Ralph Vaughan Williams, Roderick Williams, Iain Burnside's 'Linden Lea' had a release date set for October 18, 2005. The duration of This song is about two minutes long, specifically at 2:44. This song does not appear to have any foul language. Linden Lea's duration is considered a little bit shorter than the average duration of a typical track. This song is part of Vaughan Williams: Songs of Travel / The House of Life (English Song, Vol. 14) by Ralph Vaughan Williams. The song's track number on the album is #16 out of 20 tracks. Based on our data, Hong Kong was the country where this track was produced or recorded. Linden Lea is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
Since Linden Lea by Ralph Vaughan Williams, Roderick Williams, Iain Burnside has a tempo of 86 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Linden Lea being at 86 BPM, the half-time would be 43 BPM with a double-time of 172 BPM.In addition, we consider the tempo speed to be pretty slow for this song. This makes this song perfect for activities such as, yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Fionnghuala | Anúna, Michael McGlynn, John McGlynn | D♭ Major | 4 | 3B | 167 BPM | ||
| Ain't No Grave | The Wartburg Choir, Dr. Lee Nelson | A Minor | 3 | 8A | 127 BPM | ||
| Delius / Arr. Fenby: Koanga, Act II: La Calinda | Frederick Delius, Sir John Barbirolli, Hallé | E Minor | 4 | 9A | 116 BPM | ||
| Symphony No. 3, "Pastoral Symphony": IV. Lento - Moderato maestoso | Ralph Vaughan Williams, Brendan O'Brien, Patricia Rozario, Bournemouth Symphony Orchestra, Kees Bakels | G Major | 2 | 9B | 169 BPM | ||
| Puccini: Messa di Gloria: Gloria in excelsis Deo - In terra pax - Laudamus te | Giacomo Puccini, London Symphony Chorus, London Symphony Orchestra, Antonio Pappano | A♭ Major | 2 | 4B | 108 BPM | ||
| Chants d'Auvergne: 2. Bailero | Joseph Canteloube, Kiri Te Kanawa, English Chamber Orchestra, Jeffrey Tate | B♭ Major | 1 | 6B | 69 BPM | ||
| Northern Lights | Ola Gjeilo, Phoenix Chorale, Charles Bruffy | D♭ Minor | 0 | 12A | 67 BPM | ||
| Ar Lan Y Mor | Traditional, Bryn Terfel, Orchestra of the Welsh National Opera, Gareth Jones | D Major | 0 | 10B | 102 BPM | ||
| The Rose | Ola Gjeilo, The Choir of Royal Holloway, 12 Ensemble | E Minor | 2 | 9A | 132 BPM | ||
| Come again, sweet love doth now invite | John Dowland, Amarcord | D Minor | 0 | 7A | 63 BPM | ||
| A Sea Symphony: III. Scherzo - The Waves (Allegro brillante) | Ralph Vaughan Williams, Hallé, Sir Mark Elder | G Major | 2 | 9B | 169 BPM | ||
| "Sweeter Than Roses", Z.585 | Henry Purcell, Emma Kirkby, Anthony Rooley | G Major | 0 | 9B | 109 BPM | ||
| Der Rosenkavalier, Op. 59 / Act 2: "Mir ist die Ehre widerfahren" | Richard Strauss, Barbara Bonney, Susan Graham, Wiener Philharmoniker, Christoph Eschenbach | F♯ Major | 1 | 2B | 78 BPM | ||
| Dona nobis pacem: The Angel of Death has been abroad | Ralph Vaughan Williams, Christina Pier, Matthew Brook, The Bach Choir, Bournemouth Symphony Orchestra, David Hill | F Major | 2 | 7B | 88 BPM | ||
| In Remembrance | Eleanor Daley, Messiah College Concert Choir, Rebecca Thomas, Linda L. Tedford | E Major | 1 | 12B | 77 BPM | ||
| Ein deutsches Requiem, Op.45: 5. Solo (Sopran) und Chor: "Ihr habt nun Traurigkeit" | Johannes Brahms, Barbara Hendricks, Rudolf Scholz, Wiener Philharmoniker, Herbert von Karajan, Wiener Singverein | G Major | 0 | 9B | 92 BPM | ||
| All Too Soon (feat. Stephen Hatfield) | Amabile Choirs of London, Canada, Stephen Hatfield | D Major | 3 | 10B | 124 BPM | ||
| Humperdinck : Hänsel und Gretel : Act 2 "Abends will ich schlafen gehn" [Hänsel, Gretel] | Engelbert Humperdinck, Donald Runnicles, Bavarian Radio Symphony Orchestra | G Major | 0 | 9B | 86 BPM | ||
| 4 Shakespeare Songs: No. 1, Come Away Death | Jaakko Mäntyjärvi, Voces Nordicae, Lone Larsen | G Major | 1 | 9B | 128 BPM | ||
| The Mikado: I've Got a Little List | Eric Idle | E♭ Major | 1 | 5B | 119 BPM | ||
| Sancta civitas: And I saw a new Heaven | Ralph Vaughan Williams, Andrew Staples, Matthew Brook, The Bach Choir, Winchester Cathedral Choristers, Winchester College Quiristers, Bournemouth Symphony Orchestra, David Hill | C Major | 2 | 8B | 83 BPM | ||
| Retire My Soul | William Byrd, Stile Antico | D Minor | 1 | 7A | 58 BPM | ||
| Chants d'Auvergne, Vol. 1: No. 1, La Pastoura Als Camps (the Shepherdess in the Fields) | Joseph Canteloube, Véronique Gens, Orchestre National de Lille, Jean-Claude Casadesus | C Minor | 1 | 5A | 98 BPM | ||
| 4 Gesänge, Op. 17: No. 1, Es tönt ein voller Harfenklang | Johannes Brahms, Gächinger Kantorei Stuttgart, Bach-Collegium Stuttgart, Helmuth Rilling | G Minor | 0 | 6A | 67 BPM | ||
| The Victorian Kitchen Garden - Suite: Prelude | Paul Reade, Emma Johnson, Skaila Kanga | B♭ Major | 0 | 6B | 67 BPM |