"The Manifold" by Paul Leonard-Morgan had its release date on February 28, 2025. This song is about six minutes long, preciously at 5:37, making this song fairly long compared to other songs. The track order of this song in Paul Leonard-Morgan's "Last Breath (Original Motion Picture Soundtrack)" album is number 8 out of 22. The Manifold is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of The Manifold by Paul Leonard-Morgan to be Andante (at a walking pace) because the track has a tempo of 87 BPM, a half-time of 44BPM, and a double-time of 174 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Hacking / Cutting | Ben Salisbury, Geoff Barrow | D♭ Minor | 1 | 12A | 135 BPM | ||
| John Wick Reckoning | Tyler Bates, Joel J. Richard | D Minor | 8 | 7A | 176 BPM | ||
| Amaiera | Joseph Trapanese | E Minor | 3 | 9A | 83 BPM | ||
| Detroit Marketplace | Michael McCann | B Major | 5 | 1B | 180 BPM | ||
| Not Afraid To Die | Jack Bartman | D Minor | 3 | 7A | 79 BPM | ||
| Where There Is Darkness | Paul Leonard-Morgan | A Major | 4 | 11B | 128 BPM | ||
| Precinct Siege | Ola Strandh | B Minor | 8 | 10A | 180 BPM | ||
| Leaving It All Behind | Sam Hulick | D Major | 0 | 10B | 80 BPM | ||
| Vivarium | Kristian Eidnes Andersen | C Minor | 2 | 5A | 110 BPM | ||
| Sharks Don't Sleep | Dean Valentine | E Minor | 4 | 9A | 118 BPM | ||
| The Turing Test | Ben Salisbury, Geoff Barrow | D♭ Major | 0 | 3B | 139 BPM | ||
| Colorado Springs | The Prestige | A Minor | 1 | 8A | 91 BPM | ||
| The Illusive Man | Jack Wall | D Major | 4 | 10B | 112 BPM | ||
| Atlantis | P.T. Adamczyk | E Minor | 9 | 9A | 138 BPM | ||
| Escape from Regis III | Brunon Lubas | B Minor | 1 | 10A | 75 BPM | ||
| Will She Come Back | Cliff Martinez | A Minor | 0 | 8A | 73 BPM | ||
| Prologue | Ola Strandh | E Major | 4 | 12B | 128 BPM | ||
| Urban Downunder | Marcin Przybyłowicz | A Major | 3 | 11B | 67 BPM | ||
| 406.2 Play The Hero | Mac Quayle | B♭ Minor | 6 | 3A | 200 BPM | ||
| 1.4_2-impenetrable.sd2 | Mac Quayle | A♭ Major | 9 | 4B | 94 BPM | ||
| Naru's Way | Sarah Schachner | A Minor | 4 | 8A | 99 BPM | ||
| April, 1945 | Steven Price | B♭ Major | 4 | 6B | 116 BPM | ||
| Change The World | Daniel Pemberton | F Minor | 4 | 4A | 90 BPM | ||
| Solitare Suite | Henry Jackman, Alex Belcher | A Minor | 0 | 8A | 71 BPM | ||
| The Animus | Jed Kurzel | A Major | 4 | 11B | 130 BPM |