Ram Kumar Lakkha's ' "Ja Re Kabootar" was released on its scheduled release date, July 5, 2016. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Ram Kumar Lakkha's "Main To Shyam Ki Pagli Ji" album is number 3 out of 7. On top of that, France appears to be the country where this track was created. The popularity of Ja Re Kabootar is currently unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Ja Re Kabootar by Ram Kumar Lakkha to be Presto (very, very fast) because the track has a tempo of 180 BPM, a half-time of 90BPM, and a double-time of 360 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 3/4.
This song has a musical key of F♯ Minor. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Duniya ulti reet chalave jyaaro arth samajh na jaane | Anil Nagori | F♯ Major | 7 | 2B | 79 BPM | ||
| Tu Rehne Wali Mehlon Ki | Sonu Nigam | G Major | 10 | 9B | 77 BPM | ||
| ASLAM FULL SAD SONG | Tahseem Dehangal, Aslam Singer Mewati | A Major | 8 | 11B | 85 BPM | ||
| Bande Le Le Sharan Hari Ki | Parmod Kumar | D♭ Major | 6 | 3B | 85 BPM | ||
| Aar Asha Hobe Na - Original | Nayon Das, NA | F Minor | 9 | 4A | 116 BPM | ||
| Furkat Ke Hazaaron Raaton Se | Guddi Gilahari | E♭ Major | 7 | 5B | 89 BPM | ||
| रोजीना तेरी याद आव ................ नौकरी करने वाले के लिए मीणा गीत Batti lal meena | Batti lal Meena Geet | F♯ Major | 10 | 2B | 126 BPM | ||
| Teri Jai Ho Anjani Lala | Anu Dubey | A♭ Minor | 7 | 1A | 136 BPM | ||
| Marta Hai Koi to Mar Jaye | Guddi Gilhari | F♯ Minor | 8 | 11A | 96 BPM | ||
| Ali Maula | Sabri Brothers | C Major | 9 | 8B | 95 BPM | ||
| Bhimrayamule Amha Buddha Milale - Remix | Sky Means Akash, Anand Shinde | D♭ Major | 7 | 3B | 98 BPM | ||
| Bala Ji Teri Lai Kai Be Darkhas | Mukesh Sharma | B Major | 9 | 1B | 79 BPM | ||
| Mere To Gam Pare Rahnde | Mani Ladla | B♭ Minor | 9 | 3A | 177 BPM | ||
| Pacha Jata Sanwra | Rajni Rajasthani | D Major | 6 | 10B | 143 BPM | ||
| Shyam Tere Dar Aana | Pramod Tripathi | F♯ Major | 5 | 2B | 150 BPM | ||
| Madine Aaye Huye Hain | Gulam Sabir, Gulam Waris | D♭ Major | 7 | 3B | 92 BPM | ||
| Jogi Faqeer Ho Chaleya | Pammi Thakur | G Major | 9 | 9B | 115 BPM | ||
| Chali Ja Rahi Hai Umar Dheere Dheere | RJ Shivam | F♯ Minor | 9 | 11A | 148 BPM | ||
| Adhrang Ka Ras Pan Karu | Tarun Baliyan | A Major | 9 | 11B | 139 BPM | ||
| Teri Surat Sitaro Jadi | Tarun Baliyan | G Major | 9 | 9B | 88 BPM | ||
| Bhole GT Road Pe | Lalit Mastana, Ramavtar Sharma | G Minor | 6 | 6A | 89 BPM | ||
| Haryana Ki Hoor | Akram Khan Khushpuri | C Major | 9 | 8B | 132 BPM | ||
| Karke Tanha Mujhe Chhod Gaya | Arshad Kamli | F♯ Major | 9 | 2B | 171 BPM | ||
| Kahe Ho Gail Videshi | Pawan Singh | A Major | 9 | 11B | 140 BPM | ||
| Shiv Ke Hote Kya Darne Ki Baat Hai | Ram Kumar Lakkha | B♭ Minor | 8 | 3A | 126 BPM |