Lata Mangeshkar, Manhar Udhas, Laxmikant–Pyarelal's ' "Pyar Karne Wale" was released on its scheduled release date, December 15, 1983. This song is about six minutes long, preciously at 5:56, making this song fairly long compared to other songs. The track order of this song in Laxmikant–Pyarelal's "Hero" album is number 7 out of 7. On top of that, India appears to be the country where this track was created. Pyar Karne Wale is average in popularity right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
We consider the tempo marking of Pyar Karne Wale by Lata Mangeshkar, Manhar Udhas, Laxmikant–Pyarelal to be Andante (at a walking pace) because the track has a tempo of 80 BPM, a half-time of 40BPM, and a double-time of 160 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of D♭ Minor. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| O Goriya Re | K. J. Yesudas | A Minor | 5 | 8A | 98 BPM | ||
| Chhupana Bhi Nahin Aata - From "Baazigar- Hindi" | Vinod Rathod | B♭ Minor | 6 | 3A | 80 BPM | ||
| Jooma Chumma De De - Dialogue | Sudesh Bhosle, Kavita Krishnamurthy, Laxmikant–Pyarelal | B♭ Major | 9 | 6B | 115 BPM | ||
| O Hare Dupattewali | Vipin Sachdeva | F Major | 8 | 7B | 93 BPM | ||
| Shahar Ki Ladki (From "Rakshak") | Abhijeet, Chandra Dixit | A Major | 6 | 11B | 88 BPM | ||
| Main Tere Ishq Mein | Lata Mangeshkar, Laxmikant–Pyarelal | D Minor | 7 | 7A | 84 BPM | ||
| Duniya Mein Tera Hai Bada Naam | Mahendra Kapoor, Laxmikant–Pyarelal | A Minor | 5 | 8A | 148 BPM | ||
| Mera Karma Tu | Suresh Wadkar, Manhar Udhas, Mohammed Aziz, Laxmikant–Pyarelal | B♭ Minor | 3 | 3A | 172 BPM | ||
| Hum Tumhen Chahte Hain - From "Qurbani" | Kanchan, Manhar, Anand | F Major | 4 | 7B | 96 BPM | ||
| Looie Shama Sha | Nitin Mukesh, Lata Mangeshkar, Laxmikant–Pyarelal | C Major | 4 | 8B | 93 BPM | ||
| Ding Dong O Baby Sing | Anuradha Paudwal, Manhar Udhas, Laxmikant–Pyarelal | A Major | 8 | 11B | 94 BPM | ||
| Woh Meri Neend Mera Chain | Sadhana Sargam | G Minor | 8 | 6A | 130 BPM | ||
| Ae Hawa | Lata Mangeshkar | G Major | 5 | 9B | 115 BPM | ||
| Mere Saathi Jeevan Sathi - Excerpt | Laxmikant–Pyarelal, Lata Mangeshkar, Shabbir Kumar | E♭ Minor | 5 | 2A | 78 BPM | ||
| Ek Doosre Se Khafa Hona Nahin | Kavita Krishnamurthy, Mohammed Aziz | F♯ Major | 9 | 2B | 81 BPM | ||
| Tumhen Ho Na Ho | Runa Laila | D♭ Major | 5 | 3B | 87 BPM | ||
| Jo Pallu Gira Diya | Jaspinder Narula, Farid Sabri, Sarika Kapoor | B♭ Major | 8 | 6B | 142 BPM | ||
| Apne | Sonu Nigam, Jayesh Gandhi, Jaspinder Narula | F♯ Major | 7 | 2B | 176 BPM | ||
| Ek Chanchal Shokh Haseena (From "Baaghi") | Abhijeet | G Major | 7 | 9B | 100 BPM | ||
| O Sanam O Sanam | Anand Raj Anand, Udit Narayan, Pamela Jain, Dev Kohli | D♭ Major | 9 | 3B | 97 BPM | ||
| Nafrat Ki Duniya Ko Chhod Ke | Mohammed Rafi, Laxmikant–Pyarelal | D♭ Minor | 5 | 12A | 120 BPM | ||
| Jab Tak Pure Na Ho Phere Saat | Hemlata | G Minor | 6 | 6A | 116 BPM | ||
| Jaisi Karni Waisi Bharni (From "Jaisi Karni Waisi Bharni") | Nitin Mukesh | F Minor | 7 | 4A | 158 BPM | ||
| O Rabba Koi To Bataye | Anuradha Paudwal, Suresh Wadkar | D Major | 5 | 10B | 77 BPM | ||
| Tera Naam Liya - Jhankar Beats | DJ Harshit Shah, DJ MHD IND, Anuradha Paudwal, Manhar Udhas | F♯ Major | 10 | 2B | 131 BPM |