"Lidya Birkett" by Ryan James Ford had its release date on August 28, 2015. This song is about six minutes long, preciously at 5:40, making this song fairly long compared to other songs. The track order of this song in Ryan James Ford's "Mdr 17" album is number 4 out of 5. Based on our statistics, Lidya Birkett's popularity is not that popular right now. Although the overall vibe is very danceable, it does project more negative sounds.
We consider the tempo marking of Lidya Birkett by Ryan James Ford to be Allegro (fast, quick, and bright) because the track has a tempo of 128 BPM, a half-time of 64BPM, and a double-time of 256 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Santo Heredar | Cari Lekebusch | G Major | 6 | 9B | 147 BPM | ||
| A Friend Of A Friend | Ben Klock, Etapp Kyle | A Minor | 5 | 8A | 143 BPM | ||
| Phase Transition | Pacou | G Major | 2 | 9B | 180 BPM | ||
| Inconstant Universe | Z.I.P.P.O | E♭ Minor | 9 | 2A | 136 BPM | ||
| Edge Ultra | Robert Armani | G Major | 6 | 9B | 147 BPM | ||
| The Moon In Montreal | Ness | G Major | 6 | 9B | 128 BPM | ||
| Young Greed | Developer | D♭ Major | 6 | 3B | 137 BPM | ||
| Valu Aukuso | Juan Sanchez | B♭ Minor | 6 | 3A | 137 BPM | ||
| Like That | Schacke | B♭ Minor | 8 | 3A | 140 BPM | ||
| Control Reduction - Red Rooms Remix | Gannein, KYSH Records, Red Rooms | E Minor | 8 | 9A | 140 BPM | ||
| The Divide | James Ruskin | F♯ Major | 10 | 2B | 138 BPM | ||
| Vetta | Donato Dozzy | F♯ Minor | 9 | 11A | 132 BPM | ||
| Dust 0.2 | Answer Code Request | E Minor | 5 | 9A | 124 BPM | ||
| Dimples | Ryan James Ford | D♭ Minor | 6 | 12A | 135 BPM | ||
| Shepherd's Brine | Rrose | G Major | 7 | 9B | 130 BPM | ||
| Nordic | Yrsen, Gannein | G Major | 6 | 9B | 147 BPM | ||
| Sonic Outlaws | Polar Inertia | B♭ Minor | 9 | 3A | 122 BPM | ||
| Hrai Hotturinn | Bjarki, Kuldaboli | E Minor | 8 | 9A | 140 BPM | ||
| Transversal | Jeroen Search, Gotshell | G Major | 8 | 9B | 134 BPM | ||
| Odyssey #1 | Steve Bicknell | F♯ Minor | 8 | 11A | 127 BPM | ||
| Snake Biter - 1999 Mix | Ryan James Ford | F♯ Minor | 9 | 11A | 140 BPM | ||
| Running Start | Decoder | G Major | 6 | 9B | 147 BPM | ||
| Vanishing of the Anasazi | Hitam | F♯ Major | 3 | 2B | 140 BPM | ||
| Rip The Cut - Luke Slater Remix 2 | Planetary Assault Systems, Luke Slater | G Major | 9 | 9B | 137 BPM | ||
| Conductor | Emmanuel | B♭ Minor | 9 | 3A | 130 BPM |