- BPM
- 72
- Key
- E♭ Major
- Camelot
- 5B
Le chevalier errant: IV. Les comédiens et final by Jacques Ibert, Orchestre National De Lorraine, Jacques Mercier Song Details
"Le chevalier errant: IV. Les comédiens et final" by Jacques Ibert, Orchestre National De Lorraine, Jacques Mercier had its release date on May 5, 2015. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Jacques Ibert, Orchestre National De Lorraine, Jacques Mercier's "Ibert: Le chevalier errant & Les amours de Jupiter" album is number 4 out of 22. On top of that, France appears to be the country where this track was created. Le chevalier errant: IV. Les comédiens et final is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
BPM and Tempo
We consider the tempo marking of Le chevalier errant: IV. Les comédiens et final by Jacques Ibert, Orchestre National De Lorraine, Jacques Mercier to be Adagio (slowly with great expression) because the track has a tempo of 72 BPM, a half-time of 36BPM, and a double-time of 144 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
Music Key
This song is in the music key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 0%
- Loudness
- -24.575 dB
- Acousticness
- 83%
- Danceability
- 13%
- Energy
- 7%
- Instrumentalness
- 96%
- Liveness
- 10%
- Loudness
- 59%
- Speechiness
- 4%
- Valence
- 17%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Ibert: Pièce pour flute seule | Jacques Ibert, Emmanuel Pahud | D♭ Major | 0 | 3B | 87 BPM | |
 | Nocturne No. 2 in C Minor, H. 25 | John Field, Benjamin Frith | C Minor | 0 | 5A | 98 BPM | |
 | 9 Preludes, Op. 1: No. 2 in D Minor. Andante con moto | Karol Szymanowski, Krystian Zimerman | F Major | 1 | 7B | 150 BPM | |
 | Etude in F Minor | Felix Mendelssohn, Benjamin Frith | B♭ Major | 0 | 6B | 75 BPM | |
 | Violin Concerto in D Minor, Op. 47: II. Adagio di molto | Jean Sibelius, Anne-Sophie Mutter, Staatskapelle Dresden, André Previn | B♭ Major | 1 | 6B | 173 BPM | |
 | Night (Arr. for Cello & Piano by Tom Poster) | Florence Beatrice Price, Laura van der Heijden, Jâms Coleman | G Major | 0 | 9B | 86 BPM | |
 | Preghiera (Arr. by Fritz Kreisler from Piano Concerto No. 2 in C Minor, Op. 18, 2nd Movement) | Sergei Rachmaninoff, Gidon Kremer, Daniil Trifonov | C Major | 1 | 8B | 104 BPM | |
 | Concertino for Clarinet & Bassoon in B-Flat Major, Op. 47: II. Andante | Franz Danzi, Eduard Brunner, Klaus Thunemann, Munich Chamber Orchestra, Hans Stadlmair | B♭ Major | 0 | 6B | 84 BPM | |
 | 3 Pieces for cello and piano: No. 3. Vite et nerveusement rythme | Nadia Boulanger, Nicolas Altstaedt, José Gallardo | D♭ Major | 1 | 3B | 151 BPM | |
 | Preludes Op. 23: No. 4 in D major: Andante cantabile | Sergei Rachmaninoff, Alessio Bax | A Major | 2 | 11B | 103 BPM | |
 | Nocturne No. 16 In F Major, H. 62: Nocturne No. 16 In F Major | Benjamin Frith, John Field | F Major | 0 | 7B | 71 BPM | |
 | Clarinet Concerto No. 1 in C Minor, Op. 26: II. Adagio | Louis Spohr, Karl Leister, Radio Sinfonieorchester Stuttgart des SWR, Rafael Frühbeck de Burgos | A♭ Major | 0 | 4B | 73 BPM | |
 | Liszt: 12 Lieder von Franz Schubert, S. 558: No. 7, Frühlingsglaube | Franz Liszt, Aimi Kobayashi | A♭ Major | 0 | 4B | 68 BPM | |
 | Liszt: 12 Études d'exécution transcendante, S. 139: No. 3, Paysage | Franz Liszt, Yoav Levanon | F Major | 0 | 7B | 73 BPM | |
 | Ancient Airs & Dances, Suite III, P. 172: I. Italiana (Anonymous) | Ottorino Respighi, Filarmonica della Scala, Riccardo Chailly | B♭ Major | 1 | 6B | 172 BPM | |
 | Debussy: Petite suite, CD 71, L. 65: I. En bateau (Live) | Martha Argerich, Cristina Marton | G Major | 0 | 9B | 72 BPM | |
 | Saint-Saëns: Piano Concerto No. 2 in G Minor, Op. 22: I. Andante sostenuto | Camille Saint-Saëns, Bertrand Chamayou, Emmanuel Krivine, Orchestre National De France | G Minor | 2 | 6A | 94 BPM | |
 | Brook Green Suite: I. Prelude | Gustav Holst, English Sinfonia, Howard Griffiths | D♭ Major | 0 | 3B | 66 BPM | |
 | Suite for Two Pianos, Op. 6: II. Andantino con moto | Charles Koechlin, Tal & Groethuysen | F Minor | 0 | 4A | 192 BPM | |
 | 3 Preludes and Fugues, Op. 16: No. 2, Prelude and Fugue in B-Flat Major | Clara Schumann, Jozef De Beenhouwer | B♭ Major | 0 | 6B | 101 BPM | |
 | 8 Easy Pieces, Op. 43: No. 1, Prélude | Reinhold Glière, Alton Chung Ming Chan | D♭ Major | 0 | 3B | 66 BPM | |
 | Piano Concerto in F-Sharp Minor, Op. 20: II. Andante | Alexander Scriabin, Konstantin Scherbakov, Moscow Philharmonic Orchestra, Igor Golovschin | E♭ Major | 0 | 5B | 81 BPM | |
 | Sarabande pour Dulcinée | Jacques Ibert, Orchestre Philharmonique De Strasbourg, Annick Massis, Andromède, Yann Beuron, Persée, Jan Latham-Koenig | E Major | 0 | 12B | 80 BPM | |
 | Automne | Cécile Chaminade, Eric Parkin | D♭ Major | 1 | 3B | 69 BPM | |
 | Adoration (Arr. Gray for Violin & Orchestra) | Florence Beatrice Price, Randall Goosby, Philadelphia Orchestra, Yannick Nézet-Séguin | D Major | 3 | 10B | 74 BPM |
- ISRC
- FRY461401200
- Label
- L-M Records/RCA Records