Charlie Cunningham's 'Hundred Times' had a release date set for June 7, 2019. The duration of This song is about 3 minutes long, at 3:09. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 12 in the song's album "Permanent Way". In this album, this song's track order is #9. Furthermore, we believe that the track originated from United Kingdom. Hundred Times is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Hundred Times by Charlie Cunningham having a BPM of 68 with a half-time of 34 BPM and a double-time of 136 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
F Minor is the music key of this track. Which also means that the camelot key for this song is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Inconceivable | Mooryc | E Minor | 6 | 9A | 160 BPM | ||
| Phone Number | Balthazar | B♭ Minor | 5 | 3A | 184 BPM | ||
| Still I Wait | Anna Leone | G Major | 3 | 9B | 138 BPM | ||
| White Bird | Matthew And The Atlas | C Major | 4 | 8B | 147 BPM | ||
| No One To Blame | Villagers | C Major | 2 | 8B | 115 BPM | ||
| Under My Skin | Plàsi | C Major | 5 | 8B | 157 BPM | ||
| Penny Sweets | Winter Aid | D Major | 3 | 10B | 75 BPM | ||
| Best I Ever Had | Warhaus | F♯ Major | 3 | 2B | 113 BPM | ||
| Angela | William Fitzsimmons | C Major | 5 | 8B | 83 BPM | ||
| Savagery | Lissom, Julien Marchal, Lowswimmer | E♭ Minor | 1 | 2A | 116 BPM | ||
| The Hand You Deal | Fenne Lily | D Minor | 3 | 7A | 132 BPM | ||
| Volca | Fionn Regan | E Major | 2 | 12B | 102 BPM | ||
| Binary Love | Thomas Willow | A Major | 3 | 11B | 72 BPM | ||
| Too Far Away | Gregory Alan Isakov | B Major | 3 | 1B | 118 BPM | ||
| This I Know | Charlie Cunningham | G Major | 2 | 9B | 140 BPM | ||
| My Grace | Octave Lissner | A♭ Minor | 2 | 1A | 134 BPM | ||
| Headlights | Charlie Cunningham | A Major | 4 | 11B | 86 BPM | ||
| That’s How I See You Now | Fink | G Minor | 2 | 6A | 105 BPM | ||
| Now That I Know | The Bony King of Nowhere | F Minor | 1 | 4A | 134 BPM | ||
| Answers | Charlie Cunningham | D Minor | 3 | 7A | 170 BPM | ||
| On Melancholy Hill | Riley Pearce | D Major | 1 | 10B | 106 BPM | ||
| Imagination | Madrugada | G Minor | 2 | 6A | 110 BPM | ||
| With Your Own Kind of Swagger | Lambert, Dekker | E Major | 1 | 12B | 135 BPM | ||
| Won't You Call Me | Agnes Obel | C Major | 1 | 8B | 71 BPM | ||
| All Sweet Things | No-Man | C Major | 2 | 8B | 73 BPM |