"The Bottle, First Meeting (From "The Lost Weekend")" by Miklós Rózsa, Charles Gerhardt, National Philharmonic Orchestra had its release date on 1975. The duration of This song is about two minutes long, specifically at 2:07. This song does not appear to have any foul language. The Bottle, First Meeting (From "The Lost Weekend")'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 7 out of 15 in Classic Film Scores: Spellbound by Miklós Rózsa, Charles Gerhardt. The Bottle, First Meeting (From "The Lost Weekend") is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of The Bottle, First Meeting (From "The Lost Weekend") by Miklós Rózsa, Charles Gerhardt, National Philharmonic Orchestra is Adagio (slowly with great expression), since this song has a tempo of 75 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 1/4.
This song is in the music key of B Minor. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| L'An 1812 | Wojciech Kilar | A Major | 4 | 11B | 109 BPM | ||
| The Vigil Goes to War | Jeremy Soule | B♭ Minor | 2 | 3A | 73 BPM | ||
| Una Historia Maravillosa | Ninfas De Ultramar | G Minor | 1 | 6A | 110 BPM | ||
| La tormenta | Fernando Velázquez | E♭ Major | 3 | 5B | 69 BPM | ||
| Madame Rosa | Philippe Sarde | A Minor | 1 | 8A | 89 BPM | ||
| Pronunciandose En Silencio | Sirenas Celestiales | A Minor | 5 | 8A | 130 BPM | ||
| Shane Theme - From "Shane" Original Soundtrack | Victor Young | F Major | 2 | 7B | 178 BPM | ||
| High Noon - Theme | Dimitri Tiomkin | E♭ Major | 1 | 5B | 136 BPM | ||
| The Maltese Falcon | Moscow Symphony Orchestra, Adolph Deutsch, John Morgan | F Major | 1 | 7B | 117 BPM | ||
| Silent Grid | Alexander Monroe, Alex Monroe | C Major | 2 | 8B | 110 BPM | ||
| The Will Of Good Men | Trevor Jones | A Major | 1 | 11B | 76 BPM | ||
| The Prince of Peace, Pt. 2 | Miklós Rózsa | D♭ Major | 1 | 3B | 94 BPM | ||
| Overture | Alex North | A Major | 3 | 11B | 100 BPM | ||
| Canción para Catalina | Abraham Yacaman, La Filarmónica Metropolitana de Colombia | E♭ Major | 3 | 5B | 79 BPM | ||
| Fantastic Journey | Richard Philip Birdsall | G Major | 2 | 9B | 58 BPM | ||
| Valeria Remembered - Conan The Destroyer/Soundtrack Version | Basil Poledouris | F Minor | 3 | 4A | 75 BPM | ||
| Alienadas | Armonias | A♭ Major | 4 | 4B | 125 BPM | ||
| Near the End | Paulo Thomas, Paul Thomas | E♭ Minor | 2 | 2A | 67 BPM | ||
| The Magnificent Seven: Main Titles And Calvera's Visit: Allegro Con Fuoco | Phoenix Symphony, James Sedares | D Minor | 4 | 7A | 83 BPM | ||
| The Voyage To Mordor; Theme From The Lord Of The Rings | Leonard Rosenman | B♭ Major | 3 | 6B | 120 BPM | ||
| Toccata & Passacaglia for Orchestra: II. Passacaglia - Live | Maya Badian, Brasov State Philharmonic Orchestra | B♭ Minor | 2 | 3A | 73 BPM | ||
| The Mass Begins | Kerry Muzzey, Budapest Art Orchestra | C Major | 4 | 8B | 86 BPM | ||
| Phalanx Suite: Canon | R.Kuhn, Rüdiger Edgar Kuhn | E♭ Minor | 2 | 2A | 75 BPM | ||
| After Persephone's Fall | James Schafer | B♭ Minor | 2 | 3A | 73 BPM | ||
| The Buoyant Swordsman | Elliot Leung, Long Yu, Shanghai Symphony Orchestra | D Minor | 4 | 7A | 106 BPM |