre Pitzl, Private Musicke | D♭ Major | 1 | 3B | 122 BPM | ||
| Tiento (Segundo Tono) | Alonso Mudarra, Hopkinson Smith | F♯ Minor | 1 | 11A | 48 BPM | ||
| Ayres for the Violin: Aria II (Arr. For guitar) | Nicola Matteis Jr., Pierre Pitzl | A♭ Minor | 1 | 1A | 132 BPM | ||
| Verbum iniquum | Albert de Rippe, Gabriele Palomba | A Minor | 0 | 8A | 82 BPM | ||
| Lute Sonata No. 11 in D Minor: III. Courante | Silvius Leopold Weiss, Robert Barto | C Major | 1 | 8B | 98 BPM | ||
| Three Feminine Portraits - Lady Clifton's Spirit | Hopkinson Smith, John Dowland | G Minor | 1 | 6A | 86 BPM | ||
| Sonata No. 103 in B-Flat Major: II. Allemande | Silvius Leopold Weiss, Evangelina Mascardi | A Major | 1 | 11B | 141 BPM | ||
| Fantasia No. 1 | Giovanni Paolo Paladino, Joachim Held | D♭ Major | 1 | 3B | 81 BPM | ||
| Suite in D Minor: V. Gavotte | Esaias Reusner, Lutz Kirchhof | D♭ Minor | 1 | 12A | 71 BPM | ||
| Missa "La Spagna": II. Gloria | Heinrich Isaac, Into the Winds | A♭ Minor | 3 | 1A | 114 BPM | ||
| In Nomine No. 20, 'Crye' | Christopher Tye, The Rose Consort Of Viols | D♭ Minor | 1 | 12A | 98 BPM | ||
| Galliard to the Flat Pavan | John Johnson, Ronn McFarlane, William Simms | F Major | 3 | 7B | 102 BPM | ||
| Tandernaken, à 3 | Alexander Agricola, Fretwork | G Major | 1 | 9B | 147 BPM | ||
| La Tarantela | Gaspar Sanz, Pierre Pitzl, Private Musicke | F♯ Major | 0 | 2B | 121 BPM |