"The Lord Is My Shepherd" by John Rutter, Quentin Poole, The Cambridge Singers, City of London Sinfonia had its release date on September 1, 2005. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in John Rutter, The Cambridge Singers's "Gloria: The Sacred Music Of John Rutter" album is number 8 out of 17. On top of that, United Kingdom appears to be the country where this track was created. In terms of popularity, The Lord Is My Shepherd is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of The Lord Is My Shepherd by John Rutter, Quentin Poole, The Cambridge Singers, City of London Sinfonia to be Andante (at a walking pace) because the track has a tempo of 97 BPM, a half-time of 48BPM, and a double-time of 194 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song is in the music key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| I Vow to Thee My Country | The Oxford Trinity Choir | C Major | 2 | 8B | 68 BPM | ||
| Verleih uns Frieden gnädiglich | Felix Mendelssohn, Laurence Equilbey, Accentus, Orchestre de chambre de Paris | A♭ Major | 2 | 4B | 87 BPM | ||
| Liturgische Gesänge, Op. 81, Book 1 "Zur Adventszeit": No. 5, Meine Seele erhebt den Herrn | Heinrich von Herzogenberg, BYU Singers, Andrew Crane | C Major | 3 | 8B | 67 BPM | ||
| When I Survey the Wondrous Cross | Edward Miller, John Rutter, John Scott, The Cambridge Singers | G Major | 1 | 9B | 133 BPM | ||
| O Holy Night | Adolphe Adam, The Bach Choir, Royal Philharmonic Orchestra, John Rutter | E♭ Major | 2 | 5B | 168 BPM | ||
| I Would Be True ("Air from County Derry") | The Choir Of Westminster Abbey, Martin Baker, London Brass, Iain Simcock, Martin Neary | G Minor | 1 | 6A | 102 BPM | ||
| When I needed a neighbour, were you there? | Wells Cathedral Choir, Rupert Gough | E Minor | 1 | 9A | 91 BPM | ||
| Lux Aurumque | Eric Whitacre, The Chapel Choir of Pembroke College, Cambridge, The Pembroke College Girls’ Choir, Anna Lapwood | D♭ Major | 0 | 3B | 76 BPM | ||
| Requiem in D Minor, Op. 48: III. Sanctus | Gabriel Fauré, John Rutter, Simon Standage, John Scott, City of London Sinfonia, The Cambridge Singers | G Major | 1 | 9B | 83 BPM | ||
| Coronation Anthem - Zadok the Priest, HWV258: Zadok the Priest | The Sixteen | D♭ Major | 1 | 3B | 97 BPM | ||
| Lo How a Rose E'er Blooming | Michael Praetorius, The Cambridge Singers, John Rutter | F♯ Major | 1 | 2B | 107 BPM | ||
| Requiem: Pie Jesu | Andrew Lloyd Webber, Charlotte Church, Sian Edwards | A♭ Major | 0 | 4B | 79 BPM | ||
| Abide with Me | The Oxford Trinity Choir | E♭ Major | 1 | 5B | 68 BPM | ||
| The Reluctant Dragon: No. 8, Finale. Let's Begin Again | John Rutter, Richard Baker, Anthony Holt, Bill Ives, Jeremy Jackman, The King's Singers, City of London Sinfonia, Richard Hickox | E Major | 1 | 12B | 104 BPM | ||
| Ave Maria (Franz Biebl) | Chanticleer | D♭ Major | 0 | 3B | 65 BPM | ||
| Gabriel's Message | Anonymous, Choir of Clare College, Cambridge, Orchestra of Clare College, Cambridge, John Rutter | B♭ Minor | 1 | 3A | 75 BPM | ||
| Abide With Me | William Henry Monk, Aled Jones, English Session Orchestra | F♯ Major | 2 | 2B | 86 BPM | ||
| Panis Angelicus | The St Philips Boy's Choir | A♭ Major | 3 | 4B | 140 BPM | ||
| Cantique de Jean Racine, Op. 11 | Gabriel Fauré, Choir of King's College, Cambridge, James Vivian, Stephen Cleobury | D Major | 1 | 10B | 99 BPM | ||
| The Advent Candle | Bob Chilcott, Commotio, Tanya Houghton, Matthew Berry | D Major | 1 | 10B | 87 BPM | ||
| Lo, How a Rose E'er Blooming | Michael Praetorius, Jan Sandström, The Elora Singers, Noel Edison | F Major | 0 | 7B | 90 BPM | ||
| Crucifixus a 8 | Antonio Lotti, Stephen Cleobury, Choir of King's College, Cambridge | C Minor | 1 | 5A | 124 BPM | ||
| In Christ Alone | St. Michael's Singers | F Major | 2 | 7B | 64 BPM | ||
| Corde Natus Ex Parentis | Anonymous, VOCES8, Christian Forshaw | D Minor | 0 | 7A | 91 BPM | ||
| Psalm 10 "Why Standest Thou So Far Off, O Lord?" | Harold Darke, Exeter Cathedral Choir, Paul Morgan, Andrew Millington | B Major | 1 | 1B | 131 BPM |