"Wie Melodien zieht es mir, Op. 105/1" by Johannes Brahms, Nils Mönkemeyer had its release date on March 19, 2010. The duration of This song is about two minutes long, specifically at 2:28. This song does not appear to have any foul language. Wie Melodien zieht es mir, Op. 105/1's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Nils Mönkemeyer's "In dunklen Träumen" album is number 25 out of 26. On top of that, Germany appears to be the country where this track was created. Wie Melodien zieht es mir, Op. 105/1 is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Wie Melodien zieht es mir, Op. 105/1 by Johannes Brahms, Nils Mönkemeyer to be Andante (at a walking pace) because the track has a tempo of 83 BPM, a half-time of 42BPM, and a double-time of 166 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Bagatelle sans tonalité, S. 216a | Franz Liszt, Stephen Hough | B Major | 1 | 1B | 133 BPM | ||
| Piano Trio No. 3 in F Minor, Op. 65, B. 130: III. Poco adagio | Antonín Dvořák, Trio 258 | F Minor | 1 | 4A | 108 BPM | ||
| ブルクミュラー25の練習曲: 19. アヴェ・マリア | Burgmuller, 神野明 | C Major | 2 | 8B | 134 BPM | ||
| Mazurka No. 39 in B Major, Op. 63 No. 1 | Frédéric Chopin, Rafał Blechacz | A♭ Major | 0 | 4B | 77 BPM | ||
| Piano Quintet in F Minor, Op. 34: III. Scherzo. Allegro | Johannes Brahms, Paul Gulda, Hagen Quartett | E♭ Major | 0 | 5B | 90 BPM | ||
| Gammal fabodpsalm fran Dalarna: No. 1 in A Major (arr. J. Johansson for orchestra) [Old Pastoral Hymn from Dalecarlia] | Wilhelm Stenhammar, Henning Kraggerud, Dalasinfoniettan, Bjarte Engeset | A Major | 2 | 11B | 85 BPM | ||
| Sonatina, Op. 100: Scherzo. Molto vivace | Antonín Dvořák, Josef Suk, Alfréd Holeček | G Major | 2 | 9B | 131 BPM | ||
| Nocturne No. 5 in B-Flat Major | John Field, Miceal O'Rourke | B♭ Major | 0 | 6B | 73 BPM | ||
| Janáček: In the Mists: II. Molto adagio | Leoš Janáček, Mikhail Rudy | A♭ Minor | 1 | 1A | 80 BPM | ||
| Love | Nan-pa Hong, Elissa Lee Koljonen, Robert Koenig | G Minor | 1 | 6A | 160 BPM | ||
| 12 Variations for Violin and Piano on "La bergère Célimène", K. 359: Var. 11. Adagio | Wolfgang Amadeus Mozart, Alina Ibragimova, Cédric Tiberghien | G Major | 0 | 9B | 104 BPM | ||
| Variations on a Rococo Theme, Op. 33: Var. 5 - Allegro moderato - Cadenza | Pyotr Ilyich Tchaikovsky, Pablo Ferrandez, Martin Fröst, Swedish Chamber Orchestra | B♭ Minor | 4 | 3A | 93 BPM | ||
| Symphony No. 27 in G Major, Hob. I:27: II. Andante: Siciliano | Joseph Haydn, Dennis Russell Davies, Stuttgart Chamber Orchestra | E♭ Major | 0 | 5B | 83 BPM | ||
| Etude, Op. 25 No. 1 in A-Flat Major: Allegro sostenuto | Frédéric Chopin, Martin Stadtfeld | A♭ Major | 0 | 4B | 87 BPM | ||
| Franz Schuberts Märsche, S. 426: Grande marche - Excerpt | Franz Liszt, Marc-André Hamelin | D Minor | 0 | 7A | 106 BPM | ||
| Valse F Minor - Duo-Art 7360 | Vladimir Horowitz, Peter Phillips | F Minor | 1 | 4A | 108 BPM | ||
| Bagatelles, Op. 47, B. 79: No. 4 in E Major, Canon. Andante con moto | Antonín Dvořák, Josef Suk, Miroslav Ambroš, Jiří Bárta, Jan Simon | E Major | 1 | 12B | 135 BPM | ||
| Souvenir d'un lieu cher, Op. 42: III. Mélodie | Pyotr Ilyich Tchaikovsky, Charlie Siem, Paul Goodwin | E♭ Major | 1 | 5B | 78 BPM | ||
| 4 Romantic Pieces, Op. 75: No. 3, Allegro appassionato | Antonín Dvořák, Anthony Marwood, Susan Tomes | B♭ Major | 1 | 6B | 103 BPM | ||
| 8 Pieces, Op. 83: V. Rumänische Melodie (Andante) | Max Bruch, Philon Trio | F♯ Minor | 0 | 11A | 78 BPM | ||
| Hummel: Viola Sonata in E-Flat Major, Op. 5 No. 3: II. Adagio cantabile | Johann Nepomuk Hummel, Gérard Caussé, François-René Duchâble, Françoise Garcin | B♭ Major | 0 | 6B | 82 BPM | ||
| Piano Concerto for the Left Hand No. 1: III. Var. 3 | Josef Labor, Oliver Triendl, Deutsche Staatsphilharmonie Rheinland-Pfalz, Eugene Tzigane | E♭ Major | 1 | 5B | 109 BPM | ||
| Andante quasi allegretto in B-Flat Major, K. 15q | Wolfgang Amadeus Mozart, Martin Stadtfeld | E♭ Major | 1 | 5B | 96 BPM | ||
| Murmuring Zephyrs. (Murmelndes Luftchen) Op. 21, No.4 - Duo-Art 6172 | Adolf Jensen, Rudolph Ganz, Peter Phillips | F♯ Major | 1 | 2B | 71 BPM | ||
| Quatre pièces fugitives, Op. 15: No. 3, Andante espressivo | Clara Schumann, Stewart Goodyear, Alexander Shelley, Canada's National Arts Centre Orchestra | G Minor | 1 | 6A | 91 BPM |