Sam Most's 'Obvious Conclusion' had a release date set for June 6, 2006. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 7 out of 15 in Flute in Flight by Sam Most. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Obvious Conclusion is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Obvious Conclusion by Sam Most is Lento (slowly), since this song has a tempo of 60 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Airport | TransferX | D♭ Minor | 2 | 12A | 130 BPM | ||
| Natalia | Nick J Gloire, Chien Do, Cozy Room, Alex Riel | G Major | 6 | 9B | 95 BPM | ||
| Blue Smoke | Benjamin James Quartet | A Minor | 2 | 8A | 132 BPM | ||
| Smithy Forge | Cubalibre Jazz | F Minor | 1 | 4A | 140 BPM | ||
| Trumpet Avenue | Horn Society | E♭ Major | 3 | 5B | 77 BPM | ||
| Weightless Measures | Sonorous Sky Entertainment | C Minor | 3 | 5A | 131 BPM | ||
| La donna e' una cosa meravigliosa (Seq. 8) | Piero Piccioni | C Major | 6 | 8B | 169 BPM | ||
| Silver Lining Waltz | The Half Light Ensemble | B Minor | 3 | 10A | 76 BPM | ||
| Chronicles of the Exiled | Niko de Oro | D♭ Major | 9 | 3B | 136 BPM | ||
| Telephone | The Overtowns | G Major | 1 | 9B | 62 BPM | ||
| The Space of Sound | Arthur Glasswing | C Minor | 3 | 5A | 131 BPM | ||
| Velvet Ballad | Elliot Crane | C Minor | 3 | 5A | 131 BPM | ||
| Just In Time | Bud Shank, Bob Cooper | C Minor | 3 | 5A | 89 BPM | ||
| I Hear A Rhapsody | The Eddie Higgins Trio | A♭ Major | 6 | 4B | 102 BPM | ||
| Brasserie Clifftop | Timeless Sepia Melodies | A♭ Major | 6 | 4B | 75 BPM | ||
| Steve Allen Theme | Bud Shank, Bob Cooper | B♭ Minor | 2 | 3A | 90 BPM | ||
| Steps on Wet Pavement | Miles Tenor Glow | C Minor | 3 | 5A | 131 BPM | ||
| Midnight in Monochrome | The 50th Floor | C Minor | 3 | 5A | 131 BPM | ||
| Horn Nights | Horn Society | G Major | 5 | 9B | 89 BPM | ||
| Jazz in Brushstrokes | Rowan Blackstone | C Minor | 3 | 5A | 131 BPM | ||
| Ethereal Echoes | Mystique Melody | B♭ Minor | 1 | 3A | 124 BPM | ||
| Last Light On Vinyl | MySOL | A Major | 1 | 11B | 107 BPM | ||
| Afterthoughts | Kate Olson, Wayne Horvitz, Geoff Harper | C Minor | 3 | 5A | 131 BPM | ||
| House of Bread Blues | Bob Dorough, Sam Most | N/A | N/A | N/A | 0 BPM | ||
| 317 East 32nd Street | Alan Broadbent Trio | G Major | 4 | 9B | 170 BPM |