Ingram Washington's 'Come Rain Or Come Shine' had a release date set for June 30, 2004. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. This song is part of What A Difference A Day Makes by Ingram Washington. The song's track number on the album is #3 out of 14 tracks. Based on our data, United States was the country where this track was produced or recorded. The popularity of Come Rain Or Come Shine is currently below average in popularity right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
Since Come Rain Or Come Shine by Ingram Washington has a tempo of 187 beats per a minute, the tempo markings of this song would be Presto (very, very fast). With Come Rain Or Come Shine being at 187 BPM, the half-time would be 94 BPM with a double-time of 374 BPM.In addition, we consider the tempo speed to be pretty fast for this song. The time signature for this track is 3/4.
This song is in the music key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| The Lonely One | Freddy Cole | C Minor | 1 | 5A | 80 BPM | ||
| Let There Be Love | Silje Nergaard | F♯ Major | 3 | 2B | 118 BPM | ||
| It's Allright With Me | Ingram Washington | D Minor | 3 | 7A | 105 BPM | ||
| Distance | Norma Winstone, Klaus Gesing, Glauco Venier | B♭ Minor | 0 | 3A | 79 BPM | ||
| When She Wept | Sam Vloemans | E Minor | 1 | 9A | 97 BPM | ||
| The Night We Called It a Day | Blue Martini Jazz | B♭ Major | 3 | 6B | 120 BPM | ||
| I've Got You Under My Skin | Alexis Cole | A♭ Major | 4 | 4B | 114 BPM | ||
| Easy to Love | Roberta Gambarini | B♭ Major | 1 | 6B | 140 BPM | ||
| One Night With Frank | Erin Boheme | D♭ Major | 2 | 3B | 111 BPM | ||
| When I Fall in Love | Claire Martin | A♭ Major | 2 | 4B | 114 BPM | ||
| You're Getting to Be a Habit with Me | Bria Skonberg, Stefon Harris, Aaron Diehl, Reginald Veal, Ali Jackson | B♭ Major | 2 | 6B | 72 BPM | ||
| I DON'T WANT TO MISS A THING | Salena Jones | C Major | 3 | 8B | 107 BPM | ||
| The Very Thought of You | Nnenna Freelon | E♭ Major | 1 | 5B | 91 BPM | ||
| Polkadots & Moonbeams | Hailey Tuck | B♭ Major | 3 | 6B | 87 BPM | ||
| I've Got The World On A String | Ingram Washington | A♭ Major | 3 | 4B | 133 BPM | ||
| Medley: Never Let Me Go / I’ll Be There | Arianna Neikrug | F♯ Major | 1 | 2B | 142 BPM | ||
| What A Wonderful World | Ingram Washington | G Minor | 3 | 6A | 131 BPM | ||
| Manhã de Carnaval (Sunrise) | Susannah McCorkle | F Major | 1 | 7B | 93 BPM | ||
| Running Away From You | Sara K. | E Major | 2 | 12B | 95 BPM | ||
| Something Cool | Tierney Sutton | D♭ Major | 1 | 3B | 112 BPM | ||
| I Can't Wait To Get Off Work | Rebekka Bakken | B Minor | 2 | 10A | 85 BPM | ||
| Estate | Tierney Sutton, Serge Merlaud, Kevin Axt | G Major | 1 | 9B | 108 BPM | ||
| Sweet Memories | Salena Jones | A Major | 2 | 11B | 89 BPM | ||
| Sunny | 綾戸智恵 | G Major | 8 | 9B | 125 BPM | ||
| Cry Me a River | Jacintha | E♭ Minor | 2 | 2A | 198 BPM |