"Was hätten wir denn tun sollen" by Hannes Wittmer // Spaceman Spiff had its release date on March 1, 2024. With this song being around four minutes long, at 3:50, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 10 in the song's album "Sag es allen Leuten". In this album, this song's track order is #5. Furthermore, we believe that the track originated from Germany. In terms of popularity, Was hätten wir denn tun sollen is currently unknown. Although the overall vibe is very danceable, it does project more negative sounds.
With Was hätten wir denn tun sollen by Hannes Wittmer // Spaceman Spiff having a BPM of 96 with a half-time of 48 BPM and a double-time of 192 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of E Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Was von uns bleibt - Neon Acoustic Orchestra | Philipp Poisel | D Major | 7 | 10B | 109 BPM | ||
| Das erste Mal | Milliarden | D♭ Minor | 1 | 12A | 91 BPM | ||
| Bevor der Konjunktiv gewinnt | Hannes Wittmer // Spaceman Spiff | F Major | 8 | 7B | 104 BPM | ||
| Auf Null | Kapelle Petra | C Major | 8 | 8B | 175 BPM | ||
| Jubel Trubel Eitelkeit | Hotel Rimini | D♭ Major | 8 | 3B | 106 BPM | ||
| Hundertprozentig | Jan Plewka, Mieze Katz | C Major | 1 | 8B | 128 BPM | ||
| Krümel noch da (Tagescafé) | Nichtseattle | C Major | 4 | 8B | 132 BPM | ||
| Mond | Paul Gerlinger | G Minor | 3 | 6A | 126 BPM | ||
| Die Nacht übertreibt | Die Höchste Eisenbahn | D♭ Major | 3 | 3B | 116 BPM | ||
| Wind in deinem Haar | Niels Frevert | F Major | 6 | 7B | 126 BPM | ||
| Ich gehe unter | Tocotronic | B Major | 6 | 1B | 80 BPM | ||
| Wir waren eine Gang | Marcus Wiebusch | D♭ Major | 6 | 3B | 158 BPM | ||
| Der letzte Optimist | Judith Holofernes | A♭ Major | 3 | 4B | 134 BPM | ||
| Unterwasserliebe - Liam Mour Remix | OK KID, Liam Mour | D Major | 5 | 10B | 75 BPM | ||
| Mit Scherenhaenden | Hannes Wittmer // Spaceman Spiff | E Major | 2 | 12B | 89 BPM | ||
| Gegen die Vernunft | Fortuna Ehrenfeld | E Major | 3 | 12B | 103 BPM | ||
| Unrealistische Erwartungen | Lukas Meister | B♭ Major | 4 | 6B | 80 BPM | ||
| Alles bleibt wie es war | Hotel Rimini | A Minor | 4 | 8A | 82 BPM | ||
| Brückengeländer | Niels Frevert | B Minor | 4 | 10A | 77 BPM | ||
| Grau in Burgund (Von Grau zu Dir) | Hi! Spencer | E♭ Major | 4 | 5B | 140 BPM | ||
| Arschgesicht mit Undercut | Paul Sies | G Minor | 5 | 6A | 80 BPM | ||
| ALLES IST NUR ÜBERGANG | All diese Gewalt | A Major | 3 | 11B | 136 BPM | ||
| Nicht alleine | Kapelle Petra | C Major | 8 | 8B | 175 BPM | ||
| Was mir bleibt | Jan Plewka | C Major | 1 | 8B | 128 BPM | ||
| Boot | Paul Sies | F Minor | 3 | 4A | 131 BPM |