Daniel Hart's 'Come To Me On Rue Royal' had a release date set for May 17, 2024. The duration of This song is about two minutes long, specifically at 2:00. This song does not appear to have any foul language. Come To Me On Rue Royal's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Daniel Hart's "Interview with the Vampire: Season 2 (Original Television Series Soundtrack)" album is number 16 out of 34. On top of that, United States appears to be the country where this track was created. Come To Me On Rue Royal is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Come To Me On Rue Royal by Daniel Hart to be Larghetto (rather broadly) because the track has a tempo of 66 BPM, a half-time of 33BPM, and a double-time of 132 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 1/4.
F Minor is the music key of this track. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| The Glass Menagerie | Stefan Gregory | F Major | 2 | 7B | 80 BPM | ||
| He Wants to See You | Adam Taylor | G Major | 1 | 9B | 100 BPM | ||
| Going Through the Motions | Christophe Beck, Michael Paraskevas | F♯ Minor | 1 | 11A | 75 BPM | ||
| Le Fantôme de Saint Bechet | Glenn Crytzer | G Minor | 1 | 6A | 77 BPM | ||
| Opening Title | Stephen Sondheim | D Major | 3 | 10B | 64 BPM | ||
| The Coven March | Christophe Beck, Michael Paraskevas | F♯ Major | 1 | 2B | 118 BPM | ||
| Paris Sucks | Daniel Hart, Evan Smith | F Minor | 3 | 4A | 66 BPM | ||
| Venetia's See-Through Night Dress | Anthony Willis, London Contemporary Orchestra | B♭ Minor | 1 | 3A | 110 BPM | ||
| To Death | Christophe Beck, Michael Paraskevas | D♭ Major | 1 | 3B | 82 BPM | ||
| Hello Francis, Goodbye Francis | Daniel Hart, Evan Smith | F Minor | 3 | 4A | 66 BPM | ||
| It's All Theater | Hildur Guðnadóttir | F Major | 1 | 7B | 120 BPM | ||
| Deep Water | Rob Simonsen | A♭ Major | 2 | 4B | 67 BPM | ||
| The Message / Main Theme | George Fenton | D Major | 2 | 10B | 95 BPM | ||
| Main Title / The Bride of Frankenstein | Franz Waxman | F Major | 6 | 7B | 126 BPM | ||
| Opening (From "Carol") | Brussells Philharmonic, Dirk Brossé | C Minor | 1 | 5A | 112 BPM | ||
| Grief | Johannes Lehniger, Sebastian Damerius, Lisa Morgenstern | A Major | 3 | 11B | 96 BPM | ||
| Chateau Vampires | Trevor Morris, Trey Toy | G Major | 3 | 9B | 60 BPM | ||
| A Fool's Paradise | Trent Reznor and Atticus Ross | G Major | 0 | 9B | 150 BPM | ||
| Shore: Finale | Howard Shore, Münchner Symphoniker | D Minor | 2 | 7A | 140 BPM | ||
| Yaki-Ire Meditation | Amie Doherty | D Minor | 1 | 7A | 71 BPM | ||
| Run Into A.B. | Mark Mothersbaugh | A Major | 2 | 11B | 130 BPM | ||
| Gasoline II | Ryan Holladay, Hays Holladay, Zach Cregger | C Major | 0 | 8B | 222 BPM | ||
| Exotique | Paul Lenart, Bill Novick, Billy Novick | B♭ Major | 3 | 6B | 109 BPM | ||
| Norman's Walk | Jon Brion | F♯ Minor | 1 | 11A | 113 BPM | ||
| Previously on Wonder Man | Joel P West | F Minor | 4 | 4A | 137 BPM |