"Lydian (Arr. R. Smedvig)" by Rolf Smedvig, Hildegard von Bingen, Empire Brass had its release date on November 1, 1994. With This song being less than two minutes long, at 1:10, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 16 in the song's album "Passage: 138 B.C. - A.D. 1611". In this album, this song's track order is #15. Furthermore, we believe that the track originated from United States. Based on our statistics, Lydian (Arr. R. Smedvig)'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Lydian (Arr. R. Smedvig) by Rolf Smedvig, Hildegard von Bingen, Empire Brass having a BPM of 126 with a half-time of 63 BPM and a double-time of 252 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 5/4.
This song has a musical key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Harmonia Aureae Beatitudinis | Monks of St. Anthony's Greek Orthodox Monastery, Abraham Julius Martyn The Fifth | D Minor | 0 | 7A | 71 BPM | ||
| Vox Aurea | Queen of Apostles, Capella Gregoriana, The Benedictine Abbey of Saint Benôit-Du-Lac, Dom André Saint-Cyr | D Minor | 1 | 7A | 134 BPM | ||
| Miserere: VIII. Libera me de sanguinibus ; Domine labia mea aperies - Livre des psaumes | Gregorio Allegri, Bai Tomaso, Ensemble Zene, Bruno Kele-Baujard | C Major | 2 | 8B | 81 BPM | ||
| Missa super Susanne un jour à 5: I. Kyrie | Orlande de Lassus, Chœur De Chambre De Namur, Leonardo García-Alarcón, Lieselot De Wilde, Amélie Renglet, Valerio Contaldo | B♭ Major | 1 | 6B | 134 BPM | ||
| Polorum Regina | DP (arr.: Ivanoff, Vladimir), Sarband | D♭ Major | 0 | 3B | 79 BPM | ||
| Ralph Vaughan Williams: Rest | Lumen Valo | E♭ Major | 0 | 5B | 80 BPM | ||
| The Master Masons Pillar | Tallis Chamber Choir, Edinburgh Renaissance Band, The | F Minor | 3 | 4A | 141 BPM | ||
| Robert Pearsall: Lay a garland | Lumen Valo | E♭ Major | 1 | 5B | 124 BPM | ||
| Ave victorioso e sancto legno | Marchetto Cara, Tessa Bonner, James Gilchrist, Julian Podger, Jonathan Arnold | E Minor | 1 | 9A | 118 BPM | ||
| Ordo Virtutum, Prolog: "Audite "o lucis filie" | Hildegard von Bingen, Ars Choralis Coeln, Maria Jonas, Cora Schmeiser, Lucia Mense | F Major | 1 | 7B | 133 BPM | ||
| Lagrime di San Pietro: No. 21, Vide homo, LV 1025 | Orlande de Lassus, Doulce Mémoire, Denis Raisin-Dadre | E♭ Minor | 0 | 2A | 134 BPM | ||
| Missa Gaudeamus: II. Christe eleison | Josquin des Prez, A Sei Voci, Bernard Fabre-Garrus, Maîtrise des Pays de Loire | F Major | 0 | 7B | 103 BPM | ||
| Ave Generosa | Hildegard von Bingen, Micaela Bottari, Olivia Dowden, Lucy Hole, Alex Meakem, Kate Miksits, Kamala Silvey, Danielle Verguldi, Camille Watson, James Jordan | G Minor | 0 | 6A | 88 BPM | ||
| Innsbruck, ich muss dich lassen | Heinrich Isaac, Capilla Flamenca | F Major | 0 | 7B | 94 BPM | ||
| Mass of the Americas: VII. Ave verum corpus | Frank La Rocca, The Benedict XVI Choir, Richard Sparks | B♭ Minor | 2 | 3A | 73 BPM | ||
| Heu me, Domine | Vicente Lusitano, The Marian Consort | A♭ Major | 1 | 4B | 76 BPM | ||
| Stella Caritatis Serena | Cistercian Monks of Stift Heiligenkreuz, Gregorian Chant Ensemble, Magna Canta | B♭ Major | 0 | 6B | 135 BPM | ||
| Columba aspexit, BN 54 | Hildegard von Bingen, Christopher Page, Emma Kirkby, Gothic Voices, Doreen Muskett | E Major | 0 | 12B | 86 BPM | ||
| Aimè, ch'io moro: Aime, ch'io moro | Marchetto Cara, Tessa Bonner, James Gilchrist, Julian Podger, Jonathan Arnold | C Major | 1 | 8B | 83 BPM | ||
| For The Feast-Day of St. James, apostle: O beate Dei athleta Jacobe | Urbani Loth, Arianna Savall, La Fenice, Jean Tubéry | A Minor | 1 | 8A | 81 BPM | ||
| O Mors Inevitabilis | Hieronymus Vinders, Graindelavoix, Björn Schmelzer | E Major | 2 | 12B | 142 BPM | ||
| O Wisdom (O Sapientia - 17 December) | Philip Moore, St Martin's Voices, Andrew Earis | F♯ Minor | 1 | 11A | 83 BPM | ||
| La Figlia di Guglielmino | Antonio Cornazzano, Into the Winds | E♭ Major | 0 | 5B | 84 BPM | ||
| Gloria in Terra Humilium | Elaria, Schola Antiqua, Nova Schola Gregoriana, St. Peter St. Paul Cathedral Choir of Minsk, Institute of Christ the King Sovereign Priest | F♯ Major | 0 | 2B | 171 BPM | ||
| Illuminated Night Procession | Wonderworker, The Choir of Eparchy of Tripoli | B♭ Major | 0 | 6B | 133 BPM |