- BPM
- 84
- Key
- G Minor
- Camelot
- 6A
Couperin, L: Suite en la: II. Allemande, G. 100 by Louis Couperin, Jean Rondeau Song Details
Louis Couperin, Jean Rondeau's 'Couperin, L: Suite en la: II. Allemande, G. 100' had a release date set for November 14, 2025. The duration of This song is about 3 minutes long, at 3:21. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Louis Couperin, Jean Rondeau's "Louis Couperin: The Complete Works, Vol. I" album is number 11 out of 23. On top of that, United Kingdom appears to be the country where this track was created. Couperin, L: Suite en la: II. Allemande, G. 100 is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
BPM and Tempo
We consider the tempo marking of Couperin, L: Suite en la: II. Allemande, G. 100 by Louis Couperin, Jean Rondeau to be Andante (at a walking pace) because the track has a tempo of 84 BPM, a half-time of 42BPM, and a double-time of 168 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
Music Key
This song is in the music key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 11%
- Loudness
- -20.984 dB
- Acousticness
- 72%
- Danceability
- 24%
- Energy
- 23%
- Instrumentalness
- 96%
- Liveness
- 14%
- Loudness
- 65%
- Speechiness
- 4%
- Valence
- 33%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Ouverture in G Major: III. Sarabande | Johann Bernhard Bach, L'Achéron, François Joubert-Caillet | F Major | 1 | 7B | 113 BPM | |
 | Sonates sans basse: Sonata in G Major, TWV 40:101: Soave | Georg Philipp Telemann, Mindy Rosenfeld, Stephen Schultz, American Baroque | E♭ Major | 0 | 5B | 129 BPM | |
 | Suite in G Minor: I. Allemande | Monsieur de Sainte-Colombe, François Joubert-Caillet, L'Achéron | E♭ Minor | 1 | 2A | 114 BPM | |
 | Sonates pour le violoncelle avec la basse continue, livre II, sonate No. 2: I. Adagio | Jean Barrière, Bruno Cocset, Les Basses Réunies, Guido Balestracci | F Minor | 1 | 4A | 73 BPM | |
 | Madrigals Libro, No.6: Moro, Lasso, Al Mio Duolo | Carlo Gesualdo, Musica Sequenza, BURAK | F♯ Minor | 1 | 11A | 75 BPM | |
 | Lachrimæ antiquæ Novæ (Improvisation After the Lachrimæ or Seaven Teares by John Dowland) | Sokratis Sinopoulos, L'Achéron, François Joubert-Caillet, John Dowland | D♭ Minor | 1 | 12A | 101 BPM | |
 | Viola da Gamba Suite in D Major: IX. Tempo di menuet | Carl Friedrich Abel, Paolo Pandolfo | A♭ Major | 0 | 4B | 146 BPM | |
 | 3e Livre de Sonates à violon seul avec la basse continue, Sonata Quarta: III. Sarabanda | Jean-Baptiste Quentin, Anna Besson, Myriam Rignol, Jean Rondeau | A♭ Major | 1 | 4B | 105 BPM | |
 | String Sonata à 5 in G Major, Op. 2 No. 1: II. Allegro | Tomaso Albinoni, Ensemble Masques, Olivier Fortin, Sophie Gent, Kathleen Kajioka | F♯ Major | 2 | 2B | 122 BPM | |
 | Suite in G Minor: Andamento malinconico | Nicola Matteis, Le Consort, Louise Ayrton | F♯ Minor | 1 | 11A | 81 BPM | |
 | Trio Sonatas, Op. 2, Trio Sonata No. 1 in E Minor: I. Adagio | Jean-Joseph Cassanéa De Mondonville, Ensemble Diderot, Johannes Pramsohler | C Major | 1 | 8B | 97 BPM | |
| Sonata quarta in B minor, Parte Prima: III. Adagio | Mrs Philarmonica, Le Consort | B Major | 0 | 1B | 84 BPM | |
 | Sonata & Suite in D-Dur: Sonata & Suite in D-Dur: I. Adagio | Dietrich Becker, La Rêveuse, Florence Bolton, Sébastien Wonner, Benjamin Perrot | D♭ Major | 1 | 3B | 90 BPM | |
 | Suite in G Major: V. Capriccio | Nicola Matteis, Théotime Langlois de Swarte, Thomas Dunford | F♯ Major | 1 | 2B | 80 BPM | |
 | Mystery Sonata No. 7 "The Scourging at the Pillar": I. Allamanda | Heinrich Ignaz Franz von Biber, Sirkka-Liisa Kaakinen-Pilch, Battalia | B Major | 0 | 1B | 97 BPM | |
 | Ancor che col partire | Antonio de Cabezón, Yoann Moulin | A Minor | 1 | 8A | 135 BPM | |
 | Concerto for 2 Oboes da caccia, 2 Violas, 2 Bassoons and Continuo in G Major, FaWV L:G11: II. Air | Johann Friedrich Fasch, Il Gardellino | D♭ Major | 0 | 3B | 79 BPM | |
 | Il pastor fido, Sonata No. 5 in C Major (Prev. Attrib. Vivaldi as RV 56): IV. Allegro ma non presto | Nicolas Chédeville, Lucie Horsch, Tom Foster | D♭ Major | 1 | 3B | 122 BPM | |
 | D'Anglebert: Suite No. 3 en ré mineur: VI. Sarabande Grave. Lentement | Jean-Henri d'Anglebert, Jean Rondeau, Thomas Dunford | A♭ Minor | 1 | 1A | 76 BPM | |
 | Violin Sonata in E Minor, Op. 5 No. 3: I. Largo | Jean-Marie Leclair, Adrian Butterfield, Sarah McMahon, Silas Wollston | F♯ Major | 1 | 2B | 105 BPM | |
| Recorder Sonata in F Major, Op. 1 No. 11, HWV 369: IV. Allegro | George Frideric Handel, Lucie Horsch, Tom Foster | E Major | 1 | 12B | 116 BPM | |
 | Canzonie, fantasie et correnti: No. 22, Canzon No. 12 | Bartolomé de Selma y Selaverde, Ecco la musica | E Major | 0 | 12B | 87 BPM | |
| Op.12, No.4: Canzon La Treccia | Tarquinio Merula, Musica Sequenza, BURAK | F♯ Minor | 1 | 11A | 75 BPM | |
 | Pièces de Clavecin in G major: 15. Menuet "Dans nos Bois" | Jean-Henri d'Anglebert, Christophe Rousset | F Minor | 3 | 4A | 99 BPM | |
| Mystery Sonata No. 7 "The Scourging at the Pillar": II. Sarab. Variation | Heinrich Ignaz Franz von Biber, Sirkka-Liisa Kaakinen-Pilch, Battalia | B Major | 0 | 1B | 97 BPM |
- ISRC
- GBPFW2500209
- Label
- L-M Records/RCA Records