Chris Hughes, Ian Stanley, Roland Orzabal, Isha's 'Everybody Wants To Rule the World' had a release date set for January 16, 2004. The duration of This song is about two minutes long, specifically at 2:32. This song does not appear to have any foul language. Everybody Wants To Rule the World's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 14 in the song's album "Time and Again...". In this album, this song's track order is #7. Furthermore, we believe that the track originated from United Kingdom. Based on our statistics, Everybody Wants To Rule the World's popularity is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Everybody Wants To Rule the World by Chris Hughes, Ian Stanley, Roland Orzabal, Isha having a BPM of 120 with a half-time of 60 BPM and a double-time of 240 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
F Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Last Office of Night | Night Monastery | F Major | 1 | 7B | 68 BPM | ||
| I Heard The Voice | Chris Hughes | F♯ Major | 1 | 2B | 134 BPM | ||
| Alleluia! Sing to Jesus! SHZ 340 | Laestadian Lutheran Church, Laurel Loukusa, Liisa Keranen, Aamos Anderson, Aabel Anderson | F Major | 2 | 7B | 82 BPM | ||
| Ascribe unto the Lord (Psalm 29) | James Turle, Gloriae Dei Cantores, Elizabeth C. Patterson | C Major | 3 | 8B | 73 BPM | ||
| Eurospun | Mikko Finneman | F Major | 2 | 7B | 99 BPM | ||
| GOOD NEWS SHOES | STEVE WORSHIP MOORE | F Major | 1 | 7B | 68 BPM | ||
| Passion Week, Op. 58: VIII. The Wise Thief | Alexander Gretchaninov, Phoenix Bach Choir, Kansas City Chorale, Charles Bruffy, Caroline Markham, Paul Davidson, Bryan Taylor | A♭ Major | 0 | 4B | 65 BPM | ||
| Moon - Chris Hughes Remix | Neil Browne, Chris Hughes | G Minor | 8 | 6A | 121 BPM | ||
| In Song: III. In Song | Laura Hawley, Canadian Chamber Choir, Julia Davids | A Major | 6 | 11B | 88 BPM | ||
| Evening Service in B Minor, Op. 6: II. Nunc dimittis | T. Tertius Noble, Bristol Cathedral Choir, Ian Ball, Christopher Brayne | A Major | 2 | 11B | 67 BPM | ||
| Jerusalem the Golden | Alexander Ewing, The Choir of Sidney Sussex College, Cambridge, Jamal Sutton, David Skinner | C Major | 1 | 8B | 128 BPM | ||
| Dignus est Agnus | Anonymous, Westminster Cathedral Choir, Martin Baker | F Minor | 1 | 4A | 136 BPM | ||
| All shall be Amen and Alleluia | James Whitbourn, Westminster Williamson Voices, Jacob Ezzo, Jonathan Palmer Lakeland, Ken Cowan, James Jordan | C Major | 2 | 8B | 75 BPM | ||
| Psalm 23 The Lord Is My Shepherd | Howard Goodall, Laura Wright, The Enchanted Voices, Howard Goodall Chamber Orchestra | D Minor | 1 | 7A | 171 BPM | ||
| I Will Magnify Thee, O Lord (Psalm 30) | James Turle, Gloriae Dei Cantores, Elizabeth C. Patterson | D Major | 1 | 10B | 67 BPM | ||
| Thou Knowest Lord The Secret Of Our Hearts | Monks And Choir Boys Of Downside Abbey | G Minor | 1 | 6A | 135 BPM | ||
| Requiem for the Living: V. Lux Aeterna | Providence Singers, Christine Noel, Kilian Mooney | G Major | 1 | 9B | 86 BPM | ||
| Riemuitse, tytär Siionin (Siionin laulu 251) | Seuralaulu, Lauri-Kalle Kallunki, Henna-Mari Sivula | B Minor | 2 | 10A | 132 BPM | ||
| Psalm 91 | On Eagle's Wings | Mannenensemble Espressione | A♭ Major | 1 | 4B | 73 BPM | ||
| Out of This Darkness: No. 5, Out of This Darkness | John Wykoff, Missouri State University Chorale, Cameron F. LaBarr, Parker Payne | D Major | 2 | 10B | 134 BPM | ||
| Inleidend Koraalspel Psalm 79 | Klaas Jan Mulder | G Major | 0 | 9B | 57 BPM | ||
| Lo, How a Rose E’er Blooming, from Gaudete | Anders Ohrwall, Soli Deo Gloria Cantorum, Almeda Berkey (Director) | G Major | 1 | 9B | 91 BPM | ||
| Psalm 112 | Peter Stevens, Simon Johnson, Westminster Cathedral Choir | A Minor | 2 | 8A | 79 BPM | ||
| O Lord My God | John Bell, The Cathedral Singers | D Major | 2 | 10B | 85 BPM | ||
| Exultate Justi | Lodovico Viadana, University of Saskatchewan Greystone Singers | A♭ Major | 3 | 4B | 87 BPM |