On September 24, 1998, the song "Tap Aai Kand Mitra" was released by Avtar Chamak, Aman Jot. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Avtar Chamak, Aman Jot's "Kudi Lei Gayi Nishani" album is number 9 out of 10. On top of that, India appears to be the country where this track was created. Based on our statistics, Tap Aai Kand Mitra's popularity is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Tap Aai Kand Mitra by Avtar Chamak, Aman Jot to be Allegro (fast, quick, and bright) because the track has a tempo of 151 BPM, a half-time of 76BPM, and a double-time of 302 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, running, can go well with this song. The time signature for this track is 4/4.
D♭ Major is the music key of this track. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Thoda Hor Thehar Jao | Lovely Nirman | C Major | 8 | 8B | 154 BPM | ||
| Kehra Vapis Aa Jaengi | Manjeet Rupowalia | D♭ Minor | 9 | 12A | 95 BPM | ||
| Udhja Morniye | Yudhveer | B Minor | 8 | 10A | 116 BPM | ||
| Sagna Di Raat | Sajan Firozpuri | A Minor | 6 | 8A | 95 BPM | ||
| Langhe Haunkian Ch Raat | Dharampreet | E♭ Major | 6 | 5B | 146 BPM | ||
| Dubjani De Driver Athara | Bagga Safri, Kiran Jyoti | A♭ Minor | 7 | 1A | 96 BPM | ||
| Kachi Umar Yarana Marha | Ravinder Grewal, Surpreet Soni | F♯ Minor | 8 | 11A | 152 BPM | ||
| Tutte Dil Kujh Bol Ni Sakde | Dharampreet | B♭ Minor | 7 | 3A | 139 BPM | ||
| Kach Da Saman Bhabi Wang Wargi | Hakam Bakhtarwala, Daljeet Kaur | D♭ Major | 9 | 3B | 173 BPM | ||
| Bhabi Mainu Puche Kal Di | Surinder Bujrak | A♭ Major | 8 | 4B | 93 BPM | ||
| Munde Da Lage Taya | Surinder Shinda, Gulshan Komal | E Major | 4 | 12B | 79 BPM | ||
| Landu Jiha Sapahi | Hakam Bakhtarwala, Daljeet Kaur | A♭ Minor | 9 | 1A | 169 BPM | ||
| Bebe Ne Kamal Karti | Hakam Bakhtarwala, Daljeet Kaur | A♭ Minor | 9 | 1A | 169 BPM | ||
| Road Ton Truck Lai Gaya | Lakha Brar, Anita Samana | D♭ Major | 8 | 3B | 118 BPM | ||
| Ishq Tere Ne Ve Sajna | Amrik Toofan, Harjeet Mattu | A Major | 6 | 11B | 76 BPM | ||
| Teri Choti Bhain | Amrik Toofan, Harjit Mattu | A♭ Major | 8 | 4B | 174 BPM | ||
| Nach De Bhagat Dwaare Te | Firoz Khan | D♭ Major | 8 | 3B | 84 BPM | ||
| Na De Dil | Surinder Bachan | F♯ Minor | 9 | 11A | 119 BPM | ||
| Darshan Mehbooba De | Manjeet Rupowalia | A♭ Minor | 8 | 1A | 83 BPM | ||
| Pyar Te Prosa | Miss Pooja, Gora Chak Wala | F♯ Major | 8 | 2B | 140 BPM | ||
| Darshan Jogi De | Sukha Ram Saroa, Sursagar, Satpal Saroa | G Minor | 7 | 6A | 100 BPM | ||
| Bolliyan | Avtar Chamak | F Major | 9 | 7B | 89 BPM | ||
| G T Road Utte | Sajan Firozpuri | B♭ Major | 9 | 6B | 98 BPM | ||
| Rabb Ravidass | Santy Sam | D♭ Minor | 9 | 12A | 114 BPM | ||
| Mere Ghabroo Mech Na Aave | Avtar Chamak, Aman Jot | B Minor | 8 | 10A | 88 BPM |