On October 24, 1994, the song "2541" was released by Robert Forster. With this song being around four minutes long, at 3:46, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Robert Forster's "I Had A New York Girlfriend" album is number 5 out of 12. On top of that, United Kingdom appears to be the country where this track was created. Based on our statistics, 2541's popularity is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of 2541 by Robert Forster to be Allegro (fast, quick, and bright) because the track has a tempo of 135 BPM, a half-time of 68BPM, and a double-time of 270 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| As Much as It Was Worth | Dean Wareham | F Major | 4 | 7B | 88 BPM | ||
| The Tourist | The Waterboys, Barny Fletcher, Sugarfoot | C Major | 8 | 8B | 77 BPM | ||
| Capsize | dyroco roots | B♭ Major | 7 | 6B | 90 BPM | ||
| Lou Reed | Cory Hanson | F Major | 3 | 7B | 113 BPM | ||
| You Can Still Come to Me | John Peter and His Collaborators | D Major | 6 | 10B | 148 BPM | ||
| Turned to Dust (Rolling On) | Bonnie Prince Billy | A♭ Major | 4 | 4B | 81 BPM | ||
| Buttercup | Chris Eckman | G Minor | 5 | 6A | 133 BPM | ||
| Getting Older | Gary Louris | F Major | 4 | 7B | 171 BPM | ||
| You Were the Ones I Had to Betray | Dean Wareham | A Major | 5 | 11B | 110 BPM | ||
| No One Absolves Us in the End | The Reds, Pinks and Purples | G Major | 2 | 9B | 136 BPM | ||
| Tumanako | Stef Kamil Carlens, The Poem | C Major | 3 | 8B | 67 BPM | ||
| The Pink Floyd Research Group | Luke Haines, Peter Buck | D Major | 6 | 10B | 178 BPM | ||
| You Know We're Not Supposed to Feel This Way | The Apartments, Peter Milton Walsh | E Major | 5 | 12B | 151 BPM | ||
| Lotus Bridge | The Monochrome Set | D Major | 8 | 10B | 120 BPM | ||
| Morning Flight | H-Burns, Calexico | E Major | 5 | 12B | 81 BPM | ||
| Johnny and Mary | The Hope Singers, Maria Arnqvist, Viktor Brobacke | D Major | 8 | 10B | 120 BPM | ||
| Thought The Rain Was Gone | The Mayflies USA | A Major | 6 | 11B | 124 BPM | ||
| Water & Stone | Beware Wolves | F Major | 4 | 7B | 93 BPM | ||
| How The West Was Won | Peter Perrett | G Major | 7 | 9B | 116 BPM | ||
| Blue on Blue | Nick Lowe, Los Straitjackets | E♭ Major | 4 | 5B | 98 BPM | ||
| JP and Me | The Delines | E Minor | 3 | 9A | 120 BPM | ||
| Resurrection Day | The Saints | C Major | 5 | 8B | 96 BPM | ||
| White Rose | Ernie Lewis | D Major | 8 | 10B | 120 BPM | ||
| Dolphins | The Chills | E Major | 8 | 12B | 153 BPM | ||
| You're Gold | Miniseries | D Major | 8 | 10B | 142 BPM |