On April 16, 1995, the song "Tomorrow Night In Baltimore" was released by Roger Miller. The duration of This song is about two minutes long, specifically at 2:54. This song does not appear to have any foul language. Tomorrow Night In Baltimore's duration is considered a little bit shorter than the average duration of a typical track. The song is number 10 out of 11 in At His Best by Roger Miller. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. In terms of popularity, Tomorrow Night In Baltimore is currently not that popular. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Tomorrow Night In Baltimore by Roger Miller is Andante (at a walking pace), since this song has a tempo of 108 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.
This song has a musical key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| (The Day I Jumped) From Uncle Harvey's Plane | Roger Miller | F Major | 6 | 7B | 116 BPM | ||
| See The Big Man Cry | Charlie Louvin | D♭ Major | 6 | 3B | 127 BPM | ||
| Please Help Me I'm Falling | Hank Locklin | G Major | 4 | 9B | 108 BPM | ||
| Robin Hood Medley (Arr. by J. Christensen) | George Bruns, Roger Miller, Wayne Lanham, Boston Pops Orchestra, Arthur Fiedler | C Major | 4 | 8B | 118 BPM | ||
| Hog Of The Forsaken | Michael Hurley | D Major | 4 | 10B | 126 BPM | ||
| Leaving Louisiana In The Broad Daylight | The Oak Ridge Boys | F Major | 6 | 7B | 96 BPM | ||
| Roll, Truck, Roll | Red Simpson | D Major | 4 | 10B | 112 BPM | ||
| Charlie's Shoes - Remastered | Billy Walker | A Major | 5 | 11B | 142 BPM | ||
| Semi-Crazy | Junior Brown, Red Simpson | E Major | 7 | 12B | 158 BPM | ||
| Smoke Along The Track | Stonewall Jackson | E Major | 5 | 12B | 97 BPM | ||
| Bury The Bottle With Me | Dick Curless | G Major | 3 | 9B | 89 BPM | ||
| Who's Gonna Feed Them Hogs | Tom T. Hall | G Major | 6 | 9B | 105 BPM | ||
| Will Your Lawyer Talk To God? | Kitty Wells | A Major | 2 | 11B | 121 BPM | ||
| The Fugitive's Lament | The Delmore Brothers | A Minor | 4 | 8A | 104 BPM | ||
| Best of All Possible Worlds | Kris Kristofferson | A Major | 6 | 11B | 106 BPM | ||
| Stateside | Mel Tillis | G Major | 4 | 9B | 141 BPM | ||
| Women Do Funny Things To Me | Del Reeves | C Major | 5 | 8B | 171 BPM | ||
| Goin' Steady | Faron Young | C Major | 3 | 8B | 118 BPM | ||
| Froggy Went a Courting | Tex Ritter | D Major | 7 | 10B | 194 BPM | ||
| Across The Alley From The Alamo | Bob Wills, Gene 'Tag' Lambert | B♭ Major | 4 | 6B | 150 BPM | ||
| Don't Care | Webb Pierce | A Minor | 4 | 8A | 104 BPM | ||
| You Don't Want My Love | Roger Miller | G Major | 4 | 9B | 95 BPM | ||
| Willy the Wandering Gypsy and Me | Billy Joe Shaver | B Major | 1 | 1B | 147 BPM | ||
| Mama Hated Diesels | Commander Cody and His Lost Planet Airmen | D Major | 4 | 10B | 105 BPM | ||
| Country Bumpkin | Cal Smith | G Major | 3 | 9B | 95 BPM |