"The Uncleans" by Miklós Rózsa had its release date on January 29, 1960. The duration of This song is about two minutes long, specifically at 2:28. This song does not appear to have any foul language. The Uncleans's duration is considered a little bit shorter than the average duration of a typical track. The song is number 30 out of 88 in Ben Hur (Original Motion Picture Soundtrack) [Deluxe Version] by Miklós Rózsa. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. The Uncleans is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of The Uncleans by Miklós Rózsa is Andante (at a walking pace), since this song has a tempo of 80 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| 633 Squadron: Main Theme | Ron Goodwin, Rumon Gamba, BBC Philharmonic Orchestra | F Major | 7 | 7B | 118 BPM | ||
| Waterloo: Andante alla marcia - Mosso, non troppo - | Nino Rota, Gianluigi Gelmetti, Monte-Carlo Philharmonic Orchestra | D Minor | 3 | 7A | 129 BPM | ||
| Midnight Friends | Attie Esterhuizen, Bob Mintzer, The Cape Town Philharmonic Orchestra | C Major | 2 | 8B | 135 BPM | ||
| Acercamientos | Armonias | F Minor | 1 | 4A | 85 BPM | ||
| Flight To Avalon - Dragonheart/Soundtrack Version | Randy Edelman | B♭ Major | 3 | 6B | 61 BPM | ||
| Urban Glow | Lumi Risto | D Minor | 4 | 7A | 123 BPM | ||
| Cannibalize The Future | Danke Timi Briggs | B♭ Major | 3 | 6B | 80 BPM | ||
| Clarinet & Saxophone Concerto: II. Calm Lake, Pt. 2 (Live) | Maya Badian, National Symphony Orchestra of Teleradio-Moldova | A♭ Major | 3 | 4B | 79 BPM | ||
| Balthasar - Extended Version | Miklós Rózsa | B♭ Major | 2 | 6B | 46 BPM | ||
| Activando Sensaciones | Sirenas Celestiales | D♭ Major | 0 | 3B | 121 BPM | ||
| Control | Niclas Moan, Nocilla | F Minor | 2 | 4A | 69 BPM | ||
| Prelude | New Zealand Symphony, James Sedares | G Minor | 2 | 6A | 69 BPM | ||
| The Sweetest Lady | David Snell | E♭ Major | 0 | 5B | 126 BPM | ||
| Alpine Lake | Philipp Alexander Geitmann | C Minor | 2 | 5A | 111 BPM | ||
| Reunion | Max Steiner | G Major | 2 | 9B | 183 BPM | ||
| Cutthroat Island (It’s Only Gold & End Credits) | City Light Symphony Orchestra | D Minor | 4 | 7A | 123 BPM | ||
| The Winter's Tale, Act I Scene 1: The Court at Sicilia | Joby Talbot, Orchestra of the Royal Opera House, Covent Garden, Koen Kessels | A♭ Major | 2 | 4B | 108 BPM | ||
| Venice Carnival Appreciation | Shelly | B Minor | 1 | 10A | 140 BPM | ||
| Silverado | Hollywood Symphony Orchestra | A Major | 6 | 11B | 121 BPM | ||
| Dueling Wizards - Conan The Destroyer/Soundtrack Version | Basil Poledouris | D Major | 2 | 10B | 85 BPM | ||
| Arrius' Party, Pt. 1 & 2 | Miklós Rózsa | F Major | 2 | 7B | 170 BPM | ||
| Casablanca - Suite | Max Steiner | E♭ Major | 2 | 5B | 83 BPM | ||
| The Arsonist's Waltz | Hans Zimmer | G Major | 2 | 9B | 103 BPM | ||
| Love Theme | Miklós Rózsa | C Minor | 0 | 5A | 87 BPM | ||
| Rosenthal | Bob Cobert | F Major | 1 | 7B | 87 BPM |