On February 4, 2002, the song "Mhara Hivda Main Nache" was released by Gopal Bajaj. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 8 in the song's album "Shyam Diwani Radha Rani". In this album, this song's track order is #5. Furthermore, we believe that the track originated from India. Based on our statistics, Mhara Hivda Main Nache's popularity is unknown right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Mhara Hivda Main Nache by Gopal Bajaj having a BPM of 120 with a half-time of 60 BPM and a double-time of 240 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Sunle Kanhiya Arji Humari | Raj Pareek | D♭ Major | 8 | 3B | 80 BPM | ||
| Tere Shehar Me Aaya Sanwariya Apna Bana Le Mujhe | Ladu Puri | A♭ Major | 8 | 4B | 135 BPM | ||
| Shyam Picha Chod Radha Rani Ka | Gopal Bajaj | E♭ Minor | 9 | 2A | 155 BPM | ||
| Jinagi Ha Anmol Ratan | Radhe Shyam Rasiya | C Major | 10 | 8B | 90 BPM | ||
| Are Dwarpalo Kanheya Se Keh Do | Naresh Narsi, Chanpreet, Minakshi Panchal | D Minor | 9 | 7A | 142 BPM | ||
| Bhakta Ke Kaaran Dauda Mein | Gopal Bajaj | B♭ Major | 8 | 6B | 128 BPM | ||
| Darshan Devo | Rafiq Sagar | B Minor | 8 | 10A | 93 BPM | ||
| Pecham Dharam Mein | Gopal Bajaj | B♭ Major | 9 | 6B | 96 BPM | ||
| Tu Khatu Bulata Rahe | Reshmi Sharma | B♭ Major | 8 | 6B | 82 BPM | ||
| Nahin Chahiye Dil Dukhana Kisi Ka | Pt. Gyanendra Sharma | B Major | 7 | 1B | 86 BPM | ||
| Bolo Dhajaband Dhare | Rafiq Sagar | B Major | 6 | 1B | 103 BPM | ||
| Ram Bina Koi Dham Nahi | Chunnilal, Prakash Mali, Moinuddin Manchala, Neta Nayak | A♭ Major | 7 | 4B | 89 BPM | ||
| O Meera Bhabhi Ji | Moinuddin Manchala, Prakash Mali | E♭ Major | 7 | 5B | 95 BPM | ||
| राधा रमण हरि गोविंद बोलो | Prakash Das Ji Maharaj | B♭ Minor | 9 | 3A | 112 BPM | ||
| Radhe Barsane Wali Radhe | Devi Neha Saraswat | B Minor | 7 | 10A | 78 BPM | ||
| Jehane Kisori Humar | Kumkum Mishra | D Major | 8 | 10B | 144 BPM | ||
| Aasro Balaji Manne Tharo | Ramkumar Lakha | A♭ Major | 7 | 4B | 165 BPM | ||
| Kahi Parwat Jhuke Bhi Hai | Prakash Mali | A Major | 7 | 11B | 145 BPM | ||
| Mandpiya Wala Seth Sanvra Nalo Toh Shri | Bablu Rajasthani | F Minor | 10 | 4A | 130 BPM | ||
| Esa Esa Lagan Likhaya Guruji Mera | Sukhdev Bharti | D♭ Minor | 8 | 12A | 143 BPM | ||
| Ek Phool Gulab Ka Laya Hu | Unix Bhakti, Jayesh Chouhan | F Major | 9 | 7B | 90 BPM | ||
| MERI CHOTI SI HAI NAAV TERE JADU BHARE PAAV | Bhagwat Suthar | F Major | 6 | 7B | 89 BPM | ||
| Khamma Dhaniya Padharo Mhare | Gopal Bajaj | F Minor | 9 | 4A | 128 BPM | ||
| Ena Akhiya Ach Mohan | Sadhvi Purnima Ji | A♭ Minor | 8 | 1A | 105 BPM | ||
| Aarti Om Jay Jagdish Hare | prakashdasswamiofficial | A♭ Major | 9 | 4B | 89 BPM |