"Come On, Come On..." by Víctor Reyes had its release date on March 6, 2012. The duration of This song is about two minutes long, specifically at 2:17. This song does not appear to have any foul language. Come On, Come On...'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 21 in the song's album "Red Lights". In this album, this song's track order is #11. Based on our statistics, Come On, Come On...'s popularity is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Come On, Come On... by Víctor Reyes having a BPM of 130 with a half-time of 65 BPM and a double-time of 260 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
The music key of this track is B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| A Matter of Going | Joe Kraemer | G Major | 0 | 9B | 127 BPM | ||
| Something The Matter | Hannes De Maeyer, Ruben de Gheselle | E Minor | 0 | 9A | 68 BPM | ||
| Miss Fidel & JJ | Chris Benstead, The Chamber Orchestra Of London, Tom Kilworth, Thomas Gould | G Minor | 3 | 6A | 130 BPM | ||
| Rob's Journey | Federico Jusid | A Minor | 1 | 8A | 64 BPM | ||
| Welcome to the ISS | Jon Ekstrand | D♭ Minor | 2 | 12A | 100 BPM | ||
| Last Letter | Carlos Rafael Rivera | D Minor | 0 | 7A | 72 BPM | ||
| Room 410 | Federico Jusid | A♭ Major | 3 | 4B | 79 BPM | ||
| Speech | Harald Kloser, Thomas Wander | D Minor | 3 | 7A | 82 BPM | ||
| Gerry's Letter | Anne Nikitin | A♭ Major | 3 | 4B | 79 BPM | ||
| Dark Fading Waves | Johannes Lehniger, Sebastian Damerius, Lisa Morgenstern | D Major | 0 | 10B | 77 BPM | ||
| Night Manager Desk | Víctor Reyes | E Minor | 1 | 9A | 115 BPM | ||
| Stop The Plane | Dave Porter | A Minor | 2 | 8A | 80 BPM | ||
| Lotes De Batalla | Hasta El Final | C Major | 1 | 8B | 100 BPM | ||
| Fever Rising | Ruth Barrett, David Schweitzer | E Minor | 3 | 9A | 103 BPM | ||
| Drilling Even Deeper | Kathryn Bostic | G Major | 3 | 9B | 164 BPM | ||
| Yes | Nicholas Britell, Caitlin Sullivan | G Major | 1 | 9B | 103 BPM | ||
| Echoes Beyond the Event Horizon | Adrian Valkor | A♭ Major | 3 | 4B | 79 BPM | ||
| Trip to Scotland | Marcelo Zarvos | E♭ Major | 1 | 5B | 180 BPM | ||
| Tiangong | Steven Price | D Minor | 3 | 7A | 122 BPM | ||
| Standing Man - From "Bridge of Spies"/Score | Thomas Newman | A♭ Major | 0 | 4B | 69 BPM | ||
| Planting a Bug | Cho Young-Wuk | A♭ Major | 3 | 4B | 79 BPM | ||
| The Eternal City - From “Spectre” Soundtrack | Thomas Newman | C Major | 0 | 8B | 75 BPM | ||
| The Covenant | Jed Kurzel | D♭ Major | 1 | 3B | 121 BPM | ||
| The Attic | Martin Phipps | F♯ Major | 1 | 2B | 70 BPM | ||
| Iontrap Mirage | Lumen Sonico | F Minor | 3 | 4A | 95 BPM |