"Can-Can: It's All Right with Me" by Isabelle Fontaine, The Hot Club Of San Francisco had its release date on May 1, 2012. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 14 in the song's album "The Hot Club of San Francisco Live at Yoshis SF". In this album, this song's track order is #2. Furthermore, we believe that the track originated from United States. In terms of popularity, Can-Can: It's All Right with Me is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Can-Can: It's All Right with Me by Isabelle Fontaine, The Hot Club Of San Francisco having a BPM of 110 with a half-time of 55 BPM and a double-time of 220 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 4/4.
This song is in the music key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| You've Got Me Crying Again | The Pasadena Roof Orchestra | B♭ Major | 5 | 6B | 124 BPM | ||
| Rachel's Birthday | Marco Bianchi Vibes 4tet | E♭ Major | 1 | 5B | 133 BPM | ||
| Little Girl | Giorgio Cuscito | B♭ Major | 2 | 6B | 96 BPM | ||
| Stella by Starlight: The Uninvited: Stella by Starlight | Isabelle Fontaine, The Hot Club Of San Francisco | C Minor | 1 | 5A | 137 BPM | ||
| You Took Advantage Of Me | Gustav Lundgren, Romain Vuillemin, Édouard Pennes | A♭ Major | 3 | 4B | 126 BPM | ||
| Gramophone Waltz | Polaroid Sessions | C Minor | 2 | 5A | 72 BPM | ||
| The Smell of Spring | Adam Jasny, Alicja Kos | A Minor | 4 | 8A | 171 BPM | ||
| All | Maria Gilbert | A Minor | 2 | 8A | 119 BPM | ||
| El Cielo Azul | Peter Platts Jazz mbH, Thomas Gansch | A Minor | 4 | 8A | 132 BPM | ||
| If I Could Be With You | Tim Laughlin | E♭ Major | 2 | 5B | 110 BPM | ||
| white stillness | eire music | B♭ Major | 5 | 6B | 195 BPM | ||
| Basalt Colonnade | Polaroid Sessions | C Minor | 2 | 5A | 72 BPM | ||
| Diminushing | Eva sur Seine | F Major | 3 | 7B | 125 BPM | ||
| The Best Time of My Life | Peter Platts Jazz mbH, Thomas Gansch | G Major | 4 | 9B | 100 BPM | ||
| 雨漏りとシマアジ | Harumi Fuuki | A Major | 3 | 11B | 160 BPM | ||
| Yours And Mine | Duke Heitger & His Swing Band | D♭ Major | 3 | 3B | 115 BPM | ||
| Sing, Sing, Sing | Alex Mendham and His Orchestra | A♭ Major | 4 | 4B | 168 BPM | ||
| Truckin' | Vince Giordano And The Nighthawks | G Major | 3 | 9B | 103 BPM | ||
| Jigolo Joe | String Merchants | D Major | 2 | 10B | 156 BPM | ||
| Pastisse | Silvia Manco | C Major | 3 | 8B | 106 BPM | ||
| The Thing Called Love | Adam Hall and the Velvet Playboys | D Major | 2 | 10B | 121 BPM | ||
| On the Street | Peter Platts Jazz mbH, Thomas Gansch | A Minor | 6 | 8A | 100 BPM | ||
| Balling The Jack | Eddie Condon | C Minor | 4 | 5A | 189 BPM | ||
| Blues for Jimmy Noone | Kid Ory's Creole Jazz Band | B Major | 4 | 1B | 131 BPM | ||
| Last Laugh | Weiss Gram | D♭ Major | 5 | 3B | 134 BPM |