"same mvt. 4" by Vincent Persichetti, Laurel Zucker and Sara Sutler had its release date on January 1, 2000. The duration of This song is about two minutes long, specifically at 2:09. This song does not appear to have any foul language. same mvt. 4's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 25 in the song's album "Serenades for flute and harp". In this album, this song's track order is #16. Furthermore, we believe that the track originated from United States. In terms of popularity, same mvt. 4 is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With same mvt. 4 by Vincent Persichetti, Laurel Zucker and Sara Sutler having a BPM of 90 with a half-time of 45 BPM and a double-time of 180 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
The music key of this track is A♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| The Hollow Men | Vincent Persichetti, Orchestre de Chambre de Lausanne, Laurent Gay, Olivier Anthony Theurillat | A♭ Major | 0 | 4B | 69 BPM | ||
| Variations on a Korean Folk Song: III. Larghetto | John Barnes Chance, Illinois State University Wind Symphony, Stephen Steele | F♯ Major | 0 | 2B | 67 BPM | ||
| T-bone Concerto: III. Well Done | Johan de Meij, N/A, Christian Lindberg, Heinz Friesen, Symphonic Wind Orchestra Harmonie St. Michaël Thorn | C Major | 3 | 8B | 123 BPM | ||
| Amazing Grace (Arr. for Wind Band by F. Ticheli) | Traditional, North Texas Wind Symphony, Eugene Migliaro Corporon | E♭ Major | 1 | 5B | 77 BPM | ||
| Bagatelle | Hermann Neuling, Jesse McCormick | F Major | 0 | 7B | 66 BPM | ||
| Symphony No. 2: III. Apollo Unleashed | Frank Ticheli, North Texas Wind Symphony, Eugene Migliaro Corporon | G Major | 0 | 9B | 75 BPM | ||
| Greek Folk Song Suite, Op. 25: I. O Charalambis | Franco Cesarini, Messiah College Symphonic Winds, Bradley Genevro | B♭ Major | 3 | 6B | 141 BPM | ||
| Concerto for Wind Ensemble: I. Flow | Kevin Day, ASU Wind Ensemble, Jason Caslor | A Minor | 4 | 8A | 106 BPM | ||
| Trombone Concerto: III. Finale. Maestoso | Launy Grøndahl, Christian Lindberg, Bamberg Symphony, Leif Segerstam | F♯ Major | 1 | 2B | 82 BPM | ||
| III. Allegro spumante | Norman Dello Joio, Rutgers Wind Ensemble, William Berz | D Minor | 1 | 7A | 64 BPM | ||
| Symphony for Band: Adagio, Allegro | Illinois State University Wind Symphony | F Major | 1 | 7B | 136 BPM | ||
| Celebrations: VII. I Sing the Body Electric | Vincent Persichetti, Walt Whitman, Keystone Wind Ensemble, IUP Chorale, Jack Stamp, James Dearing | B Minor | 1 | 10A | 60 BPM | ||
| Symphony No. 1 "Lord of the Rings": II. Lothlorien (the Elvenwood) | Johan de Meij, Peabody Conservatory Wind Ensemble, Harlan D. Parker | A Minor | 2 | 8A | 154 BPM | ||
| Joyride | Michael Markowski, Brooklyn Wind Symphony, Jeff Ball | C Major | 3 | 8B | 148 BPM | ||
| Divertimento, Op. 42: II. Song | Vincent Persichetti, North Texas Wind Symphony, Eugene Migliaro Corporon | C Major | 0 | 8B | 66 BPM | ||
| The Pines of the Appian Way (The Pines of Rome) | US Marine Band | B♭ Major | 1 | 6B | 87 BPM | ||
| Fandango (Arr. F. Werle) | Frank Perkins, Dallas Wind Symphony, Howard Dunn | D Major | 6 | 10B | 110 BPM | ||
| Tuba Suite: I. Allegro maestoso | Don Haddad, Kelly Thomas, Michael Dauphinais | C Minor | 1 | 5A | 140 BPM | ||
| The Magnificent Seven | Elmer Bernstein, Vienna Horns | G Minor | 1 | 6A | 169 BPM | ||
| Africa: Ceremony, Song and Ritual - Robert W. Smith | Harmonie De Charlesbourg, François Dorion | C Major | 2 | 8B | 127 BPM | ||
| Be Thou My Vision | David R. Gillingham, Indiana University Wind Ensemble, Ray Cramer | E♭ Major | 1 | 5B | 125 BPM | ||
| El Camino Real | Alfred Reed, Senzoku Gakuen Symphonic Wind Orchestra | D Minor | 3 | 7A | 79 BPM | ||
| Wine-Dark Sea (Symphony for Band): I. Hubris | John Mackey, The University of Texas Wind Ensemble, Jerry Junkin | E♭ Major | 1 | 5B | 65 BPM | ||
| Wine-Dark Sea: III. The Attentions of Souls | John Mackey, North Texas Wind Symphony, Eugene Migliaro Corporon | B♭ Major | 4 | 6B | 124 BPM | ||
| Cajun Folk Songs, Pt. 2: No. 1, Ballad | Frank Ticheli, North Texas Wind Symphony, Eugene Migliaro Corporon | E♭ Major | 1 | 5B | 89 BPM |