"Transcendence - Orchestral Remix" by Lindsey Stirling had its release date on 2012. With this song being around four minutes long, at 4:22, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Lindsey Stirling's "Lindsey Stirling (Deluxe Version)" album is number 14 out of 17. On top of that, Lesotho appears to be the country where this track was created. Transcendence - Orchestral Remix is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Transcendence - Orchestral Remix by Lindsey Stirling to be Adagio (slowly with great expression) because the track has a tempo of 74 BPM, a half-time of 37BPM, and a double-time of 148 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Moonlight Sonata Nightmare | We Are One | F♯ Minor | 8 | 11A | 150 BPM | ||
| Siúil a Rún | Celtic Woman | E Minor | 2 | 9A | 150 BPM | ||
| Shape of Lies | Eternal Eclipse | A♭ Major | 6 | 4B | 87 BPM | ||
| Smoke on the Water | 2WEI | F Minor | 9 | 4A | 124 BPM | ||
| Toccata and Fugue | Jennifer Thomas | D Major | 6 | 10B | 105 BPM | ||
| The Drift | Blackmill | D♭ Minor | 7 | 12A | 156 BPM | ||
| Paint It Black | Wednesday Addams | F Minor | 3 | 4A | 130 BPM | ||
| Hard To Kill | Beth Crowley | E Minor | 4 | 9A | 142 BPM | ||
| Sileadh | The Sidh | A♭ Major | 9 | 4B | 136 BPM | ||
| Orchestral Attack | Young Mozart | C Minor | 6 | 5A | 73 BPM | ||
| Fate of the Clockmaker | Eternal Eclipse | D Major | 9 | 10B | 78 BPM | ||
| Passacaglia Dream | Musicalbasics | A Minor | 8 | 8A | 137 BPM | ||
| Classical Puppet Men | Young Mozart | E Minor | 8 | 9A | 100 BPM | ||
| Red flower | Sergey Ivanov | E Minor | 10 | 9A | 180 BPM | ||
| Survivor | 2WEI, Edda Hayes | G Major | 5 | 9B | 133 BPM | ||
| Claim Your Weapons (feat. Atrel) | Christian Reindl, Atrel | A Minor | 6 | 8A | 120 BPM | ||
| Night Vision | Lindsey Stirling | A Minor | 7 | 8A | 126 BPM | ||
| Frozen Prayer | Sergey Ivanov | E Minor | 4 | 9A | 143 BPM | ||
| Time Will Catch Me First | Peter Crowley | A Minor | 7 | 8A | 120 BPM | ||
| Within | William Joseph | D Minor | 5 | 7A | 70 BPM | ||
| Mosaic | Amadeus | B♭ Major | 9 | 6B | 120 BPM | ||
| Towers Fall Into the Sea | Clocks & Clouds | D Major | 6 | 10B | 100 BPM | ||
| Icarus (feat. Julie Elven) | Iván Torrent, Julie Elven | B Minor | 5 | 10A | 140 BPM | ||
| Underground | Lindsey Stirling | D Major | 4 | 10B | 160 BPM | ||
| Fallen Leaves | Eklipse | F Minor | 7 | 4A | 118 BPM |