"Hungarian Rhapsody" by Javier Navarrete had its release date on March 1, 2019. The duration of This song is about two minutes long, specifically at 2:14. This song does not appear to have any foul language. Hungarian Rhapsody's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Javier Navarrete's "Greta (Original Motion Picture Soundtrack)" album is number 24 out of 27. Based on our statistics, Hungarian Rhapsody's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Hungarian Rhapsody by Javier Navarrete to be Allegro (fast, quick, and bright) because the track has a tempo of 141 BPM, a half-time of 70BPM, and a double-time of 282 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 3/4.
This song is in the music key of D♭ Minor. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Mary Meets Percy | Amelia Warner | C Major | 1 | 8B | 60 BPM | ||
| Who I Want to Be | David Arnold, Michael Price | A Minor | 2 | 8A | 163 BPM | ||
| What Went We | Mark Korven | G Minor | 0 | 6A | 82 BPM | ||
| Grief | Johannes Lehniger, Sebastian Damerius, Lisa Morgenstern | A Major | 3 | 11B | 96 BPM | ||
| Pegasus | Javier Navarrete | B♭ Major | 4 | 6B | 64 BPM | ||
| The Leftovers (Main Title Theme) | Max Richter | G Minor | 3 | 6A | 98 BPM | ||
| Blood On White | Martin Phipps, BBC National Orchestra Of Wales | F♯ Minor | 0 | 11A | 142 BPM | ||
| One Last Look | Thomas Newman | D Minor | 0 | 7A | 49 BPM | ||
| You're Not the Cursed One | David Hirschfelder | D Minor | 0 | 7A | 76 BPM | ||
| Edith's Theme | Fernando Velázquez | G Minor | 1 | 6A | 81 BPM | ||
| The Cloud Atlas Sextet for Orchestra | Tom Tykwer, Johnny Klimek, Reinhold Heil, Gene Pritsker | D♭ Major | 3 | 3B | 128 BPM | ||
| Marya | Martin Phipps, Latvian Radio Choir, BBC National Orchestra Of Wales | C Major | 0 | 8B | 66 BPM | ||
| Beth's Story | Carlos Rafael Rivera | E♭ Major | 1 | 5B | 100 BPM | ||
| Piano Lessons | Evgueni Galperine, Sacha Galperine | F Minor | 1 | 4A | 169 BPM | ||
| The Moribund Tree & The Toad | Javier Navarrete | C Minor | 2 | 5A | 88 BPM | ||
| Mr Harrigan's Death | Javier Navarrete | D Major | 1 | 10B | 109 BPM | ||
| Cloud Atlas Opening Title | Tom Tykwer, Johnny Klimek, Reinhold Heil | D Minor | 3 | 7A | 140 BPM | ||
| All Boundaries Are Conventions | Tom Tykwer, Johnny Klimek, Reinhold Heil | C Major | 1 | 8B | 55 BPM | ||
| Lord M | Martin Phipps | E♭ Minor | 1 | 2A | 70 BPM | ||
| Paper Shadows | Chad Lawson | F Minor | 0 | 4A | 180 BPM | ||
| Allerdale Hall | Fernando Velázquez | G Minor | 1 | 6A | 69 BPM | ||
| Twilight: Bella's Lullaby | Dan Redfeld & Elizabeth Hedman | D Minor | 0 | 7A | 124 BPM | ||
| Not In Blood, But In Bond | Hans Zimmer | A♭ Major | 2 | 4B | 62 BPM | ||
| Only The Beginning of The Adventure | Harry Gregson-Williams | A♭ Major | 2 | 4B | 83 BPM | ||
| Départ chez la Bête | Pierre Adenot | A Minor | 2 | 8A | 69 BPM |