"Dunkelrote Rosen" by Rudolf Schock had its release date on February 28, 2023. The duration of This song is about two minutes long, specifically at 2:40. This song does not appear to have any foul language. Dunkelrote Rosen's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 20 in the song's album "Rudolf Schock; Einfach das beste, Vol. 3". In this album, this song's track order is #1. Based on our statistics, Dunkelrote Rosen's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Dunkelrote Rosen by Rudolf Schock having a BPM of 140 with a half-time of 70 BPM and a double-time of 280 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 3/4.
This song has a musical key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| 'Preludio' Uit La Traviata | Mastreechter Staar | B Major | 1 | 1B | 98 BPM | ||
| Komm in die Gondel (From "Eine Nacht in Venedig") | Johann Strauss II, Jonas Kaufmann, Ádám Fischer, Wiener Philharmoniker | C Major | 2 | 8B | 72 BPM | ||
| Carmen (Act I, Sequedille) | Agnes Baltsa | D Major | 2 | 10B | 112 BPM | ||
| Komm Zigan | Rudolf Schock | A Major | 3 | 11B | 106 BPM | ||
| Dagmar Polka (1866) | Hans Christian Lumbye, Tivoli Symphony Orchestra | A Major | 2 | 11B | 168 BPM | ||
| Die Fledermaus / Act II: Nr. 10 Csárdás: "Klänge der Heimat" | Johann Strauss II, Julia Varady, Bavarian State Orchestra, Carlos Kleiber | D Major | 2 | 10B | 82 BPM | ||
| Martha: M'apparì tutt'amor | Friedrich von Flotow, Jonathan Tetelman, Orquesta Filarmónica de Gran Canaria, Karel Mark Chichon | B Minor | 2 | 10A | 89 BPM | ||
| L'elisir d'amore / Act 1: Marcia..."Come Paride vezzoso" | Gaetano Donizetti, Dominic Cossa, Dame Joan Sutherland, Maria Casula, Luciano Pavarotti, Ambrosian Opera Chorus, English Chamber Orchestra, Richard Bonynge | C Major | 2 | 8B | 173 BPM | ||
| Viktoria! Der Meister soll leben! | Berliner Philharmoniker, Chor der Deutschen Oper Berlin | D Major | 4 | 10B | 134 BPM | ||
| Salut! demeure chaste et pure (Faust) | Jussi Björling, RCA Victor Orchestra | G Major | 4 | 9B | 168 BPM | ||
| Gräfin Mariza - Operetta in 3 Acts: Ich möchte träumen | Emmerich Kálmán, Rita Bartos, Peter Alexander, Grosses Operetten Orchester, Franz Marszalek | F Minor | 3 | 4A | 76 BPM | ||
| "Wien, Wien nur du allein" | Rudolf Sieczynski, Fritz Wunderlich, Vienna Volksoper Orchestra, Robert Stolz | G Major | 4 | 9B | 77 BPM | ||
| Die Hochquelle, Op. 114 | Eduard Strauss, Czech Philharmonic Chamber Orchestra, John Georgiadis | A♭ Major | 1 | 4B | 119 BPM | ||
| Grand Vals | Charlotte Guldberg, Hans Nielsen | C Major | 3 | 8B | 170 BPM | ||
| Kálmán: "Heia, heia, in den Bergen ist mein Heimatland" | Emmerich Kálmán, Anna Netrebko | C Minor | 4 | 5A | 72 BPM | ||
| Die Zauberflöte, K.620 / Zweiter Aufzug: "O Isis und Osiris" | Wolfgang Amadeus Mozart, René Pape, Mahler Chamber Orchestra, Claudio Abbado, Arnold Schoenberg Chor, Erwin Ortner | F Major | 0 | 7B | 136 BPM | ||
| Das Land des Lächelns / Act 2: Dein ist mein ganzes Herz | Franz Lehár, Heinz Hoppe, Grosses Operetten Orchester, Franz Marszalek | A♭ Major | 3 | 4B | 175 BPM | ||
| Presssacklied | Martin Frank | E♭ Major | 4 | 5B | 85 BPM | ||
| Der fliegende Holländer / Act 3: "Steuermann, laß die Wacht!" | Richard Wagner, Peter Seiffert, Orchester der Deutschen Oper Berlin, Giuseppe Sinopoli, Chor der Deutschen Oper Berlin, Walter Hagen-Groll | G Major | 3 | 9B | 79 BPM | ||
| Wo die Nordseewellen ... | Lolita | G Major | 3 | 9B | 173 BPM | ||
| Jägerchor aus der Oper " Der Freischütz " | Menskes Chöre | D Major | 3 | 10B | 109 BPM | ||
| The Merry Widow, Act II: Vilja-Lied | Franz Lehár, Viktor Léon, Leo Stein, Adrian Ross, Vladimir Karmirski, Melbourne Symphony Orchestra, Yvonne Kenny | G Major | 2 | 9B | 80 BPM | ||
| Egal, was kommt | Die jungen Tenöre | B♭ Major | 4 | 6B | 93 BPM | ||
| Die Lorelei (Ich weiß nicht, was soll es bedeuten) | Richard Tauber | D Major | 1 | 10B | 129 BPM | ||
| Angelica-Polka francaise, Op. 123 | Josef Strauss, Budapest Strauss Symphony Orchestra, Alfred Walter | D Major | 2 | 10B | 82 BPM |